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The Rocky Horror Picture Show | |
---|---|
Directed by | Jim Sharman |
Produced by | |
Screenplay by | |
Based on | The Rocky Horror Show by Richard O'Brien |
Starring | |
Narrated by | Charles Gray |
Music by | |
Cinematography | Peter Suschitzky |
Edited by | Graeme Clifford |
Production company | |
Distributed by | 20th Century Fox |
Release date | |
Running time | 100 minutes[1][2] |
Country | |
Language | English |
Budget | $1.4 million[4] |
Box office | $140.2 million[5] |
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The Rocky Horror Picture Show is a 1975 musicalhorrorcomedy film by 20th Century Fox, produced by Lou Adler and Michael White and directed by Jim Sharman. The screenplay was written by Sharman and actor Richard O'Brien, who is also a member of the cast. The film is based on the 1973 musical stage productionThe Rocky Horror Show, with music, book, and lyrics by O'Brien. The production is a parody tribute to the science fiction and horror B movies of the 1930s through to the early 1960s. Along with O'Brien, the film stars Tim Curry, Susan Sarandon, and Barry Bostwick and is narrated by Charles Gray with cast members from the original Royal Court Theatre, Roxy Theatre, and Belasco Theatre productions including Nell Campbell and Patricia Quinn.
The story centres on a young engaged couple whose car breaks down in the rain near a castle where they seek a telephone to call for help. The castle or country home is occupied by strangers in elaborate costumes celebrating an annual convention. They discover the head of the house is Dr. Frank N. Furter, an apparently mad scientist who actually is an alien transvestite who creates a living muscle man in his laboratory. The couple are seduced separately by the mad scientist and eventually released by the servants who take control.
The film was shot in the United Kingdom at Bray Studios and on location at an old country estate named Oakley Court, best known for its earlier use by Hammer Film Productions. A number of props and set pieces were reused from the Hammer horror films. Although the film is both a parody of and tribute to many kitsch science fiction and horror films, costume designer Sue Blane conducted no research for her designs. Blane stated that costumes from the film have directly affected the development of punk rock fashion trends such as ripped fishnets and dyed hair.[6]
Although largely critically panned on initial release, it soon became known as a midnight movie when audiences began participating with the film at the Waverly Theater in New York City in 1976. Audience members returned to the cinemas frequently and talked back to the screen and began dressing as the characters, spawning similar performance groups across the United States. At almost the same time, fans in costume at the King's Court Theater in Pittsburgh began performing alongside the film. This 'shadow cast' mimed the actions on screen above and behind them, while lip-synching their character's lines. Still in limited release four decades after its premiere, it is the longest-running theatrical release in film history. It is often shown close to Halloween. Today, the film has a large international cult following. It was selected for preservation in the United States National Film Registry by the Library of Congress in 2005.
- 3Production
- 5Release
- 6Reception, reaction and legacy
- 6.2Cult phenomenon
- 6.3Cultural influence
Plot[edit]
A criminologist narrates the tale of the newly engaged couple, Brad Majors and Janet Weiss, who find themselves lost and with a flat tire on a cold and rainy late November evening, somewhere near Denton in 1974. Seeking a telephone, the couple walk to a nearby castle where they discover a group of strange and outlandish people who are holding an Annual Transylvanian Convention. They are soon swept into the world of Dr. Frank-N-Furter, a self-proclaimed 'sweet transvestite from Transsexual, Transylvania'. The ensemble of convention attendees also includes servants Riff Raff, his sister Magenta, and a groupie named Columbia.
In his lab, Frank claims to have discovered the 'secret to life itself'. His creation, Rocky, is brought to life. The ensuing celebration is soon interrupted by Eddie (an ex-delivery boy, both Frank and Columbia's ex-lover, as well as partial brain donor to Rocky) who rides out of a deep freeze on a motorcycle. Eddie then proceeds to seduce Columbia, get the Transylvanians dancing and singing and intrigue Brad and Janet. When Rocky starts dancing and enjoying the performance, a jealous Frank kills Eddie with a pickax. Columbia screams in horror, devastated by Eddie's death. Frank justifies killing Eddie as a 'mercy killing' to Rocky and they depart to the bridal suite.
Brad and Janet are shown to separate bedrooms, where each is visited and seduced by Frank, who poses as Brad (when visiting Janet) and then as Janet (when visiting Brad). Janet, upset and emotional, wanders off to look for Brad, who she discovers, via a television monitor, is in bed with Frank. She then discovers Rocky, cowering in his birth tank, hiding from Riff Raff, who has been tormenting him. While tending to his wounds, Janet becomes intimate with Rocky, as Magenta and Columbia watch from their bedroom monitor.
After discovering that his creation is missing, Frank returns to the lab with Brad and Riff Raff, where Frank learns that an intruder has entered the building. Brad and Janet's old high school science teacher, Dr. Everett Scott, has come looking for his nephew, Eddie. Frank suspects that Dr. Scott investigates UFOs for the government. Upon learning of Brad and Janet's connection to Dr. Scott, Frank suspects them of working for him; Brad denies any knowledge of it, and Dr. Scott assures Frank that Brad is totally not involved in UFOs. Frank, Dr. Scott, Brad, and Riff Raff then discover Janet and Rocky together under the sheets in Rocky's birth tank, upsetting Frank and Brad. Magenta interrupts the reunion by sounding a massive gong and stating that dinner is prepared.
Rocky and the guests share an uncomfortable dinner, which they soon realize has been prepared from Eddie's mutilated remains. Janet runs screaming into Rocky's arms, provoking Frank to chase her through the halls. Janet, Brad, Dr. Scott, Rocky, and Columbia all meet in Frank's lab, where Frank captures them with the Medusa Transducer, transforming them into nude statues. After dressing them in cabaret costume, Frank 'unfreezes' them, and they perform a live cabaret floor show, complete with an RKO tower and a swimming pool, with Frank as the leader.
Riff Raff and Magenta interrupt the performance, revealing themselves and Frank to be aliens from the planet Transsexual in the galaxy of Transylvania. They stage a coup and announce a plan to return to their home planet. In the process, they kill Columbia and Frank, who has 'failed his mission'. An enraged Rocky gathers Frank in his arms, climbs to the top of the tower, and plunges to his death in the pool below. Riff Raff and Magenta release Brad, Janet, and Dr. Scott, then depart by lifting off in the castle itself. The survivors are then left crawling in the dirt, and the narrator concludes that the human race is equivalent to insects crawling on the planet's surface, 'lost in time, and lost in space.. and meaning'.
Cast[edit]
- Tim Curry as Dr. Frank-N-Furter, an eccentric bisexual transvestite scientist
- Susan Sarandon as Janet Weiss, a heroine
- Barry Bostwick as Brad Majors, a hero
- Richard O'Brien as Riff Raff, a handyman
- Patricia Quinn as Magenta, a domestic
- Nell Campbell (credited as Little Nell) as Columbia, a groupie
- Jonathan Adams as Dr. Everett V. Scott, a rival scientist
- Peter Hinwood as Rocky Horror, a creation
- Meat Loaf as Eddie, an ex-delivery boy
- Charles Gray as the Criminologist, an expert
- Jeremy Newson as Ralph Hapschatt
- Hilary Farr (credited as Hilary Labow) as Betty Munroe
Production[edit]
Concept and development[edit]
Little Nell, Patricia Quinn, Tim Curry, and Richard O'Brien in The Rocky Horror Picture Show. All were in the original stage show.
Richard O'Brien was living as an unemployed actor in London during the early 1970s. He wrote most of The Rocky Horror Show during one winter just to occupy himself.[7][8] Since his youth, O'Brien had loved science fiction and B horror movies. He wanted to combine elements of the unintentional humour of B horror movies, portentous dialogue of schlock-horror, Steve Reeves muscle flicks, and fifties rock and roll into his musical.[9] O'Brien conceived and wrote the play set against the backdrop of the glam era that had manifested itself in British popular culture in the 1970s.[10] Allowing his concept to come into being, O'Brien states 'glam rock allowed me to be myself more'.[11]
O'Brien showed a portion of the unfinished script to Australian director Jim Sharman, who decided to direct it at the small experimental space Upstairs at the Royal Court Theatre, Sloane Square, Chelsea, London, which was used as a project space for new work.[7] O'Brien had appeared briefly in a stage production of Andrew Lloyd Webber's Jesus Christ Superstar, directed by Sharman, and the two also worked together in Sam Shepard's The Unseen Hand. Sharman would bring in production designer Brian Thomson.[12] The original creative team was then rounded out by costume designer Sue Blane, musical director Richard Hartley, and stage producer Michael White, who was brought in to produce. As the musical went into rehearsal, the working title, They Came from Denton High, was changed just before previews at the suggestion of Sharman to The Rocky Horror Show.[7][13]
Having premiered in the small sixty-seat Royal Court Theatre, it quickly moved to larger venues in London, transferring to the 230-seat Chelsea Classic Cinema on King's Road on 14 August 1973, before finding a quasi-permanent home at the 500-seat King's Road Theatre from 3 November 1973, running for six years.[14] The musical made its U.S. debut in Los Angeles in 1974 before being played in New York City as well as other cities.[12] Producer and Ode Records owner Lou Adler attended the London production in the winter of 1973, escorted by friend Britt Ekland. He immediately decided to purchase the U.S. theatrical rights. His production would be staged at his Roxy Theatre in L.A.[15] In 1975, The Rocky Horror Show premiered on Broadway at the 1,000-seat Belasco Theatre.[16]
Filming and locations[edit]
Oakley Court
The film was shot at Bray Studios and Oakley Court, a country house near Maidenhead, Berkshire, England, and at Elstree Studios[17] for post production,[18] from 21 October to 19 December 1974. Oakley Court, built in 1857 in the Victorian Gothic style, is known for a number of Hammer films.[19][20] Much of the location shooting took place there, although at the time the manor was not in good condition.[21] Much of the cast were from the original London stage production, including Tim Curry, who had decided that Dr Frank N. Furter should speak like the Queen of England, extravagantly posh.[11] Fox insisted on casting the two characters of Brad and Janet with American actors, Barry Bostwick and Susan Sarandon.[12] Filming took place during autumn, which made conditions worse. During filming, Sarandon fell ill with pneumonia.[9] Filming of the laboratory scene and the title character's creation occurred on 30 October 1974.[22]
The film is both a parody and tribute to many of the science fiction and horror movies from the 1930s up to the 1970s.[7] The film production retains many aspects from the stage version such as production design and music, but adds new scenes not featured in the original stage play.[12] The film's plot, setting, and style echo those of the Hammer Horror films, which had their own instantly recognizable style (just as Universal Studios' horror films did).[23] The originally proposed opening sequence was to contain clips of various films mentioned in the lyrics, as well as the first few sequences shot in black and white, but this was deemed too expensive and scrapped.[12]
Costumes, make-up, and props[edit]
In the stage productions, actors generally did their own make-up; however, for the film, the producers chose Pierre La Roche, who had previously been a make-up artist for Mick Jagger and David Bowie, to redesign the make-up for each character.[24] Production stills were taken by rock photographer Mick Rock, who has published a number of books from his work.[25] In Rocky Horror: From Concept to Cult, designer Sue Blane discusses the Rocky Horror costumes' influence on punk music style, opining '[It was a] big part of the build-up [to punk].' She states that ripped fishnet stockings, glitter, and coloured hair were directly attributable to Rocky Horror.[7]
A replica costume based on the film's gold sequined swallow-tail coat worn by Little Nell, recreated by fan Mina Credeur of Houston, Texas.
Some of the costumes from the film had been originally used in the stage production. Props and set pieces were reused from old Hammer Horror productions and others. The tank and dummy used for Rocky's birth originally appeared in The Revenge of Frankenstein (1958). These references to earlier productions, in addition to cutting costs, enhanced the cult status of the film.[26]
Costume designer Sue Blane was not keen on working for the film until she became aware that Curry, an old friend, was committed to the project. Curry and Blane had worked together in Glasgow's Citizens Theatre in a production of The Maids, for which Curry had worn a woman's corset. Blane arranged for the theatre to loan her the corset from the other production for Rocky Horror.[27] Blane admits that she did not conduct research for her designing, had never seen a science fiction film, and is acutely aware that her costumes for Brad and Janet may have been generalizations.
'When I designed Rocky, I never looked at any science fiction movies or comic books. One just automatically knows what spacesuits look like, the same way one intuitively knows how Americans dress. I had never been to the United States, but I had this fixed idea of how people looked there. Americans wore polyester so their clothes wouldn't crease, and their trousers were a bit too short. Since they're very keen on sports, white socks and white T-shirts played an integral part in their wardrobe. Of course, since doing Rocky I have been to the United States and admit it was a bit of a generalization, but my ideas worked perfectly for Brad and Janet.'[27]
The budget for the film's costumes was US$1,600,[27] far more than the stage production budget, but having to double up on costumes for the film production was expensive. For filming, corsets for the finale had to be doubled for the pool scene, with one version drying while the other was worn on set. While many of the costumes are exact replicas from the stage productions, other costumes were new to filming, such as Columbia's gold sequined swallow-tail coat and top hat and Magenta's maid's uniform.[27]
Blane was amazed by the recreation and understanding of her designs by fans.[27] When she first heard that people were dressing up, she thought it would be tacky, but was surprised to see the depth to which the fans went to recreate her designs. Rocky Horror fan Mina Credeur, who designs costumes and performed as Columbia for Houston’s performance group, states that 'the best part is when everyone leaves with a big smile on their face,' noting that there's 'such a kitschiness and campiness that it seems to be winking at you.'[28] The film still plays at many theatre locations and Rocky Horror costumes are often made for Halloween, although many require much time and effort to make.[29]
Title sequence[edit]
The film starts with the screen fading to black and oversized, disembodied female lips appear overdubbed with a male voice,[26][30] establishing the theme of androgyny to be repeated as the film unfolds.[31] The opening scene and song, 'Science Fiction/Double Feature', consists of the lips of Patricia Quinn (who appears in the film later as the character Magenta (in addition to the latter, appeared as 'Trixie the Usherette' in the original London production who sang the song)), but has the vocals of actor and Rocky Horror creator, Richard O'Brien (who appears as Magenta's brother Riff Raff). The lyrics refer to science fiction and horror films of the past and list several film titles from the 1930s to the 1960s, including The Day the Earth Stood Still (1951), Flash Gordon (1936), The Invisible Man (1933), King Kong (1933), It Came from Outer Space (1953), Doctor X (1932), Forbidden Planet (1956), Tarantula (1955), The Day of the Triffids (1962), Curse of the Demon (1957), and When Worlds Collide (1951).[7]
Music[edit]
The soundtrack was released in 1975 by Ode Records and produced by English composer Richard Hartley. The album peaked at No. 49 on the U.S. Billboard 200 in 1978.[32] It reached No. 12 on the Australian albums chart[33] and No. 11 on the New Zealand albums chart.[34] The album is described as the 'definitive version of the [Rocky Horror] score'.[35]
- 'Science Fiction/Double Feature' – The Lips (those of Patricia Quinn; voice of Richard O'Brien)
- 'Dammit Janet' – Brad, Janet, and Chorus
- 'There's a Light (Over at the Frankenstein Place)' – Janet, Brad, Riff Raff, and Chorus
- 'The Time Warp' – Riff Raff, Magenta, The Criminologist, Columbia, and Transylvanians
- 'Sweet Transvestite' – Frank
- 'The Sword of Damocles' – Rocky and Transylvanians
- 'I Can Make You a Man' – Frank with Brad, Janet, Riff Raff, Magenta, and Columbia
- 'Hot Patootie – Bless My Soul' – Eddie and Transylvanians
- 'I Can Make You a Man (Reprise)' – Frank, Janet, and Transylvanians
- 'Touch-a, Touch-a, Touch-a, Touch Me' – Janet with Magenta, Columbia, Rocky, Brad, Frank, and Riff Raff
- 'Once in a While' (deleted scene) – Brad
- 'Eddie' – Dr. Scott, The Criminologist, Janet, Columbia, Frank, Rocky, Brad, Riff Raff, and Magenta
- 'Planet Schmanet Janet (Wise Up Janet Weiss)' – Frank
- 'Planet Hot Dog' – Janet, Brad, and Dr. Scott
- 'Rose Tint My World' – Columbia, Rocky, Janet, and Brad
- 'Fanfare/Don't Dream It, Be It' – Frank with Brad, Janet, Rocky, and Columbia
- 'Wild and Untamed Thing' – Frank with Brad, Janet, Rocky, Columbia, and Riff Raff
- 'I'm Going Home' – Frank and Chorus
- 'The Time Warp (Reprise)' – Riff Raff and Magenta
- 'Super Heroes' (only present in the original UK release) – Brad, Janet, and Chorus
- 'Science Fiction/Double Feature (Reprise)' – The Lips
Release[edit]
London release poster for 14 August 1975 premiere
The film opened in the United Kingdom at Rialto Theater in London on 14 August 1975 and in the United States on 26 September at the UA Westwood in Los Angeles, California. It did well at that location, but not elsewhere.[36] Before the midnight screenings' success, the film was withdrawn from its eight opening cities due to very small audiences, and its planned New York City opening on Halloween night was cancelled.[37] Fox re-released the film around college campuses on a double-bill with another rock music film parody, Brian De Palma's Phantom of the Paradise (1974), but again it drew small audiences.[37]
The iconic 'Lips' poster, a parody of the poster for the 1975 film Jaws
A second film poster was created using a set of red, lipstick painted lips with the tagline 'A Different Set of Jaws', a spoof of the poster for the film Jaws (which was also released in 1975).[26] The lips of former Playboy model Lorelei Shark are featured on the poster.[38]
With Pink Flamingos (1972) and Reefer Madness (1936) making money in midnight showings nationwide, a Fox executive, Tim Deegan, was able to talk distributors into midnight screenings,[31] starting in New York City on April Fools' Day of 1976.[37] The cult following started shortly after the film began its midnight run at the Waverly Theater in New York City.,[36] then spread to other counties in NYC, and to Uniondale, L.I. Rocky Horror was not only found in the larger cities but throughout the United States where many attendees would get in free if they arrived in costume. The western division of the film's release included the U.A. Cinemas in Fresno and Merced, the Cinema J. in Sacramento, California, and the Covell in Modesto. In New Orleans, an early organised performance group was active with the release there as well as in such cities as Pittsburgh, Pennsylvania, and Chicago (at the Biograph Theater). Before long nearly every screening of the film was accompanied by a live fan cast.[36]
19 January 1978, opening at the UA Cinema, Merced, California
The film is considered to be the longest-running release in film history.[39] It has never been pulled by 20th Century Fox from its original 1975 release, and it continues to play in cinemas.[40][41]
Home media[edit]
A Super 8 version of selected scenes of the film was made available.[42] In 1983, Ode Records released 'The Rocky Horror Picture Show, Audience Par-Tic-I-Pation Album', recorded at the 8th Street Playhouse. The recording consisted of the film's audio and the standardised call-backs from the audience.[43]
A home video release was made available in 1987 in the UK.[44] In the US, the film (including documentary footage and extras) was released on VHS in 8 November, 1990, retailing for $89.95.[45]
The film was released on DVD in 2000 for the film's 25th anniversary. A 35th Anniversary edition Blu-ray was released in the US on 19 October 2010. The disc includes a newly created 7.1 surround sound mix, the original theatrical mono sound mix, and a 4K/2K image transfer from the original camera negative. In addition, new content featuring karaoke and a fan performance were included.[46]
Reception, reaction and legacy[edit]
Dori Hartley and Sal Piro at the Waverly Theatre in New York in 1977
Critical reception[edit]
Chicago Sun-Times critic Roger Ebert noted that when first released, The Rocky Horror Picture Show was 'ignored by pretty much everyone, including the future fanatics who would eventually count the hundreds of times they'd seen it'. He considered it more a 'long-running social phenomenon' than a movie, rating it 2.5 out of 4 stars.[47] Bill Henkin noted that Variety thought that the 'campy hijinks' of the film seemed labored, and also mentioned that the San Francisco Chronicle's John Wasserman, who had liked the stage play in London, found the film 'lacking both charm and dramatic impact'. Newsweek called the film 'tasteless, plotless and pointless' in 1978.[48]
Review aggregator website Rotten Tomatoes gives the film a rating of 80% based on 41 reviews, and an average grade of 6.9/10, with the critical consensus reading 'Rocky Horror Picture Show brings its quirky characters in tight, but it's the narrative thrust that really drives audiences insane and keeps 'em doing the time warp again'.[49] A number of contemporary critics find it compelling and enjoyable because of its offbeat and bizarre qualities; the BBC summarised: 'for those willing to experiment with something a little bit different, a little bit outré, The Rocky Horror Picture Show has a lot to offer'.[50]The New York Times called it a 'low-budget freak show/cult classic/cultural institution' with 'catchy' songs.[51]Geoff Andrew of Time Out noted that the 'string of hummable songs gives it momentum, Gray's admirably straight-faced narrator holds it together, and a run on black lingerie takes care of almost everything else', rating it 4 out of 5 stars.[52]Dave Kehr of the Chicago Reader on the other hand considered the wit to be 'too weak to sustain a film' and thought that the 'songs all sound the same'.[53]
In 2005, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being 'culturally, historically, or aesthetically significant'.[54][55]
Cult phenomenon[edit]
New York City origins[edit]
The Rocky Horror Picture Show helped shape conditions of cult film's transition from art-house to grind-house style.[56] The film developed a cult following in 1976 at the Waverly Theatre in New York, which developed into a standardised ritual. According to J. Hoberman, author of Midnight Movies, it was after five months into the film's midnight run when lines began to be shouted by the audience. Louis Farese Jr., a normally quiet teacher who, upon seeing the character Janet place a newspaper over her head to protect herself from rain, yelled, 'Buy an umbrella, you cheap bitch.' Originally, Louis and other Rocky Horror pioneers - including Amy Lazarus, Theresa Krakauskas, and Bill O'Brian - did this to entertain each other, each week trying to come up with something new to make each other laugh. This quickly caught on with other theater goers and thus began this self-proclaimed 'counter point dialogue', which became standard practice and was repeated nearly verbatim at each screening.[8] Performance groups became a staple at Rocky Horror screenings due in part to the prominent New York City fan cast.[36] The New York City cast was originally run by former schoolteacher and stand-up comic Sal Piro and his friend Dori Hartley, the latter of whom portrayed Dr. Frank N. Furter and was one of several performers - including Will Kohler as Brad Majors, Nora Poses as Janet, and Lilias Piro as Magenta - in a flexible rotating cast.[36] The performances of the audience were scripted and actively discouraged improvising, being conformist in a similar way to the repressed characters.[57]
D. Garrett Gafford and Terri Hardin, Tiffany Theater Hollywood, 1978
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On Halloween in 1976, people attended in costume and talked back to the screen, and by mid-1978, Rocky Horror was playing in over 50 locations on Fridays and Saturdays at midnight. Newsletters were published by local performance groups, and fans gathered for Rocky Horror conventions.[37] By the end of 1979, there were twice-weekly showings at over 230 theatres.[37] The National Fan Club was established in 1977 and later merged with the International Fan Club. The fan publication The Transylvanian printed a number of issues, and a semi-regular poster magazine was published as well as an official magazine.[56]
Los Angeles, Hollywood[edit]
The Los Angeles area performance groups originated in 1977 at the Fox Theatre, where Michael Wolfson won a look-alike contest as Frank N. Furter, and won another at the Tiffany Theater on Sunset Boulevard. Wolfson's group eventually performed in all of the L.A. area theaters screening Rocky Horror, including the Balboa Theater in Balboa, The Cove at Hermosa Beach, and The Sands in Glendale. He was invited to perform at the Sombrero Playhouse in Phoenix, Arizona.[citation needed]
At the Tiffany Theatre, the audience performance cast had the theater's full cooperation; the local performers entered early and without charge. The fan playing Frank for this theatre was a transgender performer,[36] D. Garret Gafford, who was out of work in 1978 and trying to raise the funds for a gender reassignment while spending the weekends performing at the Tiffany.[58] Presently, the live action rendition of The Rocky Horror Picture Show is available for attendance in various locations in Los Angeles, typically Saturday nights at midnight.[citation needed]
San Francisco's Strand Theatre, 1979. Linda Woods, Marni Scofidio, Denise Erickson, and Jim Curry
San Francisco[edit]
In 1978, Rocky Horror moved from an earlier location to the Strand Theatre located near the Tenderloin on Market Street.[59] The performance group there, Double Feature/Celluloid Jam, was the first to act out and perform almost the entire film, unlike the New York cast at that time. The Strand cast was put together from former members of an early Berkeley group, disbanded due to less than enthusiastic management. Frank N. Furter was portrayed by Marni Scofidio, who, in 1979, attracted many of the older performers from Berkeley. Other members included Mishell Erickson and her twin sister Denise Erickson as Columbia and Magenta, Kathy Dolan as Janet, and Linda 'Lou' Woods as Riff Raff. The Strand group performed at two large science fiction conventions in Los Angeles and San Francisco, were offered a spot at The Mabuhay, a local punk club, and performed for children's television of Argentina.[36]
Fan following[edit]
Annual Rocky Horror conventions are held in varying locations, lasting days. Tucson, Arizona has been host a number of times, including 1999 with 'El Fishnet Fiesta', and 'Queens of the Desert' held in 2006.[60] Vera Dika wrote that, to the fans, Rocky Horror is ritualistic and comparable to a religious event, with a compulsive, repeated cycle of going home and coming back to see the film each weekend.[8] The audience call-backs are similar to responses in church during a mass.[8] Many theatre troupes exist across the United States that produce shadow-cast performances where the actors play each part in the film in full costume, with props, as the movie plays on the big screen in a movie theatre.[61][62]
The film has a global following and remains popular.[63] Subcultures such as Rocky Horror have also found a place on the Internet.[64] Audience participation scripts for many cities are available for download from the Internet.[26] The Internet has a number of Rocky Horror fan-run websites with various quizzes and information, specializing in different content, allowing fans to participate at a unique level.[31]
Cultural influence[edit]
The Rocky Horror Picture Show has been featured in a number of other feature films and television series over the years. Episodes of The Simpsons, The Venture Bros., The Boondocks, Glee, The Drew Carey Show, That '70s Show, and American Dad! spotlight Rocky Horror, as do films such as Vice Squad (1982), Halloween II (2009), and The Perks of Being a Wallflower (2012).[45] The 1980 film Fame featured the audience reciting their callback lines to the screen and dancing the Time Warp,[65] the dance from the stage show and film, which has become a novelty dance at parties.[66] Director Rob Zombie cited Rocky Horror as a major influence on his film House of 1000 Corpses (2003),[67] while the film's fan culture of cosplaying and audience participation during screenings laid the groundwork for the similarly influential cult following surrounding Tommy Wiseau's The Room (2003).[68][69]Rocky Horror also inspired John McPhail's zombie musical Anna and the Apocalypse (2018).[70]
LGBT Influence[edit]
Members of the LGBT community comprised a large part of the Rocky Horror cult following: they identified with the embrace of sexual liberation and androgyny, and attended show after show, slowly forming a community. Judith A. Peraino compares Brad and Janet’s initiation into Frank N. Furter’s world to the self-discovery of 'queer identity', and to the traditional initiation of 'virgins' in the shadow screenings[71]. June Thomas describes the midnight screenings in Delaware as a 'very queer scene,' which increased visibility for the LGBT community: “The folks standing in line outside the State in fishnets and makeup every Saturday night undoubtedly widened the sphere of possibilities for gender expression on Main Street.”[72][73]
The Rocky Horror Picture Show remains a cultural phenomenon in both the U.S. and U.K.[74][75] Cult film participants are often people on the fringe of society that find connection and community at the screenings,[76] although the film attracts fans of differing backgrounds all over the world.[77]
'Bisexuality, The Rocky Horror Picture Show, and Me', by Elizabeth Reba Weise, is part of the publication; Bi Any Other Name: Bisexual People Speak Out (1991), an anthology edited by Loraine Hutchins and Lani Ka'ahumanu[78][79] about the history of the modern bisexual rights movement that is one of the first publications of bisexual literature.[80]
Sequel[edit]
In 1979, O'Brien wrote a projected sequel to the film entitled Rocky Horror Shows His Heels. This script would have featured the return of all of the characters from the original film, and O'Brien wished to largely use the original production team to make the new film; however, Sharman did not wish to revisit the original concept so directly, and Tim Curry did not wish to reprise his role.[citation needed]
Instead, in 1981, Sharman reunited with O'Brien to film Shock Treatment, a stand-alone feature that was not a direct sequel to the original film.[2] This film was originally conceived and written in 1980 under the title 'The Brad and Janet Show', using most of the songs from the original project Rocky Horror Shows His Heels with lyrical adjustments, and depicting the characters' continuing adventures in the town of Denton; however, these plans had to be adjusted due to a Screen Actor's Guild strike. The eventual production would entail the entire film being shot within a sound stage. Shock Treatment was poorly received by critics and audiences upon release (in no small part due to the principal cast of Curry, Sarandon and Bostwick not returning) but over time has built a small cult following, though not nearly as strong as the first film.[81]
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Ten years later, O'Brien wrote another script intended as a direct sequel to the cult classic, entitled Revenge of the Old Queen.[82] Producer Michael White had hoped to begin work on the production and described the script as being 'in the same style as the other one. It has reflections of the past in it.'[83]Revenge of the Old Queen had apparently commenced pre-production; however, after studio head Joe Roth was ousted from Fox in 1993, the project was shelved indefinitely. Although the script has not been published, bootleg copies can be read on the Internet, and one song from the project's original demo tape circulates among fans. The script is currently owned by Fox, which produced the two original films. Most individuals associated with the project, including O'Brien, agree that the film will probably never be made, owing to the failure of Shock Treatment and the aging of the original cast.[84]
Between 1999 and 2001, O'Brien was working on a third attempted sequel project with the working title Rocky Horror: The Second Coming[85], first to be made as a stage production, with an option to create a film if met with success. This script would largely integrate plot elements from Rocky Horror Shows His Heels, but with all-new songs. O'Brien completed a first draft of this script (which was read by Terry Jones[86]) but had difficulties finalizing anything beyond the first act, and little more has been heard of this project since the mid-2000s.[citation needed]
In 2015, O'Brien produced Shock Treatment for the theatrical stage. The production premiered at the King’s Head theatre in Islington, London in the United Kingdom in the spring.[87][88]
Remake[edit]
'The Rocky Horror Glee Show' aired on 26 October 2010, as part of the second season of the TV series Glee, which recreated several scenes from the film, including the opening credits. It featured Barry Bostwick and Meat Loaf in cameo roles.[89] An EP album covering seven songs from the movie was released on 19 October 2010.[90]
On 10 April 2015, it was announced that the Fox Broadcasting Company would air a modern-day reimagining of the film, titled The Rocky Horror Picture Show: Let's Do the Time Warp Again.[91][92] On 22 October 2015, it was announced that the role of Dr. Frank N. Furter would be played by actress Laverne Cox.[93]Ryan McCartan and Victoria Justice play the roles of Brad and Janet, alongside Reeve Carney as Riff Raff and singer/model Staz Nair as Rocky.[94]Adam Lambert portrays Eddie.[95]Tim Curry, who portrayed Dr. Frank N. Furter in the film, portrays the Criminologist.[96] On 1 February 2016, it was announced that Broadway veteran Annaleigh Ashford would portray Columbia.[97] On 5 February 2016, Ben Vereen joined the cast as Dr. Everett von Scott.[98]
Kenny Ortega, best known for the High School Musical franchise and Michael Jackson's This Is It (2009), directed, choreographed and executive-produced the remake; Lou Adler, who was an executive producer of the original film, has the same role for the new film. The film premiered on Fox on 20 October 2016.[99]
See also[edit]
References[edit]
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- ^ abArmstrong, Richard; et al. (7 November 2007). The Rough Guide to Film. Rough Guides. p. 506. ISBN978-1-4053-8498-8.
- ^ ab'The Rocky Horror Picture Show'. American Film Institute. Retrieved 11 December 2015.
- ^Solomon, Aubrey (1989). Twentieth Century Fox: A Corporate and Financial History. Scarecrow Press. p. 258.
- ^Box Office Information for The Rocky Horror Picture Show. The Numbers. Retrieved 25 August 2013.
- ^Thompson, Dave (1 February 2016). The Rocky Horror Picture Show FAQ: Everything Left to Know About the Campy Cult Classic. Applause Theatre & Cinema Books. p. 1785. ISBN978-1495007477.
- ^ abcdefScott Miller (2011). Sex, Drugs, Rock & Roll, and Musicals. UPNE. pp. 127–. ISBN978-1-55553-761-6.
- ^ abcdVera Dika (9 June 2003). Recycled Culture in Contemporary Art and Film: The Uses of Nostalgia. Cambridge University Press. pp. 112–. ISBN978-0-521-01631-5.
- ^ abKnapp, Raymond (2 March 2009). The American Musical and the Performance of Personal Identity. Princeton University Press. pp. 240'. ISBN978-0-691-14105-3.
- ^Auslander, Philip (2006). Performing Glam Rock: Gender and Theatricality in Popular Music. University of Michigan Press. p. 49.
- ^ abReynolds, Simon (2016). Shock and Awe: Glam Rock and Its Legacy, from the Seventies to the Twenty-First Century. Faber & Faber.
- ^ abcdeDaniel Eagan (26 November 2009). America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry. Continuum International Publishing Group, Limited. pp. 2086–. ISBN978-1-4411-7541-0.
- ^Thomson, Brian, ed. (1979) The Rocky Horror Scrapbook. New York: Star Fleet Productions, Inc. 6.
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- ^Erik Quisling; Austin Lowry Williams (2003). Straight Whisky: A Living History of Sex, Drugs, and Rock 'n' Roll on the Sunset Strip. Bonus Books. pp. 245–. ISBN978-1-56625-197-6.
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- ^Williams, sally. 'Elstree Studios'. The Free Library. Farlex, Inc. Retrieved 16 March 2014.
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- ^Henkin (1979), p. 16
- ^Harpole, Charles (5 November 1999). History of the American cinema (1st ed.). Charles Scribner's Sons. pp. 212–213. ISBN978-0-684-80463-7.
- ^Hadleigh, Boze (1 January 2001). The Lavender ScreenL Updated (Rev Upd ed.). Citadel. p. 132. ISBN978-0-8065-2199-2.
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- ^ abcdSamantha Michele Riley (2008). Becoming the Wig: Mis/identifications and Citationality in Queer Rock Musicals. ProQuest. pp. 22–. ISBN978-0-549-53382-5.
- ^ abcdeSiegel, Robert. 'Making The Rocky Horror Picture Show'. Blu-ray.com. Retrieved 27 March 2014.
- ^Keppler, Nick (7 June 2007). 'The Beautiful Creatures'. Houston Press. Retrieved 28 March 2014.
- ^Jones, Melanie (18 October 2011). 'Rocky Horror Picture Show Costumes: DIY Ideas for Halloween 2011'. International Business Times. Retrieved 15 November 2014.
- ^David Laderman (1 March 2010). Punk Slash! Musicals: Tracking Slip-Sync on Film. University of Texas Press. pp. 32–. ISBN978-0-292-77791-0.
- ^ abcKurt Lancaster; Thomas J. Mikotowicz (1 January 2001). Performing the Force: Essays on Immersion Into Science Fiction, Fantasy, and Horror Environments. McFarland. pp. 128–. ISBN978-0-7864-0895-5.
- ^'The Rocky Horror Picture Show > Charts & Awards', AllMusic, retrieved 3 October 2010
- ^Kent, David (1993). Australian Chart Book 1970–1992. St Ives, New South Wales: Australian Chart Book. p. 282. ISBN978-0-646-11917-5.
- ^'The Rocky Horror Picture Show (album)'. New Zealand charts portal. Hung Medien. Retrieved 3 October 2010.
- ^Ruhlmann, William, 'The Rocky Horror Picture Show > Review', Allmusic, Rovi Corporation, retrieved 3 October 2010
- ^ abcdefgWilliam A. Henkin; Bill Henkin (1 August 1979). The Rocky Horror Picture Show Book. PENGUIN Group (USA) Incorporated. ISBN978-0-452-26654-4.
- ^ abcdeSamuels (1983), p. 11
- ^'Lorelei Shark Interview – She IS The Rocky Horror LIPS – Scott Michaels Dearly Departed online'. 7 June 2016. Retrieved 15 August 2016.
- ^'Fox Celebrates 25 Years of Absolute Pleasure, Pop Culture Phenomenon and Midnight Classic' (Press release). RHPS Official Fan Site. 24 August 2000. Retrieved 13 June 2007.
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- ^Smith, Zach (27 October 2010). 'What keeps The Rocky Horror Picture Show flame burning for more than two decades in Raleigh?'. Indy Week. Retrieved 13 April 2013.
- ^Piro & Hess (1991), p. 77
- ^Judith A. Peraino (2005). Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig. University of California Press. pp. 234–. ISBN978-0-520-92174-0.
- ^'British Board of Film Classification: RHPS'. Retrieved 14 April 2016.
- ^ abChampion, Lindsay (14 August 2013). 'Happy Birthday, Dear Rocky! 38 Freaky Facts About The Rocky Horror Picture Show'. Broadway.com. Retrieved 27 March 2014.
- ^'RHPS Official Fan Site: News: Press Release'. Retrieved 2 August 2010.
- ^Ebert, Roger (1 January 1975). 'The Rocky Horror Picture Show'. Rogerebert.com. Retrieved 5 April 2014.
- ^Caroline Joan Picart (2 July 2003). Remaking the Frankenstein Myth on Film: Between Laughter and Horror. SUNY Press. pp. 62–. ISBN978-0-7914-5770-2.
- ^'The Rocky Horror Picture Show'. Rotten Tomatoes. Retrieved 5 April 2014.
- ^'The Rocky Horror Picture Show'. BBC. 25 August 2000. Retrieved 5 April 2014.
- ^'The Rocky Horror Picture Show'. The New York Times. Retrieved 5 April 2014.
- ^'The Rocky Horror Picture Show'. Time Out. Retrieved 5 April 2014.
- ^'The Rocky Horror Picture Show'. Chicago Reader. Retrieved 5 April 2014.
- ^'National Film Registry Titles 1989–2013'. loc.gov. Library of Congress. 20 November 2013. Archived from the original on 19 April 2012. Retrieved 18 February 2014.
- ^L.C. Information Bulletin. Library of Congress. 2006. p. 43.
- ^ abMathijs, Ernest; Mendik, Xavier (1 December 2007). The Cult Film Reader. McGraw-Hill International. pp. 395–. ISBN978-0-335-21923-0.
- ^Ernest Mathijs; Jamie Sexton (30 March 2012). Cult Cinema. John Wiley & Sons. pp. 101–. ISBN978-1-4443-9642-3.
- ^Overand, William (19 July 1978). 'Saturday Night Fervor at the Tiffany Theater'. Los Angeles Times.
- ^Jim Stewart (2011). Folsom Street Blues: A Memoir of 1970s SoMa and Leatherfolk in Gay San Francisco. Palm Drive Publishing. pp. 109–. ISBN978-1-890834-03-6.
- ^Gay, Gerald M. (13 March 2014). ''Rocky Horror' shines at El Fishnet Fiesta'. Arizona Daily Star. Retrieved 18 March 2014.
- ^'Transylvanian Concubines'. www.transylvanianconcubines.com. Archived from the original on 9 February 2016. Retrieved 10 February 2016.
- ^'Sins O' The Flesh – Where Rocky Horror Lives in Los Angeles! – Sins O' The Flesh'. Sins O' The Flesh. 30 January 2012. Retrieved 10 February 2016.
- ^Bob Batchelor (December 2011). Cult Pop Culture: How the Fringe Became Mainstream. ABC-CLIO. pp. 52–. ISBN978-0-313-35780-0.
- ^Sharon Marie Ross (23 September 2011). Beyond the Box: Television and the Internet. John Wiley & Sons. pp. 31–. ISBN978-1-4443-5865-0.
- ^Lori Ortiz (31 March 2011). Disco Dance. ABC-CLIO. pp. 147–. ISBN978-0-313-37747-1.
- ^Delia Silvester (21 December 2013). Dance and Movement Sessions for Older People: A Handbook for Activity Coordinators and Carers. Jessica Kingsley Publishers. pp. 47–. ISBN978-0-85700-846-6.
- ^Wood, Jennifer M. (21 October 2014). '11 Things You Didn't Know About The Texas Chainsaw Massacre'. Esquire. Archived from the original on 26 January 2018. Retrieved 24 September 2018.
- ^Bather, Luke (16 March 2017). 'Everything You Need to Know About Cult Film 'The Room' & Disaster Artist Tommy Wiseau'. Highsnobiety. Archived from the original on 27 July 2017. Retrieved 27 July 2017.
- ^Barton, Steve (10 December 2009). 'Motion Picture Purgatory: The Room'. Dread Central. Archived from the original on 19 June 2017. Retrieved 16 June 2017.
- ^Fletcher, Rosie (30 June 2019). 'Anna And The Apocalypse interview: the director on his zombie musical'. Den of Geek. Retrieved 30 June 2019.
- ^Peraino, Judith A. (2006). Listening to the sirens: musical technologies of queer identity from Homer to Hedwig. Berkeley: University of California Press. pp. 249–252. ISBN9780520215870. OCLC58043161.
- ^Thomas, June (31 October 2014). 'How The Rocky Horror Picture Show Smashed Open America's Closets'. Slate. Retrieved 15 November 2018.
- ^Wong, Curtis M. (17 October 2018). 'Why 'Rocky Horror Picture Show' Remains A Queer Cinematic Milestone'. Huffington Post. Retrieved 15 November 2018.
- ^Justin Smith (28 February 2010). Withnail and Us: Cult Films and Film Cults in British Cinema. I.B.Tauris. pp. 32–. ISBN978-0-85771-793-1.
- ^Betty Jo Tucker (2004). Susan Sarandon: A True Maverick. Wheatmark, Inc. pp. 139–. ISBN978-1-58736-300-9.
- ^Charles H. Lippy (1 January 2006). Faith in America: Changes, Challenges, New Directions. Greenwood Publishing Group. pp. 2–. ISBN978-0-275-98605-6.
- ^Tony Blackshaw (18 July 2013). Routledge Handbook of Leisure Studies. Routledge. pp. 117–. ISBN978-1-136-49559-5.
- ^Ronald Fox (3 April 2013). Current Research on Bisexuality. Routledge. p. 178. ISBN978-1-136-56963-0.
- ^'A Brief History of the Bisexual Movement by Liz A. Highleyman'. Archived from the original on 26 September 2007. Retrieved 23 July 2016.
- ^William Burleson (4 April 2014). Bi America: Myths, Truths, and Struggles of an Invisible Community. Taylor & Francis. p. 189. ISBN978-1-317-71260-2.
- ^Robert Cettl (12 December 2010). Film Tales. Wider Screenings TM. pp. 94–. ISBN978-0-9870500-0-7.
- ^'Revenge of the Old Quees'. RockyMusic. Retrieved 15 October 2015.
- ^Van Gelder, Lawrence (13 September 1991). ''Rocky Horror' to 'Queen''. The New York Times. The New York Times Company. Retrieved 3 October 2010.
- ^Drees, Rich (27 September 2010). 'Script Review: Revenge of the Old Queen'. Film Buff Online. Retrieved 30 July 2013.
- ^Turner, Megan (23 September 1999). ''ROCKY' II: WITH A SEQUEL TO HIS LAST 'PICTURE SHOW,' CREATOR RICHARD O'BRIEN DOES THE TIME WARP, AGAIN'.
- ^'Google Groups'. groups.google.com.
- ^Alberge, Dalya (30 November 2014). 'As Rocky Horror sequel comes to stage, it seems creator was far ahead of his time | Stage | The Guardian'. The Guardian. Retrieved 2 December 2014.
- ^Claire Allfree (22 April 2015). 'Shock Treatment, King's Head Theatre, review: 'infectious' - Telegraph'. Retrieved 17 June 2018.
- ^Caulfield, Keith (27 October 2010). 'Sugarland Tops Kings of Leon on Billboard 200'. Billboard. Nielsen Business Media, Inc. Retrieved 27 October 2010.
- ^''Glee' Announces 'Rocky Horror' Album Details'. Billboard. Retrieved 24 July 2019.
- ^''Rocky Horror Picture Show' TV Remake In Works At As Fox Special'. Deadline Hollywood. 10 April 2015. Retrieved 11 April 2015.
- ^'Fox remaking 'Rocky Horror Picture Show''. Entertainment Weekly. Time Inc. 10 April 2015. Retrieved 11 April 2015.
- ^'Laverne Cox starring in Rocky Horror remake'. 21 October 2015. Retrieved 23 July 2016.
- ^'Victoria Justice Joins Fox's 'Rocky Horror Picture Show' Remake'. Billboard. 4 January 2016. Retrieved 4 January 2016.
- ^Adam Lambert to Co-Star in Fox's 'Rocky Horror Picture Show' YAHOO News
- ^'Tim Curry Lands Role in 'Rocky Horror Picture Show' Remake'. 15 January 2016. Retrieved 23 July 2016.
- ^'Annaleigh Ashford Joins The Rocky Horror Picture Show'. ComingSoon.net. CraveOnline. 1 February 2016. Retrieved 2 February 2016.
- ^Moylan, Brian (19 October 2016). 'The fan rituals that made Rocky Horror Picture Show a cult classic'. The Guardian. ISSN0261-3077. Retrieved 17 July 2017.
- ^'Orange Is The New Black's Laverne Cox To Star In Rocky Horror Picture Show Remake'. Retrieved 21 October 2015.
Bibliography[edit]
- Armstrong, Richard; Charity, Tom; Hughes, Lloyd; Winter, Jessica (2007). he Rough Guide to Film. London: Rough Guides. p. 506. ISBN978-1-4053-8498-8.
- Batchelor, Bob (2012). Cult pop culture: how the fringe became mainstream. Santa Barbara, Calif: Praeger. ISBN978-0-313-35780-0.
- Blackshaw, Tony (2013). Routledge Handbook of Leisure Studies. Hoboken: Taylor and Francis. ISBN978-1-136-49559-5.
- Dika, Vera (2003). Recycled culture in contemporary art and film: the uses of nostalgia. Cambridge New York: Cambridge University Press. ISBN978-0-521-01631-5.
- Hallenbeck, Bruce (2009). Comedy-Horror Films. Jefferson: McFarland. ISBN978-0-7864-3332-2.
- Harpole, Charles (1990). History of the American Cinema. New York: Scribner. ISBN978-0-684-80463-7.
- Henkin, Bill (1979). The Rocky Horror Picture Show Book. New York: Hawthorn Books. ISBN978-0-8015-6436-9.
- Hitchcock, Susan (2007). Frankenstein: a cultural history. New York: W.W. Norton. ISBN978-0-393-06144-4.
- Lancaster, Kurt (2001). Performing the force: essays on immersion into science fiction, fantasy, and horror environments. Jefferson, N.C: McFarland. ISBN978-0-7864-0895-5.
- Lippy, Charles (2006). Faith in America changes, challenges, new directions. Westport, Conn: Praeger. ISBN978-0-275-98605-6.
- Leitch, Thomas (2002). Crime Films. Cambridge: Cambridge University Press. ISBN978-0-521-64671-0.
- Mathijs, Ernest (2011). Cult cinema an introduction. Malden, Mass: John Wiley & Sons Ltd. ISBN978-1-4443-9642-3.
- Mathijs, Ernest (2008). The cult film reader. Maidenhead, Berkshire, England New York: Open University Press/McGraw-Hill Education. ISBN978-0-335-21923-0.
- Miller, Scott (2011). Sex, drugs, rock & roll, and musicals. Boston: Northeastern University Press. ISBN978-1-55553-761-6.
- Peraino, Judith (2006). Listening to the sirens musical technologies of queer identity from Homer to Hedwig. Berkeley: University of California Press. ISBN978-0-520-92174-0.
- Picart, Caroline (2003). Remaking the Frankenstein myth on film: between laughter and horror. Albany: State University of New York Press. ISBN978-0-7914-5770-2.
- Piro, Sal; Hess, Michael (1991). The Official Rocky Horror Picture Show Audience Par-tic-i-pation Guide. London: Stabur Press. ISBN978-0-941613-16-3.
- Samuels, Stuart (1983). Midnight Movies. New York: Collier Books. ISBN978-0-02-081450-4.
- Sandys, Jon (2007). Movie Mistakes Take 5. London: Virgin Books. ISBN978-0-7535-1113-8.
- Santino, Jack (1994). Halloween and other festivals of death and life. Knoxville: University of Tennessee Press. ISBN978-0-87049-813-8.
- Smith, Justin (2010). Withnail and us cult films and film cults in British cinema. London New York: I.B. Tauris Distributed in the United States and Canada exclusively by Palgrave Macmillan. ISBN978-0-85771-793-1.
- Stewart, Jim (2011). Folsom Street blues: a memoir of 1970s SoMa and leatherfolk in gay San Francisco. San Francisco, CA: Palm Drive Pub. ISBN978-1-890834-03-6.
- Silvester, Delia (2013). Dance and Movement Sessions for Older People A Handbook for Activity Coordinators and Carers. City: Jessica Kingsley Publishers. ISBN978-0-85700-846-6.
- Tucker, Betty (2004). Susan Sarandon: a true maverick. Tucson, Ariz: Hats Off. ISBN978-1-58736-300-9.
- Ross, Sharon (2011). Beyond the Box Television and the Internet. Chicester: Wiley. ISBN978-1-4443-5865-0.
External links[edit]
Wikiquote has quotations related to: The Rocky Horror Picture Show |
Wikimedia Commons has media related to The Rocky Horror Picture Show. |
- The Rocky Horror Picture Show on IMDb
- The Rocky Horror Picture Show at Box Office Mojo
- The Rocky Horror Picture Show at Rotten Tomatoes
- The Rocky Horror Picture Show at Metacritic
- The Rocky Horror Picture Show on YouTube—official trailer
Retrieved from 'https://en.wikipedia.org/w/index.php?title=The_Rocky_Horror_Picture_Show&oldid=912817549'
The following is a list of films produced and/or released by Columbia Pictures. It is one of the Big Five film studios. Columbia Pictures is a subsidiary of Japanese conglomerate Sony.
Sombrero Net Bill Full Crackle Movie
1920s
Release date | Title | Notes |
---|---|---|
August 20, 1922 | More to Be Pitied Than Scorned | A CBC Film release |
December 15, 1922 | Only a Shop Girl | A CBC Film release |
March 1, 1923 | Temptation | A CBC Film release |
April 16, 1923 | Her Accidental Husband | A CBC Film release |
August 15, 1923 | Mary of the Movies | Co-produced with FBO |
August 15, 1923 | The Barefoot Boy | A CBC Film release |
August 15, 1923 | Yesterday's Wife | A CBC Film release |
September 15, 1923 | Forgive and Forget | A CBC Film release |
October 25, 1923 | The Marriage Market | A CBC Film release |
December 1, 1923 | Innocence | A CBC Film release |
January 15, 1924 | Discontented Husbands | Columbia Pictures' first release |
May 23, 1924 | Traffic in Hearts | |
June 1, 1924 | The Midnight Express | |
August 8, 1924 | Racing for Life | |
August 15, 1924 | The Foolish Virgin | |
September 1, 1924 | The Fatal Mistake | |
September 15, 1924 | The Price She Paid | |
October 1, 1924 | The Beautiful Sinner | |
November 1, 1924 | Women First | |
December 1, 1924 | One Glorious Night | |
January 1, 1925 | A Fool and His Money | |
February 1, 1925 | Who Cares | |
February 8, 1925 | Charley's Aunt | |
March 1925 | Justice of the Far North | |
June 1, 1925 | An Enemy of Men | |
June 16, 1925 | After Business Hours | |
June 28, 1925 | Fighting Youth | |
July 1, 1925 | The Danger Signal | |
July 15, 1925 | Speed Mad | Co-production with Perfection Pictures |
August 1, 1925 | The Unwritten Law | |
August 15, 1925 | The Price of Success | |
August 23, 1925 | Fighting the Flames | |
September 1, 1925 | The New Champion | |
September 15, 1925 | Sealed Lips | |
October 1, 1925 | The Great Sensation | |
October 15, 1925 | Steppin' Out | |
November 1, 1925 | When Husbands Flirt | |
November 1, 1925 | A Fight to the Finish | |
November 15, 1925 | The Fate of a Flirt | |
December 1, 1925 | The Handsome Brute | |
December 12, 1925 | The Lure of the Wild | |
February 1, 1926 | S.O.S. Perils of the Sea | |
February 1, 1926 | The Thrill Hunter | |
March 1, 1926 | Ladies of Leisure | |
August 15, 1926 | The Belle of Broadway | |
August 15, 1926 | The Lone Wolf Returns | |
September 20, 1926 | The False Alarm | |
October 5, 1926 | Sweet Rosie O'Grady | |
October 20, 1926 | When the Wife's Away | |
November 5, 1926 | Obey the Law | |
November 20, 1926 | The Truthful Sex | |
December 5, 1926 | The Better Way | |
December 20, 1926 | Remember | |
January 5, 1927 | Stolen Pleasures | |
January 20, 1927 | Wandering Girls | |
February 5, 1927 | The Wreck | |
February 20, 1927 | The Bachelor's Baby | |
March 5, 1927 | The Price of Honor | |
March 20, 1927 | Birds of Prey | |
April 5, 1927 | Paying the Price | |
April 20, 1927 | Pleasure Before Business | |
May 5, 1927 | Poor Girls | |
May 20, 1927 | Rich Men's Sons | |
June 5, 1927 | The Romantic Age | |
July 5, 1927 | The Kid Sister | |
July 18, 1927 | The Blood Ship | |
July 20, 1927 | For Ladies Only | |
August 5, 1927 | The Swell-Head | |
August 22, 1927 | Alias the Lone Wolf | |
September 3, 1927 | Sally in Our Alley | |
September 15, 1927 | The Clown | |
September 15, 1927 | By Whose Hand? | |
September 27, 1927 | The Isle of Forgotten Women | |
October 21, 1927 | The Tigress | |
November 2, 1927 | Stage Kisses | |
November 14, 1927 | The Opening Night | |
November 26, 1927 | The Warning | |
November 27, 1927 | The College Hero | |
December 20, 1927 | The Siren | |
January 1, 1928 | That Certain Thing | |
January 13, 1928 | The Wife's Relations | |
January 25, 1928 | Lady Raffles | |
February 6, 1928 | So This Is Love? | |
February 18, 1928 | A Woman's Way | |
March 2, 1928 | The Sporting Life | |
March 14, 1928 | The Matinee Idol | |
March 26, 1928 | The Desert Bride | |
April 7, 1928 | Broadway Daddies | |
April 19, 1928 | After the Storm | |
May 1, 1928 | Golf Widows | |
May 13, 1928 | Modern Mothers | |
May 25, 1928 | Name the Woman | |
June 19, 1928 | The Way of the Strong | |
June 30, 1928 | Ransom | |
July 1, 1928 | Beware of Blondes | |
July 13, 1928 | Say It with Sables | |
July 25, 1928 | Virgin Lips | |
August 1, 1928 | The Scarlet Lady | Synchronized score |
August 12, 1928 | Court Martial | Part-Technicolor |
August 23, 1928 | Runaway Girls | |
September 3, 1928 | The Street of Illusion | |
September 14, 1928 | Sinner's Parade | |
October 15, 1928 | Driftwood | |
October 25, 1928 | Stool Pigeon | |
October 31, 1928 | The Power of the Press | |
November 5, 1928 | Nothing to Wear | |
November 12, 1928 | Submarine | Synchronized score and sound effects |
November 19, 1928 | The Apache | |
November 30, 1928 | Restless Youth | |
December 8, 1928 | Fashion Madness | |
December 11, 1928 | The Sideshow | |
December 22, 1928 | Object: Alimony | |
January 2, 1929 | The Faker | |
February 18, 1929 | The Lone Wolf's Daughter | |
February 24, 1929 | Behind Closed Doors | |
March 4, 1929 | The Younger Generation | Synchronized score, sound effects and talking sequences |
March 10, 1929 | Trial Marriage | |
March 18, 1929 | The Eternal Woman | |
April 1, 1929 | The Quitter | |
April 11, 1929 | The Donovan Affair | Columbia's first all-talkie |
May 13, 1929 | Father and Son | |
May 20, 1929 | The Bachelor Girl | |
June 5, 1929 | The Flying Marine | |
June 17, 1929 | The Fall of Eve | |
July 29, 1929 | Light Fingers | |
August 5, 1929 | The College Coquette | |
September 14, 1929 | Flight | |
September 30, 1929 | Hurricane | |
November 10, 1929 | Broadway Scandals | |
November 13, 1929 | Song of Love | |
November 15, 1929 | Acquitted | |
December 1, 1929 | Wall Street | |
December 15, 1929 | The Broadway Hoofer | |
December 26, 1929 | Mexicali Rose |
1930s
Release date | Title | Notes |
---|---|---|
January 15, 1930 | The Melody Man | Part-Technicolor |
January 29, 1930 | Murder on the Roof | |
February 14, 1930 | Personality | |
February 22, 1930 | Vengeance | |
March 3, 1930 | Guilty? | |
March 17, 1930 | A Royal Romance | |
March 26, 1930 | Prince of Diamonds | |
April 5, 1930 | Ladies of Leisure | |
April 25, 1930 | Around the Corner | |
April 30, 1930 | Soldiers and Women | |
May 10, 1930 | Call of the West | |
June 5, 1930 | Temptation | |
June 15, 1930 | Sisters | |
July 13, 1930 | The Lone Rider | |
July 16, 1930 | Hell's Island | |
August 1, 1930 | Ladies Must Play | |
August 15, 1930 | Rain or Shine | |
August 15, 1930 | Africa Speaks! | Feature-length documentary |
August 20, 1930 | The Squealer | |
August 26, 1930 | The Last of the Lone Wolf | |
August 29, 1930 | For the Love o' Lil | |
September 28, 1930 | Shadow Ranch | |
September 28, 1930 | Sweethearts on Parade | |
October 4, 1930 | Atlantic | |
October 15, 1930 | Men Without Law | |
October 19, 1930 | Brothers | |
November 15, 1930 | Tol'able David | |
November 25, 1930 | Madonna of the Streets | |
November 28, 1930 | The Dawn Trail | |
December 25, 1930 | Charley's Aunt | |
January 1, 1931 | The Lion and the Lamb | |
January 3, 1931 | The Criminal Code | |
January 25, 1931 | Desert Vengeance | |
January 31, 1931 | The Last Parade | |
March 6, 1931 | Ten Cents a Dance | |
The Avenger | ||
March 20, 1931 | The Lightning Flyer | |
April 4, 1931 | Dirigible | |
April 17, 1931 | Meet the Wife | |
May 1, 1931 | Subway Express | |
May 3, 1931 | The Flood | |
May 10, 1931 | The Texas Ranger | |
May 15, 1931 | Sky Raiders | |
May 15, 1931 | The Fighting Sheriff | |
May 20, 1931 | The Good Bad Girl | |
June 16, 1931 | Lover Come Back | |
June 27, 1931 | Arizona | |
August 7, 1931 | The Miracle Woman | |
August 20, 1931 | Fifty Fathoms Deep | |
August 28, 1931 | The Dreyfus Case | US distribution only; co-production with Wardour Films and British International Pictures |
September 1, 1931 | Branded | |
September 8, 1931 | The Pagan Lady | |
September 20, 1931 | Shanghaied Love | |
September 30, 1931 | A Dangerous Affair | |
October 15, 1931 | Border Law | |
The One Way Trail | ||
October 31, 1931 | Platinum Blonde | |
November 1, 1931 | Shotgun Pass | |
November 19, 1931 | The Guilty Generation | |
November 21, 1931 | The Deceiver | |
November 25, 1931 | The Fighting Marshal | |
December 2, 1931 | The Range Feud | |
December 3, 1931 | The Deadline | |
December 10, 1931 | Men in Her Life | |
December 12, 1931 | The Secret Witness | |
December 18, 1931 | Maker of Men | |
January 4, 1932 | Ridin' for Justice | |
January 11, 1932 | One Man Law | |
January 15, 1932 | Forbidden | |
January 20, 1932 | The Fighting Fool | |
January 29, 1932 | The Menace | |
February 9, 1932 | Three Wise Girls | |
February 12, 1932 | The Final Edition | |
February 24, 1932 | Texas Cyclone | |
February 25, 1932 | Behind the Mask | |
March 5, 1932 | South of the Rio Grande | |
March 10, 1932 | The Big Timer | |
March 17, 1932 | Love Affair | |
March 25, 1932 | Shopworn | |
April 2, 1932 | High Speed | |
May 4, 1932 | The Riding Tornado | |
May 21, 1932 | Attorney for the Defense | |
June 4, 1932 | No Greater Love | |
June 8, 1932 | Two-Fisted Law | |
June 25, 1932 | Hollywood Speaks | |
July 6, 1932 | By Whose Hand? | |
July 15, 1932 | Hello Trouble | |
July 25, 1932 | War Correspondent | |
July 27, 1932 | Daring Danger | |
August 4, 1932 | American Madness | |
August 5, 1932 | Cornered | |
August 19, 1932 | The Night Mayor | |
August 26, 1932 | McKenna of the Mounted | |
August 27, 1932 | The Night Club Lady | |
August 28, 1932 | Fighting for Justice | |
August 31, 1932 | The Last Man | |
September 15, 1932 | This Sporting Age | |
September 16, 1932 | The Western Code | |
October 7, 1932 | White Eagle | |
October 15, 1932 | Washington Merry-Go-Round | |
October 15, 1932 | Vanity Street | |
October 25, 1932 | Virtue | |
November 4, 1932 | Deception | |
November 11, 1932 | Speed Demon | |
November 13, 1932 | That's My Boy | |
November 15, 1932 | Man Against Woman | |
November 18, 1932 | Forbidden Trail | |
November 25, 1932 | No More Orchids | |
December 19, 1932 | End of the Trail | |
December 24, 1932 | As the Devil Commands | |
December 30, 1932 | Sundown Rider | |
January 6, 1933 | The Bitter Tea of General Yen | |
January 15, 1933 | Air Hostess | |
January 20, 1933 | Man of Action | |
February 10, 1933 | Treason | |
February 11, 1933 | State Trooper | |
February 11, 1933 | Child of Manhattan | |
March 3, 1933 | Silent Men | |
March 4, 1933 | Parole Girl | |
March 10, 1933 | Mussolini Speaks | Documentary |
March 11, 1933 | Obey the Law | |
March 24, 1933 | The California Trail | |
March 29, 1933 | Below the Sea | |
April 4, 1933 | Soldiers of the Storm | |
April 10, 1933 | The Circus Queen Murder | |
April 14, 1933 | The Whirlwind | |
April 22, 1933 | So This Is Africa | |
April 24, 1933 | Night of Terror | |
April 30, 1933 | The Thrill Hunter | |
May 5, 1933 | Unknown Valley | |
May 25, 1933 | When Strangers Marry | |
May 26, 1933 | Rusty Rides Alone | |
June 5, 1933 | Cocktail Hour | |
June 9, 1933 | Ann Carver's Profession | |
June 15, 1933 | Dangerous Crossroads | |
June 24, 1933 | What Price Innocence? | |
June 30, 1933 | The Woman I Stole | |
July 10, 1933 | The Wrecker | |
September 13, 1933 | Lady for a Day | Nominee for the Academy Award for Best Picture |
September 29, 1933 | Brief Moment | |
September 30, 1933 | Police Car 17 | |
October 5, 1933 | My Woman | |
October 23, 1933 | Fury of the Jungle | |
October 25, 1933 | Hold the Press | |
October 27, 1933 | Man's Castle | |
November 10, 1933 | King of the Wild Horses | |
November 11, 1933 | Fog | |
November 18, 1933 | Before Midnight | |
November 28, 1933 | East of Fifth Avenue | |
November 28, 1933 | Master of Men | |
December 3, 1933 | Shadows of Sing Sing | |
December 13, 1933 | Above the Clouds | |
December 22, 1933 | Straightaway | |
December 26, 1933 | Let's Fall in Love | |
December 30, 1933 | The Fighting Code | |
January 31, 1934 | The Ninth Guest | |
February 5, 1934 | Speed Wings | |
February 23, 1934 | It Happened One Night | Winner of the Academy Award for Best Picture |
March 10, 1934 | Social Register | |
March 17, 1934 | The Fighting Ranger | |
March 24, 1934 | Once to Every Woman | |
March 24, 1934 | The Man Trailer | |
March 30, 1934 | No Greater Glory | |
April 6, 1934 | Voice in the Night | |
April 10, 1934 | Whirlpool | |
April 15, 1934 | Sisters Under the Skin | |
April 17, 1934 | The Line-Up | |
April 20, 1934 | The Crime of Helen Stanley | |
May 3, 1934 | One Is Guilty | |
May 11, 1934 | Twentieth Century | |
May 19, 1934 | Hell Bent for Love | |
June 5, 1934 | Most Precious Thing in Life | |
June 15, 1934 | Black Moon | |
June 16, 1934 | A Man's Game | |
June 16, 1934 | The Hell Cat | |
July 12, 1934 | Whom the Gods Destroy | |
July 15, 1934 | The Defense Rests | |
July 20, 1934 | Blind Date | |
July 25, 1934 | Name the Woman | |
July 31, 1934 | Beyond the Law | |
August 11, 1934 | The Lady Is Willing | |
August 30, 1934 | The Party's Over | |
September 11, 1934 | Girl in Danger | |
September 15, 1934 | One Night of Love | Nominee for the Academy Award for Best Picture |
September 25, 1934 | Among the Missing | |
October 8, 1934 | That's Gratitude | |
October 15, 1934 | Lady by Choice | |
October 25, 1934 | Against the Law | |
November 2, 1934 | The Captain Hates the Sea | |
November 8, 1934 | The Prescott Kid | |
November 10, 1934 | I'll Fix It | |
November 18, 1934 | Men of the Night | |
November 23, 1934 | Jealousy | |
December 10, 1934 | The Westerner | |
December 10, 1934 | Fugitive Lady | |
December 15, 1934 | Mills of the Gods | |
December 27, 1934 | Broadway Bill | |
January 8, 1935 | Behind the Evidence | |
January 15, 1935 | The Best Man Wins | |
January 21, 1935 | Square Shooter | |
February 15, 1935 | Carnival | |
February 15, 1935 | Law Beyond the Range | |
February 22, 1935 | The Whole Town's Talking | |
February 28, 1935 | Death Flies East | |
March 8, 1935 | In Spite of Danger | |
March 16, 1935 | Let's Live Tonight | |
March 18, 1935 | The Revenge Rider | |
March 20, 1935 | I'll Love You Always | |
April 6, 1935 | The Unwelcome Stranger | |
April 11, 1935 | Eight Bells | |
April 18, 1935 | Fighting Shadows | |
April 27, 1935 | Party Wire | |
May 4, 1935 | Swellhead | |
May 5, 1935 | Men of the Hour | |
May 7, 1935 | Air Hawks | |
May 18, 1935 | The Awakening of Jim Burke | |
May 25, 1935 | Justice of the Range | |
June 21, 1935 | Unknown Woman | |
June 28, 1935 | Love Me Forever | |
June 28, 1935 | Riding Wild | |
July 15, 1935 | The Black Room | |
July 16, 1935 | Champagne for Breakfast | |
July 26, 1935 | After the Dance | |
August 7, 1935 | Western Frontier | |
August 16, 1935 | Together We Live | |
August 25, 1935 | Atlantic Adventure | |
September 19, 1935 | She Married Her Boss | |
September 24, 1935 | The Public Menace | |
September 28, 1935 | The Girl Friend | |
October 8, 1935 | She Couldn't Take It | |
October 20, 1935 | Case of the Missing Man | |
October 25, 1935 | A Feather in Her Hat | |
October 25, 1935 | Grand Exit | |
October 29, 1935 | Western Courage | |
November 2, 1935 | Guard That Girl | |
November 22, 1935 | Crime and Punishment | |
November 24, 1935 | Escape from Devil's Island | |
November 25, 1935 | One Way Ticket | |
November 30, 1935 | Gallant Defender | |
December 2, 1935 | Super Speed | |
December 6, 1935 | Lawless Riders | |
December 10, 1935 | The Calling of Dan Matthews | |
December 17, 1935 | Heir to Trouble | |
December 20, 1935 | Too Tough to Kill | |
December 27, 1935 | White Lies | |
December 30, 1935 | If You Could Only Cook | |
December 31, 1935 | The Lone Wolf Returns | |
January 4, 1936 | Dangerous Intrigue | |
January 17, 1936 | The Mysterious Avenger | |
February 6, 1936 | You May Be Next! | |
February 8, 1936 | Hell-Ship Morgan | |
February 21, 1936 | Lady of Secrets | |
February 27, 1936 | The Music Goes 'Round | |
February 28, 1936 | Don't Gamble with Love | |
March 28, 1936 | Heroes of the Range | |
April 2, 1936 | Pride of the Marines | |
April 10, 1936 | Panic on the Air | |
April 12, 1936 | Mr. Deeds Goes to Town | Nominee for the Academy Award for Best Picture |
May 1, 1936 | Devil's Squadron | |
May 2, 1936 | Roaming Lady | |
May 6, 1936 | The Mine with the Iron Door | |
May 8, 1936 | Avenging Waters | |
May 10, 1936 | Abdul the Damned | |
May 10, 1936 | And So They Were Married | |
May 25, 1936 | Counterfeit | |
May 26, 1936 | The Cattle Thief | |
May 28, 1936 | The King Steps Out | |
June 1, 1936 | The Fugitive Sheriff | Co-production with Larry Darmour Productions |
June 3, 1936 | Secret Patrol | Co-production with Kenneth J. Bishop Productions and Central Films |
June 15, 1936 | Trapped by Television | |
July 7, 1936 | The Final Hour | |
July 17, 1936 | Shakedown | |
July 23, 1936 | Blackmailer | |
August 1, 1936 | Meet Nero Wolfe | |
August 15, 1936 | Two-Fisted Gentleman | |
September 9, 1936 | They Met in a Taxi | |
September 15, 1936 | The Unknown Ranger | Co-production with Larry Darmour Productions |
September 23, 1936 | Alibi for Murder | |
September 25, 1936 | Craig's Wife | |
The Man Who Lived Twice | ||
October 8, 1936 | Adventure in Manhattan | |
October 9, 1936 | Code of the Range | |
October 11, 1936 | End of the Trail | |
October 15, 1936 | Tugboat Princess | |
October 27, 1936 | Killer at Large | |
November 1, 1936 | Legion of Terror | |
November 7, 1936 | Come Closer, Folks | |
November 12, 1936 | Theodora Goes Wild | |
November 14, 1936 | North of Nome | |
November 20, 1936 | The Cowboy Star | |
November 25, 1936 | Pennies from Heaven | |
November 27, 1936 | Stampede | |
December 11, 1936 | Rio Grande Ranger | |
December 12, 1936 | Dodge City Trail | |
December 23, 1936 | Lady from Nowhere | |
December 24, 1936 | More Than a Secretary | |
December 31, 1936 | Counterfeit Lady | |
January 8, 1937 | Find the Witness | |
January 10, 1937 | Ranger Courage | |
January 17, 1937 | Woman in Distress | |
January 22, 1937 | Westbound Mail | |
January 24, 1937 | The Devil's Playground | |
February 7, 1937 | The Beloved Vagabond | |
February 12, 1937 | When You're in Love | |
March 3, 1937 | Trapped | |
March 9, 1937 | Women of Glamour | |
March 9, 1937 | Trouble in Morocco | |
March 11, 1937 | Parole Racket | |
March 25, 1937 | Let's Get Married | |
March 30, 1937 | Racketeers in Exile | |
April 5, 1937 | Motor Madness | |
April 6, 1937 | Two Gun Law | |
April 21, 1937 | I Promise to Pay | |
April 22, 1937 | Thunder in the City | |
April 30, 1937 | Criminals of the Air | |
May 2, 1937 | The Frame-Up | |
May 4, 1937 | Speed to Spare | |
May 11, 1937 | Law of the Ranger | |
May 14, 1937 | Venus Makes Trouble | |
May 25, 1937 | The League of Frightened Men | |
May 30, 1937 | Reckless Ranger | |
June 15, 1937 | Two-Fisted Sheriff | |
June 23, 1937 | Girls Can Play | |
June 25, 1937 | The Devil Is Driving | |
June 30, 1937 | A Fight to the Finish | |
July 1, 1937 | One Man Justice | |
July 4, 1937 | Roaring Timber | |
July 15, 1937 | It Can't Last Forever | |
July 22, 1937 | A Dangerous Adventure | |
August 8, 1937 | The Rangers Step In | |
August 20, 1937 | Outlaws of the Orient | |
September 1, 1937 | Lost Horizon | Nominee for the Academy Award for Best Picture |
September 1, 1937 | It's All Yours | |
September 7, 1937 | It Happened in Hollywood | |
September 9, 1937 | Trapped by G-Men | |
September 21, 1937 | The Game That Kills | |
October 7, 1937 | Life Begins with Love | |
October 14, 1937 | Counsel for Crime | |
October 21, 1937 | The Awful Truth | Nominee for the Academy Award for Best Picture |
November 3, 1937 | Murder in Greenwich Village | |
November 6, 1937 | Hollywood Round-Up | |
November 8, 1937 | The Old Wyoming Trail | |
November 17, 1937 | I'll Take Romance | |
November 22, 1937 | Under Suspicion | |
November 27, 1937 | She Married an Artist | |
December 1, 1937 | Outlaws of the Prairie | |
December 11, 1937 | Paid to Dance | |
December 13, 1937 | Headin' East | |
December 20, 1937 | All American Sweetheart | |
December 22, 1937 | The Shadow | |
January 17, 1938 | Penitentiary | |
January 23, 1938 | Little Miss Roughneck | |
February 5, 1938 | No Time to Marry | |
February 12, 1938 | Cattle Raiders | |
February 24, 1938 | Who Killed Gail Preston? | |
March 2, 1938 | Women in Prison | |
March 3, 1938 | Start Cheering | |
March 7, 1938 | Rolling Caravans | |
March 17, 1938 | When G-Men Step In | |
April 1, 1938 | Making the Headlines | |
April 11, 1938 | The Overland Express | |
April 12, 1938 | Call of the Rockies | |
April 18, 1938 | Wide Open Faces | |
April 19, 1938 | Flight Into Nowhere | |
April 20, 1938 | There's Always a Woman | |
May 9, 1938 | Extortion | |
May 11, 1938 | Woman Against the World | |
May 12, 1938 | Law of the Plains | |
May 25, 1938 | The Lone Wolf in Paris | |
June 15, 1938 | Holiday | |
June 20, 1938 | Reformatory | |
June 20, 1938 | Stagecoach Days | |
June 22, 1938 | The Main Event | |
June 27, 1938 | Highway Patrol | |
June 28, 1938 | Squadron of Honor | |
June 30, 1938 | West of Cheyenne | |
July 1, 1938 | City Streets | |
July 15, 1938 | Pioneer Trail | |
July 28, 1938 | South of Arizona | |
August 15, 1938 | The Gladiator | |
August 18, 1938 | Convicted | |
August 25, 1938 | I Am the Law | |
August 31, 1938 | Phantom Gold | |
September 1, 1938 | You Can't Take It With You | Winner of the Academy Award for Best Picture |
September 15, 1938 | Juvenile Court | |
September 22, 1938 | The Stranger from Arizona | |
September 30, 1938 | Girls' School | |
October 3, 1938 | West of the Santa Fe | |
October 5, 1938 | Crime Takes a Holiday | |
October 12, 1938 | Flight to Fame | |
October 21, 1938 | The Lady Objects | |
October 24, 1938 | Law of the Texan | |
November 2, 1938 | In Early Arizona | |
November 15, 1938 | Adventure in Sahara | |
November 30, 1938 | Abused Confidence | US distribution only; produced in France by U.D.I.F. |
November 30, 1938 | Blondie | |
December 1, 1938 | The Terror of Tiny Town | |
December 8, 1938 | Rio Grande | |
December 9, 1938 | The Little Adventuress | |
December 15, 1938 | California Frontier | |
December 15, 1938 | Strange Case of Dr. Meade | |
December 29, 1938 | Smashing the Spy Ring | |
January 5, 1939 | Homicide Bureau | |
January 6, 1939 | There's That Woman Again | |
January 12, 1939 | The Thundering West | |
January 15, 1939 | Farewell Waltz | US distribution only; produced in Germany by Boston-Films |
January 19, 1939 | Frontiers of '49 | |
January 24, 1939 | North of Shanghai | |
January 27, 1939 | The Lone Wolf Spy Hunt | |
February 9, 1939 | Texas Stampede | |
February 22, 1939 | My Son Is a Criminal | |
March 8, 1939 | Blondie Meets the Boss | |
March 16, 1939 | Lone Star Pioneers | |
March 24, 1939 | Whispering Enemies | |
March 29, 1939 | Let Us Live | |
March 30, 1939 | Romance of the Redwoods | |
March 30, 1939 | North of the Yukon | |
April 3, 1939 | The Lady and the Mob | |
April 9, 1939 | The Alibi | |
April 12, 1939 | First Offenders | |
April 16, 1939 | The Law Comes to Texas | |
April 27, 1939 | Spoilers of the Range | |
May 4, 1939 | Outside These Walls | |
May 11, 1939 | Blind Alley | |
May 15, 1939 | Only Angels Have Wings | |
May 15, 1939 | Youth in Revolt | |
May 22, 1939 | Missing Daughters | |
May 1939 | Men with Whips | |
June 1, 1939 | Trapped in the Sky | |
June 5, 1939 | Boys' School | |
June 15, 1939 | Western Caravans | |
June 20, 1939 | Good Girls Go to Paris | |
June 20, 1939 | Clouds Over Europe | |
July 15, 1939 | The Man from Sundown | |
July 20, 1939 | Blondie Takes a Vacation | |
July 28, 1939 | Behind Prison Gates | |
August 4, 1939 | Coast Guard | |
August 17, 1939 | The Man They Could Not Hang | |
August 22, 1939 | Five Little Peppers and How They Grew | |
August 23, 1939 | Riders of Black River | |
August 30, 1939 | Konga, the Wild Stallion | |
September 5, 1939 | Golden Boy | |
September 7, 1939 | Hidden Power | |
September 13, 1939 | Outpost of the Mounties | |
September 21, 1939 | Those High Gray Walls | |
September 21, 1939 | Parents on Trial | |
October 3, 1939 | A Woman Is the Judge | |
October 7, 1939 | U-Boat 29 | |
October 16, 1939 | Scandal Sheet | |
October 19, 1939 | Mr. Smith Goes to Washington | Nominee for the Academy Award for Best Picture |
October 24, 1939 | Beware Spooks! | |
November 8, 1939 | Blondie Brings Up Baby | |
November 23, 1939 | The Amazing Mr. Williams | |
December 2, 1939 | The Stranger from Texas | |
December 3, 1939 | The Chess Player | |
December 7, 1939 | Fugitive at Large | |
December 7, 1939 | Taming of the West | |
December 13, 1939 | Two-Fisted Rangers | |
December 19, 1939 | Miracle on Main Street | |
December 28, 1939 | My Son Is Guilty |
1940s
Release date | Title | Notes |
---|---|---|
January 4, 1940 | Music in My Heart | |
January 11, 1940 | Cafe Hostess | |
January 18, 1940 | His Girl Friday | |
January 26, 1940 | The Lone Wolf Strikes | |
January 31, 1940 | Convicted Woman | |
February 8, 1940 | Five Little Peppers at Home | |
February 14, 1940 | Pioneers of the Frontier | |
February 29, 1940 | Blondie on a Budget | |
March 5, 1940 | Bullets for Rustlers | |
March 7, 1940 | The Fight for Life | |
March 7, 1940 | Outside the Three-Mile Limit | |
March 21, 1940 | Too Many Husbands | |
April 11, 1940 | Blazing Six Shooters | |
April 18, 1940 | The Man with Nine Lives | |
April 25, 1940 | The Doctor Takes a Wife | |
April 29, 1940 | 21 Days Together | |
May 2, 1940 | The Man from Tumbleweeds | |
May 20, 1940 | Men Without Souls | |
May 20, 1940 | Island of Doomed Men | |
May 20, 1940 | Escape to Glory | |
May 23, 1940 | Texas Stagecoach | |
May 30, 1940 | The Lone Wolf Meets a Lady | |
June 6, 1940 | Passport to Alcatraz | |
June 14, 1940 | Babies for Sale | |
June 26, 1940 | Mad Men of Europe | |
June 27, 1940 | Thunder Over Paris | |
June 27, 1940 | The Return of Wild Bill | |
June 30, 1940 | Out West with the Peppers | |
July 24, 1940 | I Married Adventure | |
July 24, 1940 | Girls of the Road | |
July 25, 1940 | Blondie Has Servant Trouble | |
August 6, 1940 | Military Academy | |
August 7, 1940 | The Lady in Question | |
August 15, 1940 | The Secret Seven | |
August 15, 1940 | The Durango Kid | |
August 31, 1940 | He Stayed for Breakfast | |
September 1, 1940 | Five Little Peppers in Trouble | |
September 17, 1940 | Before I Hang | |
September 19, 1940 | The Howards of Virginia | |
September 27, 1940 | Glamour for Sale | |
September 30, 1940 | Prairie Schooners | |
October 2, 1940 | Angels Over Broadway | |
October 3, 1940 | So You Won't Talk | |
October 5, 1940 | Fugitive from a Prison Camp | |
October 17, 1940 | Nobody's Children | |
October 21, 1940 | West of Abilene | |
October 31, 1940 | Blondie Plays Cupid | |
November 11, 1940 | Beyond the Sacramento | |
November 15, 1940 | Girls Under 21 | |
November 23, 1940 | The Lone Wolf Keeps a Date | |
November 30, 1940 | Ellery Queen, Master Detective | |
December 5, 1940 | Thundering Frontier | |
December 9, 1940 | The Great Plane Robbery | |
December 20, 1940 | The Phantom Submarine | |
December 25, 1940 | Arizona | |
December 31, 1940 | The Wildcat of Tucson | |
January 2, 1941 | This Thing Called Love | |
January 16, 1941 | The Face Behind the Mask | |
February 3, 1941 | The Devil Commands | |
February 4, 1941 | A Voice in the Night | |
February 5, 1941 | The Pinto Kid | |
February 13, 1941 | Across the Sierras | |
February 20, 1941 | Meet Boston Blackie | |
February 27, 1941 | Outlaws of the Panhandle | |
February 27, 1941 | Blondie Goes Latin | |
March 6, 1941 | The Lone Wolf Takes a Chance | |
March 24, 1941 | Ellery Queen's Penthouse Mystery | |
March 27, 1941 | Adam Had Four Sons | |
March 31, 1941 | North from the Lone Star | |
April 10, 1941 | The Great Swindle | |
April 20, 1941 | Missing Ten Days | |
April 24, 1941 | Penny Serenade | |
April 24, 1941 | Under Age | |
April 28, 1941 | The Big Boss | |
May 7, 1941 | The Return of Daniel Boone | |
May 8, 1941 | Her First Beau | |
May 14, 1941 | She Knew All the Answers | |
May 16, 1941 | They Dare Not Love | |
May 29, 1941 | Adventure in Washington | |
June 5, 1941 | Time Out for Rhythm | |
June 5, 1941 | Naval Academy | |
June 19, 1941 | Hands Across the Rockies | |
June 26, 1941 | The Medico of Painted Springs | |
June 26, 1941 | Sweetheart of the Campus | |
July 10, 1941 | Two in a Taxi | |
July 15, 1941 | The Son of Davy Crockett | |
July 17, 1941 | Blondie in Society | |
July 30, 1941 | Thunder Over the Prairie | |
August 2, 1941 | The Richest Man in Town | |
August 4, 1941 | I Was a Prisoner on Devil's Island | |
August 7, 1941 | Here Comes Mr. Jordan | Nominee for the Academy Award for Best Picture |
August 7, 1941 | Tillie the Toiler | |
August 14, 1941 | King of Dodge City | |
August 14, 1941 | Ellery Queen and the Perfect Crime | |
August 20, 1941 | Our Wife | |
September 4, 1941 | Mystery Ship | |
September 9, 1941 | Ladies in Retirement | |
September 11, 1941 | Harmon of Michigan | |
September 18, 1941 | Prairie Stranger | |
September 25, 1941 | You'll Never Get Rich | |
October 2, 1941 | Two Latins from Manhattan | |
October 6, 1941 | The Stork Pays Off | |
October 9, 1941 | Texas | |
October 12, 1941 | The Officer and the Lady | |
October 16, 1941 | The Blonde from Singapore | |
October 16, 1941 | Roaring Frontiers | |
October 22, 1941 | You Belong to Me | |
October 23, 1941 | Three Girls About Town | |
October 30, 1941 | The Men in Her Life | |
November 13, 1941 | The Royal Mounted Patrol | |
November 13, 1941 | Secrets of the Lone Wolf | |
November 18, 1941 | Ellery Queen and the Murder Ring | |
November 27, 1941 | Go West, Young Lady | |
December 4, 1941 | Sing for Your Supper | |
December 8, 1941 | Confessions of Boston Blackie | |
December 11, 1941 | Honolulu Lu | |
December 18, 1941 | Riders of the Badlands | |
Harvard, Here I Come! | ||
December 25, 1941 | Bedtime Story | |
December 27, 1941 | South American George | |
January 1, 1942 | The Lone Star Vigilantes | |
January 15, 1942 | West of Tombstone | |
January 15, 1942 | Blondie Goes to College | |
January 22, 1942 | Cadets on Parade | |
January 29, 1942 | A Close Call for Ellery Queen | |
February 5, 1942 | The Man Who Returned to Life | |
February 12, 1942 | Bullets for Bandits | |
February 17, 1942 | The Lady Is Willing | |
February 19, 1942 | Shut My Big Mouth | |
February 26, 1942 | The Adventures of Martin Eden | |
March 17, 1942 | Lawless Plainsmen | |
March 19, 1942 | Canal Zone | |
March 26, 1942 | Two Yanks in Trinidad | |
April 2, 1942 | Tramp, Tramp, Tramp | |
April 2, 1942 | North of the Rockies | |
April 2, 1942 | Alias Boston Blackie | |
April 9, 1942 | Blondie's Blessed Event | |
April 15, 1942 | The Invaders | Nominee for the Academy Award for Best Picture |
April 23, 1942 | Down Rio Grande Way | |
April 23, 1942 | Hello, Annapolis | |
April 28, 1942 | The Wife Takes a Flyer | |
May 7, 1942 | A Desperate Chance for Ellery Queen | |
May 14, 1942 | The Devil's Trail | |
May 14, 1942 | Not a Ladies' Man | |
May 21, 1942 | Meet the Stewarts | |
May 21, 1942 | Sweetheart of the Fleet | |
June 4, 1942 | Submarine Raider | |
June 11, 1942 | They All Kissed the Bride | |
June 18, 1942 | Riders of the Northland | |
July 2, 1942 | Atlantic Convoy | |
July 9, 1942 | Flight Lieutenant | |
July 16, 1942 | Prairie Gunsmoke | |
July 30, 1942 | Enemy Agents Meet Ellery Queen | |
August 6, 1942 | Blondie for Victory | |
August 6, 1942 | Parachute Nurse | |
August 13, 1942 | Bad Men of the Hills | |
August 16, 1942 | Vengeance of the West | |
August 20, 1942 | The Talk of the Town | Nominee of the Academy Award for Best Picture |
August 27, 1942 | Sabotage Squad | |
September 3, 1942 | Counter-Espionage | |
September 17, 1942 | A Man's World | |
September 24, 1942 | My Sister Eileen | |
September 25, 1942 | Overland to Deadwood | |
October 1, 1942 | Lucky Legs | |
October 8, 1942 | The Daring Young Man | |
October 8, 1942 | The Spirit of Stanford | |
October 15, 1942 | The Lone Prairie | |
October 15, 1942 | Smith of Minnesota | |
October 22, 1942 | The Boogie Man Will Get You | |
October 29, 1942 | Stand By All Networks | |
November 2, 1942 | Riding Through Nevada | |
November 5, 1942 | Boston Blackie Goes Hollywood | |
November 12, 1942 | Laugh Your Blues Away | |
November 19, 1942 | You Were Never Lovelier | |
November 26, 1942 | Junior Army | |
December 1, 1942 | Pardon My Gun | |
December 3, 1942 | Underground Agent | |
December 10, 1942 | A Night to Remember | |
December 15, 1942 | A Tornado in the Saddle | |
December 30, 1942 | Commandos Strike at Dawn | |
January 14, 1943 | City Without Men | |
January 22, 1943 | One Dangerous Night | |
January 28, 1943 | Power of the Press | |
February 1, 1943 | The Fighting Buckaroo | |
February 4, 1943 | Reveille with Beverly | |
February 11, 1943 | No Place for a Lady | |
February 15, 1943 | Riders of the Northwest Mounted | |
February 25, 1943 | Something to Shout About | |
March 4, 1943 | Let's Have Fun | |
March 18, 1943 | After Midnight with Boston Blackie | |
April 1, 1943 | Murder in Times Square | |
April 7, 1943 | The More the Merrier | Nominee of the Academy Award for Best Picture |
April 15, 1943 | She Has What It Takes | |
April 27, 1943 | Saddles and Sagebrush | |
May 6, 1943 | Redhead from Manhattan | |
May 20, 1943 | The Boy from Stalingrad | |
May 25, 1943 | The Desperadoes | Columbia's first Technicolor feature |
May 27, 1943 | It's a Great Life | |
May 27, 1943 | Law of the Northwest | |
June 10, 1943 | Two Senoritas from Chicago | |
June 22, 1943 | Crime Doctor | |
June 24, 1943 | Frontier Fury | |
June 29, 1943 | Good Luck, Mr. Yates | |
July 8, 1943 | What's Buzzin', Cousin? | |
July 15, 1943 | Appointment in Berlin | |
July 29, 1943 | First Comes Courage | |
July 29, 1943 | Robin Hood of the Range | |
August 19, 1943 | Destroyer | |
August 19, 1943 | Passport to Suez | |
September 15, 1943 | Hail to the Rangers | |
September 23, 1943 | Dangerous Blondes | |
September 30, 1943 | Footlight Glamour | |
October 7, 1943 | Doughboys in Ireland | |
October 26, 1943 | The Chance of a Lifetime | |
October 27, 1943 | My Kingdom for a Cook | |
October 28, 1943 | Is Everybody Happy? | |
November 4, 1943 | Silver City Raiders | |
November 11, 1943 | Sahara | |
November 11, 1943 | The Return of the Vampire | |
November 30, 1943 | There's Something About a Soldier | |
December 2, 1943 | The Heat's On | |
December 9, 1943 | The Crime Doctor's Strangest Case | |
December 16, 1943 | Klondike Kate | |
December 23, 1943 | Swing Out the Blues | |
December 23, 1943 | Cowboy in the Clouds | |
December 23, 1943 | The Vigilantes Ride | |
December 28, 1943 | What a Woman! | |
January 18, 1944 | The Racket Man | |
January 28, 1944 | Beautiful But Broke | |
February 3, 1944 | None Shall Escape | |
February 8, 1944 | Cowboy Canteen | |
February 10, 1944 | The Ghost That Walks Alone | |
February 17, 1944 | Nine Girls | |
February 24, 1944 | Sailor's Holiday | |
March 16, 1944 | Two-Man Submarine | |
March 23, 1944 | Sundown Valley | |
March 30, 1944 | Cover Girl | |
March 30, 1944 | The Whistler | |
April 6, 1944 | Hey, Rookie | |
April 13, 1944 | Jam Session | |
April 20, 1944 | Wyoming Hurricane | |
April 20, 1944 | Girl in the Case | |
May 4, 1944 | The Black Parachute | |
May 18, 1944 | Riding West | |
May 25, 1944 | Stars on Parade | |
June 1, 1944 | Address Unknown | |
June 22, 1944 | The Last Horseman | |
June 29, 1944 | Once Upon a Time | |
June 29, 1944 | She's a Soldier Too | |
July 13, 1944 | Louisiana Hayride | |
July 19, 1944 | Mr. Winkle Goes to War | |
July 25, 1944 | U-Boat Prisoner | |
July 27, 1944 | Shadows in the Night | |
July 30, 1944 | Secret Command | |
July 31, 1944 | Swing in the Saddle | |
August 17, 1944 | Cry of the Werewolf | |
August 17, 1944 | The Soul of a Monster | |
August 24, 1944 | Kansas City Kitty | |
September 10, 1944 | The Impatient Years | |
September 14, 1944 | Ever Since Venus | |
September 14, 1944 | Underground Guerrillas | |
September 21, 1944 | Cowboy from Lonesome River | |
October 5, 1944 | Strange Affair | |
October 6, 1944 | They Live in Fear | |
October 9, 1944 | The Mark of the Whistler | |
October 21, 1944 | One Mysterious Night | |
October 26, 1944 | The Unwritten Code | |
November 9, 1944 | Cyclone Prairie Rangers | |
November 9, 1944 | Sergeant Mike | |
November 16, 1944 | The Missing Juror | |
December 7, 1944 | She's a Sweetheart | |
December 14, 1944 | Dancing in Manhattan | |
December 20, 1944 | Carolina Blues | |
December 21, 1944 | Saddle Leather Law | |
December 22, 1944 | Together Again | |
December 22, 1944 | Meet Miss Bobby Socks | |
December 28, 1944 | Tahiti Nights | |
January 4, 1945 | Let's Go Steady | |
January 9, 1945 | Tonight and Every Night | |
January 11, 1945 | Youth on Trial | |
January 18, 1945 | A Song to Remember | |
January 23, 1945 | Eadie Was a Lady | |
January 25, 1945 | I Love a Mystery | |
February 1, 1945 | Sagebrush Heroes | |
February 8, 1945 | Sing Me a Song of Texas | |
February 22, 1945 | Leave It to Blondie | |
February 27, 1945 | The Crime Doctor's Courage | |
March 8, 1945 | A Guy, a Gal and a Pal | |
March 14, 1945 | Rough Ridin' Justice | |
March 22, 1945 | Rough, Tough and Ready | |
April 5, 1945 | Escape in the Fog | |
April 12, 1945 | Eve Knew Her Apples | |
April 17, 1945 | Rockin' in the Rockies | |
April 19, 1945 | The Power of the Whistler | |
The Return of the Durango Kid | ||
April 26, 1945 | Counter-Attack | |
May 1945 | 29 Acacia Avenue | Released as a British film |
May 10, 1945 | Boston Blackie Booked on Suspicion | |
May 17, 1945 | Both Barrels Blazing | |
June 7, 1945 | Ten Cents a Dance | |
June 21, 1945 | Blonde from Brooklyn | |
July 5, 1945 | Boston Blackie's Rendezvous | |
July 20, 1945 | A Thousand and One Nights | |
July 26, 1945 | One Exciting Night | |
August 8, 1945 | Over 21 | |
August 8, 1945 | The Gay Senorita | |
August 16, 1945 | Rustlers of the Badlands | |
September 6, 1945 | The Adventures of Rusty | |
September 7, 1945 | Rhythm Round-Up | |
September 13, 1945 | I Love a Bandleader | |
September 18, 1945 | Blazing the Western Trail | |
September 18, 1945 | Outlaws of the Rockies | |
September 27, 1945 | Crime Doctor's Warning | |
September 27, 1945 | Song of the Prairie | |
October 4, 1945 | Kiss and Tell | |
October 4, 1945 | The True Glory | |
October 11, 1945 | The Girl of the Limberlost | |
October 30, 1945 | Voice of the Whistler | |
November 8, 1945 | My Name Is Julia Ross | |
November 15, 1945 | Lawless Empire | |
November 15, 1945 | Prison Ship | |
November 22, 1945 | Snafu | |
November 29, 1945 | She Wouldn't Say Yes | |
November 29, 1945 | Hit the Hay | |
December 13, 1945 | Life with Blondie | |
December 20, 1945 | Texas Panhandle | |
December 25, 1945 | Pardon My Past | |
December 27, 1945 | Out of the Depths | |
January 4, 1946 | The Fighting Guardsman | |
January 9, 1946 | One Way to Love | |
January 10, 1946 | Tars and Spars | |
January 24, 1946 | A Close Call for Boston Blackie | |
January 26, 1946 | Meet Me on Broadway | |
January 31, 1946 | Frontier Gunlaw | |
February 14, 1946 | The Notorious Lone Wolf | |
February 14, 1946 | Roaring Rangers | |
February 21, 1946 | The Bandit of Sherwood Forest | |
February 28, 1946 | The Gentleman Misbehaves | |
March 7, 1946 | Just Before Dawn | |
March 14, 1946 | Throw a Saddle on a Star | |
March 15, 1946 | Gilda | |
March 21, 1946 | Perilous Holiday | |
March 28, 1946 | Talk About a Lady | |
March 28, 1946 | Gunning for Vengeance | |
March 29, 1946 | Night Editor | |
April 4, 1946 | Blondie's Lucky Day | |
April 19, 1946 | Mysterious Intruder | |
April 25, 1946 | Galloping Thunder | |
May 2, 1946 | The Phantom Thief | |
May 16, 1946 | That Texas Jamboree | |
May 23, 1946 | The Devil's Mask | |
May 30, 1946 | The Man Who Dared | |
May 30, 1946 | Two-Fisted Stranger | |
June 7, 1946 | The Walls Came Tumbling Down | |
June 13, 1946 | Renegades | |
June 20, 1946 | Dangerous Business | |
June 27, 1946 | The Return of Rusty | |
July 4, 1946 | The Unknown | |
July 11, 1946 | The Desert Horseman | |
July 18, 1946 | Cowboy Blues | |
July 25, 1946 | Sing While You Dance | |
August 8, 1946 | Personality Kid | |
August 15, 1946 | Heading West | |
September 2, 1946 | Singing on the Trail | |
September 6, 1946 | The Thrill of Brazil | |
September 12, 1946 | It's Great to Be Young | |
September 24, 1946 | Gallant Journey | |
September 26, 1946 | Shadowed | |
October 10, 1946 | The Jolson Story | |
October 10, 1946 | So Dark the Night | |
October 17, 1946 | Blondie Knows Best | |
October 24, 1946 | Crime Doctor's Man Hunt | |
November 7, 1946 | The Secret of the Whistler | |
November 18, 1946 | Landrush | |
November 21, 1946 | Terror Trail | |
November 28, 1946 | Betty Co-Ed | |
December 10, 1946 | The Fighting Frontiersman | |
December 12, 1946 | Boston Blackie and the Law | |
December 12, 1946 | Lone Star Moonlight | |
December 19, 1946 | The Return of Monte Cristo | |
December 24, 1946 | Alias Mr. Twilight | |
December 26, 1946 | Singin' in the Corn | |
January 9, 1947 | Blondie's Big Moment | |
January 16, 1947 | Dead Reckoning | |
January 16, 1947 | The Lone Wolf in Mexico | |
January 23, 1947 | Johnny O'Clock | |
January 30, 1947 | South of the Chisholm Trail | |
February 6, 1947 | The Thirteenth Hour | |
February 6, 1947 | Blind Spot | |
February 13, 1947 | Cigarette Girl | |
February 13, 1947 | Over the Santa Fe Trail | |
February 20, 1947 | Mr. District Attorney | |
March 6, 1947 | The Guilt of Janet Ames | |
March 6, 1947 | The Lone Hand Texan | |
March 20, 1947 | Millie's Daughter | |
March 27, 1947 | West of Dodge City | |
March 29, 1947 | King of the Wild Horses | |
April 10, 1947 | Blondie's Holiday | |
April 24, 1947 | Law of the Canyon | |
May 1, 1947 | For the Love of Rusty | |
May 15, 1947 | Bulldog Drummond at Bay | |
May 25, 1947 | Framed | |
May 29, 1947 | The Millerson Case | |
May 29, 1947 | Prairie Raiders | |
June 2, 1947 | The Corpse Came C.O.D. | |
June 19, 1947 | Little Miss Broadway | |
June 26, 1947 | Sport of Kings | |
June 26, 1947 | Swing the Western Way | |
July 3, 1947 | The Stranger from Ponca City | |
July 10, 1947 | Keeper of the Bees | |
July 15, 1947 | Gunfighters | |
August 1, 1947 | Last of the Redmen | |
August 7, 1947 | The Son of Rusty | |
August 14, 1947 | Riders of the Lone Star | |
August 21, 1947 | Down to Earth | |
August 21, 1947 | Smoky River Serenade | |
September 4, 1947 | Bulldog Drummond Strikes Back | |
September 25, 1947 | When a Girl's Beautiful | |
October 9, 1947 | Key Witness | |
October 14, 1947 | Buckaroo from Powder River | |
October 16, 1947 | Blondie in the Dough | |
October 23, 1947 | Sweet Genevieve | |
November 5, 1947 | Two Blondes and a Redhead | |
November 5, 1947 | The Last Round-Up | |
November 12, 1947 | Her Husband's Affairs | |
November 13, 1947 | The Lone Wolf in London | |
November 20, 1947 | Last Days of Boot Hill | |
November 25, 1947 | Pacific Adventure | US release of Australian 'Smithy |
November 27, 1947 | The Crime Doctor's Gamble | |
December 7, 1947 | It Had to Be You | |
December 11, 1947 | Devil Ship | |
December 18, 1947 | Blondie's Anniversary | |
December 25, 1947 | Rose of Santa Rosa | |
January 2, 1948 | The Swordsman | |
January 9, 1948 | Six-Gun Law | |
January 15, 1948 | I Love Trouble | |
January 16, 1948 | Glamour Girl | |
January 17, 1948 | The Prince of Thieves | |
January 23, 1948 | Mary Lou | |
February 5, 1948 | The Wreck of the Hesperus | |
February 12, 1948 | The Woman from Tangier | |
February 19, 1948 | Phantom Valley | |
February 20, 1948 | Relentless | |
February 27, 1948 | To the Ends of the Earth | |
March 3, 1948 | The Sign of the Ram | |
March 8, 1948 | The Mating of Millie | |
March 18, 1948 | The Return of the Whistler | |
March 20, 1948 | Song of Idaho | |
March 25, 1948 | Adventures in Silverado | |
March 25, 1948 | West of Sonora | |
March 29, 1948 | The Lost One | |
April 8, 1948 | My Dog Rusty | |
April 15, 1948 | Port Said | |
May 6, 1948 | Best Man Wins | |
May 12, 1948 | The Fuller Brush Man | |
May 13, 1948 | Trapped by Boston Blackie | |
May 13, 1948 | Whirlwind Raiders | |
June 3, 1948 | Blondie's Reward | |
June 9, 1948 | The Lady from Shanghai | |
June 30, 1948 | The Black Arrow | |
July 1, 1948 | Coroner Creek | |
July 1, 1948 | Blazing Across the Pecos | |
July 8, 1948 | Thunderhoof | |
July 29, 1948 | The Arkansas Swing | |
August 1, 1948 | The Strawberry Roan | |
August 12, 1948 | Trail to Laredo | |
August 15, 1948 | Lulu Belle | |
August 23, 1948 | The Loves of Carmen | |
September 2, 1948 | Walk a Crooked Mile | |
September 9, 1948 | The Gentleman from Nowhere | |
September 16, 1948 | Black Eagle | |
September 23, 1948 | Singin' Spurs | |
September 30, 1948 | Triple Threat | |
October 7, 1948 | I Surrender Dear | |
October 13, 1948 | The Gallant Blade | |
October 14, 1948 | El Dorado Pass | |
October 21, 1948 | The Untamed Breed | |
October 21, 1948 | Rusty Leads the Way | |
October 26, 1948 | The Return of October | |
November 11, 1948 | Leather Gloves | |
November 18, 1948 | Racing Luck | |
December 2, 1948 | Quick on the Trigger | |
December 15, 1948 | Jungle Jim | |
December 15, 1948 | Loaded Pistols | |
December 16, 1948 | Smoky Mountain Melody | |
December 22, 1948 | The Dark Past | |
December 23, 1948 | Blondie's Secret | |
December 30, 1948 | Ladies of the Chorus | |
January 20, 1949 | The Man from Colorado | |
January 25, 1949 | Shockproof | |
January 29, 1949 | The Big Sombrero | |
February 2, 1949 | Slightly French | |
February 3, 1949 | Rusty Saves a Life | |
February 3, 1949 | Challenge of the Range | |
February 17, 1949 | Affairs of a Rogue | |
February 22, 1949 | Knock on Any Door | |
February 28, 1949 | Song of India | |
March 2, 1949 | Boston Blackie's Chinese Venture | |
March 5, 1949 | The Walking Hills | |
March 10, 1949 | Blondie's Big Deal | |
March 15, 1949 | The Crime Doctor's Diary | |
March 16, 1949 | Riders of the Whistling Pines | |
March 17, 1949 | Manhattan Angel | |
April 1, 1949 | Make Believe Ballroom | |
April 9, 1949 | Desert Vigilante | |
April 15, 1949 | Home in San Antone | |
April 20, 1949 | The Undercover Man | |
April 26, 1949 | The Mutineers | |
April 27, 1949 | We Were Strangers | |
May 3, 1949 | The Lost Tribe | |
May 19, 1949 | Laramie | |
May 26, 1949 | Johnny Allegro | |
May 27, 1949 | The Doolins of Oklahoma | |
June 5, 1949 | The Blazing Trail | |
June 10, 1949 | Lust for Gold | |
June 30, 1949 | The Secret of St. Ives | |
July 11, 1949 | Anna Lucasta | |
July 14, 1949 | Kazan | |
July 21, 1949 | Law of the Barbary Coast | |
July 28, 1949 | Barbary Pirate | |
August 1, 1949 | Mr. Soft Touch | |
August 8, 1949 | South of Death Valley | |
August 11, 1949 | The Lone Wolf and His Lady | |
August 17, 1949 | Jolson Sings Again | |
August 25, 1949 | Air Hostess | |
August 30, 1949 | Rim of the Canyon | |
September 8, 1949 | Blondie Hits the Jackpot | |
September 15, 1949 | The Devil's Henchman | |
September 15, 1949 | The Cowboy and the Indians | |
September 20, 1949 | Miss Grant Takes Richmond | |
October 1, 1949 | Holiday in Havana | |
October 20, 1949 | Prison Warden | |
October 20, 1949 | Bandits of El Dorado | |
October 26, 1949 | Tokyo Joe | |
November 1, 1949 | Feudin' Rhythm | |
November 3, 1949 | Mary Ryan, Detective | |
November 3, 1949 | Rusty's Birthday | |
November 8, 1949 | All the King's Men | Winner of the Academy Award for Best Picture |
November 17, 1949 | Chinatown at Midnight | |
November 18, 1949 | Tell It to the Judge | |
November 22, 1949 | Horsemen of the Sierras | |
November 24, 1949 | Renegades of the Sage | |
November 29, 1949 | Riders in the Sky | |
December 2, 1949 | And Baby Makes Three | |
December 8, 1949 | Bodyhold | |
December 20, 1949 | Sons of New Mexico | |
December 29, 1949 | The Reckless Moment |
1950s
Release date | Title | Notes |
---|---|---|
January 11, 1950 | The Nevadan | |
January 12, 1950 | Mark of the Gorilla | Co-production with The Katzman Corporation |
February 2, 1950 | Trail of the Rustlers | |
February 9, 1950 | Girls' School | |
February 15, 1950 | The Traveling Saleswoman | Co-production with Joan Davis Productions |
February 22, 1950 | Tyrant of the Sea | |
Mule Train | Co-production with Gene Autry Productions | |
Father Is a Bachelor | ||
March 9, 1950 | Blondie's Hero | |
March 16, 1950 | A Woman of Distinction | |
March 18, 1950 | The Palomino | Co-production with Robert Cohn Productions |
April 1, 1950 | Cargo to Capetown | |
April 13, 1950 | Outcast of Black Mesa | |
Beware of Blondie | ||
April 26, 1950 | Faust and the Devil | Co-production with Cineopra |
April 27, 1950 | Military Academy with That Tenth Avenue Gang | |
Kill the Umpire | ||
Captive Girl | Co-production with The Katzman Corporation | |
April 28, 1950 | No Sad Songs for Me | |
May 4, 1950 | Beauty on Parade | |
May 17, 1950 | In a Lonely Place | Co-production with Santana Pictures Corporation |
May 18, 1950 | Customs Agent | |
May 19, 1950 | Fortunes of Captain Blood | |
Cow Town | Co-production with Gene Autry Productions | |
June 1, 1950 | The Good Humor Man | |
Texas Dynamo | ||
Hoedown | ||
June 8, 1950 | State Penitentiary | |
June 21, 1950 | Rogues of Sherwood Forest | |
July 1, 1950 | 711 Ocean Drive | Co-production with Frank Seltzer Productions |
July 13, 1950 | David Harding, Counterspy | |
July 25, 1950 | Beyond the Purple Hills | Co-production with Gene Autry Productions |
August 3, 1950 | Streets of Ghost Town | |
On the Isle of Samoa | ||
August 17, 1950 | The Petty Girl | |
August 30, 1950 | When You're Smiling | |
August 1950 | Convicted | |
September 8, 1950 | Rookie Fireman | |
September 14, 1950 | Across the Badlands | |
September 15, 1950 | The Fuller Brush Girl | |
September 30, 1950 | Indian Territory | Co-production with Gene Autry Productions |
October 1, 1950 | Between Midnight and Dawn | |
Raiders of Tomahawk Creek | ||
October 4, 1950 | The Great Manhunt | U.S. distribution only; co-production with British Lion Films and London Film Productions |
October 25, 1950 | Last of the Buccaneers | |
November 1, 1950 | Chain Gang | |
November 2, 1950 | Harriet Craig | |
November 15, 1950 | The Texan Meets Calamity Jane | |
Emergency Wedding | ||
November 16, 1950 | The Tougher They Come | |
November 20, 1950 | The Blazing Sun | Co-production with Gene Autry Productions |
November 21, 1950 | Counterspy Meets Scotland Yard | |
November 22, 1950 | Pygmy Island | Co-production with The Katzman Corporation |
December 1, 1950 | The Killer That Stalked New York | Co-production with Robert Cohn Productions |
Lightning Guns | ||
December 2, 1950 | He's a Cockeyed Wonder | |
December 10, 1950 | Operation X | U.S. distribution only; co-production with British Lion Films and London Film Productions |
December 12, 1950 | Revenue Agent | |
December 24, 1950 | The Flying Missile | |
December 25, 1950 | Born Yesterday | Nominee for the Academy Award for Best Picture |
December 29, 1950 | Frontier Outpost | |
December 1950 | Stage to Tucson | |
January 2, 1951 | Gasoline Alley | |
January 15, 1951 | Prairie Roundup | |
January 17, 1951 | Al Jennings of Oklahoma | |
January 30, 1951 | Gene Autry and the Mounties | Co-production with Gene Autry Productions |
February 14, 1951 | A Yank in Korea | |
February 23, 1951 | Ridin' the Outlaw Trail | |
February 26, 1951 | Fury of the Congo | Co-production with The Katzman Corporation |
March 5, 1951 | Flame of Stamboul | |
March 8, 1951 | My True Story | |
March 10, 1951 | Valentino | Co-production with Edward Small Productions |
March 15, 1951 | Fort Savage Raiders | |
Texans Never Cry | Co-production with Gene Autry Productions | |
March 1951 | M | Co-production with Superior Productions |
April 1, 1951 | Santa Fe | Co-production with Scott-Brown Productions |
April 16, 1951 | Whirlwind | Co-production with Gene Autry Productions |
April 18, 1951 | The Brave Bulls | Co-production with Rossen Enterprises |
April 25, 1951 | Five | Co-production with Arch Oboler Productions |
May 4, 1951 | Her First Romance | |
May 5, 1951 | Smuggler's Gold | |
May 30, 1951 | Snake River Desperadoes | |
When the Redskins Rode | Co-production with Esskay Pictures Corporation | |
May 31, 1951 | Lorna Doone | Co-production with Edward Small Productions |
June 3, 1951 | The Texas Rangers | |
June 12, 1951 | China Corsair | |
June 13, 1951 | Sirocco | Co-production with Santana Pictures Corporation |
June 20, 1951 | Silver Canyon | Co-production with Gene Autry Productions |
June 27, 1951 | Mask of the Avenger | |
July 1, 1951 | The Big Gusher | |
July 13, 1951 | Never Trust a Gambler | |
July 16, 1951 | Hurricane Island | Co-production with Esskay Pictures Corporation |
July 24, 1951 | Pickup | Co-production with Forum Productions and Hugo Haas Productions |
July 26, 1951 | Bonanza Town | |
July 1951 | Two of a Kind | |
August 2, 1951 | The Whistle at Eaton Falls | |
August 13, 1951 | The Magic Face | Co-production with Mort Briskin-Robert Smith Productions |
The Lady and the Bandit | ||
August 14, 1951 | Cyclone Fury | |
August 23, 1951 | Criminal Lawyer | |
Chain of Circumstance | ||
September 10, 1951 | Saturday's Hero | |
September 17, 1951 | Corky of Gasoline Alley | |
September 30, 1951 | The Hills of Utah | Co-production with Gene Autry Productions |
September 1951 | Sunny Side of the Street | |
October 4, 1951 | Jungle Manhunt | |
October 17, 1951 | The Mob | |
October 18, 1951 | The Magic Carpet | Co-production with The Katzman Corporation and Esskay Pictures Corporation |
October 24, 1951 | The Harlem Globetrotters | |
The Family Secret | Co-production with Santana Pictures Corporation | |
October 26, 1951 | Ten Tall Men | Co-production with Norma Productions and Halburt Productions |
October 30, 1951 | The Kid from Amarillo | |
October 31, 1951 | The Son of Dr. Jekyll | |
November 12, 1951 | The Clouded Yellow | U.S. distributor; co-production with General Film Distributors and Carillon Films |
Purple Heart Diary | ||
November 20, 1951 | Valley of Fire | Co-production with Gene Autry Productions |
December 2, 1951 | Man in the Saddle | Co-production with Scott-Brown Productions |
December 3, 1951 | The Barefoot Mailman | Co-production with Robert Cohn Productions |
December 15, 1951 | Pecos River | |
December 20, 1951 | Death of a Salesman | Co-production with Stanley Kramer Productions |
January 2, 1952 | Indian Uprising | Co-production with Edward Small Productions |
January 11, 1952 | Boots Malone | |
January 15, 1952 | The Old West | Co-production with Gene Autry Productions |
January 16, 1952 | Scandal Sheet | Co-production with Motion Picture Investors |
January 21, 1952 | Harem Girl | |
January 31, 1952 | Smoky Canyon | |
The First Time | ||
February 18, 1952 | Five Angles on Murder | U.S. distributor; co-production with General Film Distributors, J. Arthur Rank Organisation, Javelin Films and Vic Films Productions |
February 28, 1952 | The Hawk of Wild River | |
Okinawa | ||
March 13, 1952 | The Marrying Kind | |
March 17, 1952 | Jungle Jim in the Forbidden Land | Co-production with The Katzman Corporation |
March 18, 1952 | Night Stage to Galveston | Co-production with Gene Autry Productions |
March 20, 1952 | My Six Convicts | Co-production with Stanley Kramer Productions |
April 3, 1952 | A Yank in Indo-China | Co-production with Esskay Pictures Corporation |
April 20, 1952 | Laramie Mountains | |
April 29, 1952 | Walk East on Beacon! | Co-production with RD-DR Productions |
May 7, 1952 | Thief of Damascus | |
May 9, 1952 | The Sniper | Co-production with Stanley Kramer Productions |
May 15, 1952 | Paula | |
May 30, 1952 | Apache Country | Co-production with Gene Autry Productions |
May 1952 | Sound Off | |
June 1, 1952 | Montana Territory | |
Brave Warrior | Co-production with Esskay Pictures Corporation | |
June 15, 1952 | The Rough, Tough West | |
June 25, 1952 | The Brigand | Co-production with Edward Small Productions |
July 1, 1952 | Cripple Creek | |
July 4, 1952 | California Conquest | Co-production with Esskay Pictures Corporation |
July 7, 1952 | Red Snow | Co-production with All American Film Corporation |
July 12, 1952 | Junction City | |
July 25, 1952 | Barbed Wire | Co-production with Gene Autry Productions |
July 29, 1952 | Affair in Trinidad | Distribution only; produced by The Beckworth Corporation |
July 1952 | Storm Over Tibet | Co-production with Summit Productions |
August 19, 1952 | The Kid from Broken Gun | |
August 27, 1952 | Captain Pirate | |
Last Train from Bombay | Co-production with Esskay Pictures Corporation | |
September 4, 1952 | Assignment – Paris! | |
September 30, 1952 | Wagon Team | Co-production with Gene Autry Productions |
September 1952 | Strange Fascination | Co-production with Hugo Haas Productions |
Rainbow 'Round My Shoulder | ||
October 8, 1952 | The Four Poster | Co-production with Steve Kramer Productions |
October 17, 1952 | The Golden Hawk | Co-production with Esskay Pictures Corporation |
October 30, 1952 | The Happy Time | Nominee of the Golden Globe Award for Best Motion Picture – Drama; co-production with Stanley Kramer Productions |
November 15, 1952 | Hangman's Knot | Co-production with Producers-Actors |
November 30, 1952 | Blue Canadian Rockies | Co-production with Gene Autry Productions |
November 1952 | Voodoo Tiger | Co-production with The Katzman Corporation |
December 9, 1952 | The Pathfinder | |
December 10, 1952 | Invasion U.S.A. | Co-production with American Pictures Company and Mutual Productions of the West |
December 25, 1952 | The Member of the Wedding | Co-production with Stanley Kramer Productions |
December 1952 | Eight Iron Men | |
January 1953 | Winning of the West | Co-production with Gene Autry Productions |
February 1, 1953 | Last of the Comanches | |
February 3, 1953 | Savage Mutiny | Co-production with The Katzman Corporation |
February 1953 | Target Hong Kong | Co-production with Esskay Pictures Corporation |
March 3, 1953 | All Ashore | |
March 7, 1953 | Prince of Pirates | Co-production with Esskay Pictures Corporation |
March 20, 1953 | The Glass Wall | |
March 24, 1953 | Salome | Co-production with The Beckworth Corporation |
March 25, 1953 | On Top of Old Smoky | Co-production with Gene Autry Productions |
April 1, 1953 | Jack McCall, Desperado | |
April 6, 1953 | One Girl's Confession | Co-production with Hugo Haas Productions |
April 7, 1953 | Problem Girls | |
April 9, 1953 | Man in the Dark | Columbia's first 3D film |
May 1, 1953 | Fort Ti | Co-production with Esskay Pictures Corporation |
May 5, 1953 | Ambush at Tomahawk Gap | |
The Juggler | Co-production with Stanley Kramer Productions | |
May 8, 1953 | Serpent of the Nile | |
May 20, 1953 | The 49th Man | Co-production with The Katzman Corporation |
Siren of Bagdad | Co-production with Esskay Pictures Corporation | |
Goldtown Ghost Riders | Co-production with Gene Autry Productions | |
July 1, 1953 | The 5,000 Fingers of Dr. T | Co-production with Stanley Kramer Productions; only film created by children's author Dr. Seuss |
July 4, 1953 | The Last Posse | |
July 5, 1953 | Pack Train | Co-production with Gene Autry Productions |
July 17, 1953 | Let's Do It Again | |
July 20, 1953 | Flame of Calcutta | Co-production with Esskay Pictures Corporation |
July 29, 1953 | Valley of Head Hunters | Co-production with The Katzman Corporation |
The Stranger Wore a Gun | Co-production with Scott-Brown Productions | |
August 3, 1953 | Cruisin' Down the River | |
August 5, 1953 | From Here to Eternity | Winner of the Academy Award for Best Picture |
August 21, 1953 | Sky Commando | |
August 1953 | Mission Over Korea | Co-production with Robert Cohn Productions |
September 7, 1953 | China Venture | |
September 20, 1953 | Saginaw Trail | Co-production with Gene Autry Productions |
September 1953 | Conquest of Cochise | |
October 1, 1953 | Combat Squad | Co-production with Jack Broder Productions Inc. |
October 14, 1953 | The Big Heat | |
October 1953 | Slaves of Babylon | |
November 3, 1953 | Prisoners of the Casbah | Co-production with The Katzman Corporation |
Last of the Pony Riders | Co-production with Gene Autry Productions | |
November 10, 1953 | Paris Model | Co-production with American Pictures Company |
November 11, 1953 | Gun Fury | |
December 2, 1953 | The Nebraskan | |
December 3, 1953 | El Alamein | |
December 15, 1953 | Killer Ape | Co-production with The Katzman Corporation |
December 23, 1953 | Miss Sadie Thompson | Co-production with The Beckworth Corporation |
December 24, 1953 | Bad for Each Other | |
December 30, 1953 | The Wild One | Co-production with Stanley Kramer Productions |
Paratrooper | Released in August 11 in the UK as The Red Beret; co-production with Warwick Films | |
January 18, 1954 | It Should Happen to You | |
February 24, 1954 | Bait | Co-production with Hugo Haas Productions |
February 1954 | Charge of the Lancers | |
March 1, 1954 | The Battle of Rogue River | |
March 10, 1954 | Drive a Crooked Road | |
March 27, 1954 | Wyoming Renegades | |
April 2, 1954 | Jesse James vs. the Daltons | Co-production with Clover Productions and Esskay Pictures Corporation |
April 23, 1954 | Drums of Tahiti | |
April 1954 | The Iron Glove | |
The Price of Living | U.S.A. distributor; co-production with Internacional Cinematográfica | |
May 1, 1954 | Massacre Canyon | |
May 3, 1954 | The Miami Story | Co-production with Clover Productions |
May 10, 1954 | Indiscretion of an American Wife | U.S. distribution only; co-production with Produzione Films Vittorio De Sica and Selznick International Pictures |
May 19, 1954 | The Mad Magician | |
June 6, 1954 | The Saracen Blade | |
June 24, 1954 | The Caine Mutiny | |
June 1954 | Jungle Man-Eaters | Co-production with The Katzman Corporation |
July 3, 1954 | The Outlaw Stallion | |
July 16, 1954 | Hell Below Zero | Co-production with Warwick Films |
July 28, 1954 | On the Waterfront | Winner of the Academy Award for Best Picture; co-production with Horizon Pictures |
August 1, 1954 | The Law vs. Billy the Kid | |
August 6, 1954 | Human Desire | |
August 6, 1954 | Pushover | |
September 2, 1954 | The Black Dakotas | |
September 4, 1954 | A Bullet Is Waiting | |
October 28, 1954 | The Black Knight | Co-production with Warwick Films |
November 1, 1954 | Cannibal Attack | Co-production with The Katzman Corporation |
The Detective | U.S. distribution only; co-production with Facet Productions | |
November 4, 1954 | Three Hours to Kill | |
November 5, 1954 | Malaga | U.S. distribution only; co-production with British Lion Films and Frankovich Productions |
November 10, 1954 | Phffft! | |
November 1954 | The Affairs of Messalina | U.S. distribution only; co-production with CEI Incom, Produzione Gallone, Filmsonor and Suevia Films |
December 1, 1954 | Masterson of Kansas | |
December 4, 1954 | They Rode West | |
December 1954 | The Bamboo Prison | |
January 26, 1955 | The Violent Men | |
February 1, 1955 | Ten Wanted Men | Co-production with Ranown Pictures Corporation and Scott-Brown Productions |
February 9, 1955 | The Long Gray Line | Co-production with Rota Productions |
February 10, 1955 | Pirates of Tripoli | Co-production with The Katzman Corporation |
February 24, 1955 | Three for the Show | |
February 1955 | Women's Prison | |
March 19, 1955 | Tight Spot | |
April 19, 1955 | Cell 2455, Death Row | |
April 30, 1955 | New Orleans Uncensored | |
April 1955 | Jungle Moon Men | Co-production with Clover Productions |
May 1, 1955 | Seminole Uprising | |
May 1955 | The End of the Affair | Co-production with Coronado Productions |
June 10, 1955 | 5 Against the House | Co-production with Dayle Productions |
June 22, 1955 | Bring Your Smile Along | |
July 13, 1955 | The Night Holds Terror | |
July 1955 | It Came from Beneath the Sea | Co-production with Clover Productions |
Creature with the Atom Brain | ||
Chicago Syndicate | ||
August 24, 1955 | Apache Ambush | |
August 31, 1955 | The Man from Laramie | Co-production with William Goetz Productions |
September 1, 1955 | The Gun That Won the West | Co-production with Clover Productions |
September 14, 1955 | Footsteps in the Fog | Co-production with Frankovich Productions |
September 16, 1955 | Duel on the Mississippi | Co-production with Clover Productions |
September 22, 1955 | My Sister Eileen | |
September 1955 | Special Delivery | Co-production with Trans-Rhein Film |
October 1, 1955 | Devil Goddess | Co-production with Clover Productions |
October 14, 1955 | A Prize of Gold | Co-production with Warwick Films |
November 7, 1955 | Queen Bee | |
November 23, 1955 | Three Stripes in the Sun | |
November 30, 1955 | The Crooked Web | Co-production with Clover Productions |
November 1955 | Teen-Age Crime Wave | |
December 7, 1955 | The Last Frontier | |
December 11, 1955 | The Prisoner | Co-production with Facet Productions and London Independent Producers |
December 15, 1955 | A Lawless Street | Co-production with Scott-Brown Productions and Producers-Actors Corporation |
December 1955 | Hell's Horizon | Co-production with Gravis Productions |
January 1956 | Inside Detroit | Co-production with Clover Productions |
February 15, 1956 | Fury at Gunsight Pass | |
February 16, 1956 | Picnic | Nominee for the Academy Award for Best Picture |
February 1956 | The Houston Story | Co-production with Clover Productions |
Battle Stations | ||
Joe MacBeth | Co-production with Frankovich Productions | |
March 2, 1956 | Uranium Boom | Co-production with Clover Productions |
March 4, 1956 | The Atomic Man | U.S. distribution only; co-production with Anglo-Amalgamated, Todon Productions, Allied Artists Pictures and Merton Park Studios |
March 21, 1956 | Rock Around the Clock | Co-production with Clover Productions |
March 27, 1956 | The Cockleshell Heroes | Co-production with Warwick Films |
March 1956 | Hot Blood | First Columbia release in CinemaScope |
April 1, 1956 | Blackjack Ketchum, Desperado | Co-production with Clover Productions |
April 6, 1956 | Jubal | |
April 11, 1956 | The Last Ten Days | Co-production with Cosmopol-Film |
April 1956 | Over-Exposed | |
May 9, 1956 | The Harder They Fall | |
June 20, 1956 | Safari | Co-production with Warwick Films |
June 21, 1956 | The Eddy Duchin Story | |
June 22, 1956 | Storm Over the Nile | U.S. distribution only; released in CinemaScope; co-production with Independent Film Distributors, London Films and 20th Century Fox |
June 25, 1956 | Secret of Treasure Mountain | |
July 31, 1956 | Storm Center | Co-production with Phoenix Productions |
July 1956 | The Werewolf | Co-production with Clover Productions |
Earth vs. the Flying Saucers | ||
Bermuda Affair | Co-production with Bermuda Studio Productions | |
August 1, 1956 | Autumn Leaves | Co-production with William Goetz Productions |
August 12, 1956 | He Laughed Last | |
August 22, 1956 | The Solid Gold Cadillac | Nominee of the Golden Globe Award for Best Motion Picture – Musical or Comedy |
August 27, 1956 | Papa, Mama, the Maid and I | U.S. distribution only; co-production with Concinor, Champs-Élysées Productions, Concinex and Lambor Films |
September 7, 1956 | Port Afrique | Co-production with Coronado Productions |
September 24, 1956 | The Silent World | U.S. distribution only; co-production with Rank Organisation, FSJYC Production, Requins Associés, Société Filmad and Titanus |
September 1956 | 1984 | Co-production with Holiday Film Productions Ltd. |
Miami Exposé | Co-production with Clover Productions | |
October 2, 1956 | Cha-Cha-Cha Boom! | Co-production with Four-Leaf Productions |
October 31, 1956 | You Can't Run Away from It | |
October 1956 | Spin a Dark Web | Co-production with Frankovich Productions |
November 1, 1956 | The White Squaw | |
November 19, 1956 | Seven Samurai | U.S. distribution only; co-production with Toho |
November 1956 | Suicide Mission | U.S. distribution only; co-production with Nordsjøfilm and North Sea |
Odongo | Co-production with Warwick Films | |
Reprisal! | Co-production with Romson Productions | |
December 14, 1956 | Don't Knock the Rock | Co-production with Clover Productions |
December 25, 1956 | Full of Life | |
December 1956 | 7th Cavalry | Co-production with Scott-Brown Productions and Producers-Actors Corporation |
Ride the High Iron | ||
Rumble on the Docks | Co-production with Clover Productions | |
The Gamma People | Co-production with Warwick Films | |
The Last Man to Hang? | Co-production with Association of Cinema Technicians | |
Zarak | Co-production with Warwick Films | |
January 23, 1957 | Nightfall | Co-production with Copa Productions |
February 1, 1957 | Utah Blaine | Co-production with Clover Productions |
February 1957 | Portrait in Smoke | Co-production with Frankovich Productions |
March 6, 1957 | The Shadow on the Window | |
March 1957 | Zombies of Mora Tau | Co-production with Clover Productions |
The Man Who Turned to Stone | ||
April 1, 1957 | The Phantom Stagecoach | |
April 2, 1957 | The Tall T | Co-production with Scott-Brown Productions and Producers-Actors Corporation |
April 12, 1957 | The Strange One | Co-production with Horizon Pictures |
April 17, 1957 | Abandon Ship! | Distribution only; produced by Copa Productions |
April 25, 1957 | The Garment Jungle | |
April 1957 | The Guns of Fort Petticoat | Co-production with Brown-Murphy Productions |
May 1, 1957 | Sierra Stranger | |
May 21, 1957 | Torero | |
May 1957 | Hellcats of the Navy | |
June 1, 1957 | Beyond Mombasa | |
June 1957 | 20 Million Miles to Earth | |
June 1957 | Calypso Heat Wave | |
June 1957 | The Burglar | |
June 1957 | The Giant Claw | |
June 1957 | The Night the World Exploded | |
July 26, 1957 | The Young Don't Cry | |
July 1957 | The 27th Day | |
August 2, 1957 | Jeanne Eagels | |
August 7, 1957 | 3:10 to Yuma | |
August 8, 1957 | Fire Down Below | |
August 13, 1957 | Pickup Alley | |
August 17, 1957 | Operation Mad Ball | |
August 1957 | No Time to Be Young | |
August 1957 | Town on Trial | |
September 1957 | Escape from San Quentin | |
September 1957 | The Brothers Rico | |
September 1957 | The Parson and the Outlaw | |
October 25, 1957 | Pal Joey | Nominee of the Golden Globe Award for Best Motion Picture – Musical or Comedy |
October 25, 1957 | How to Murder a Rich Uncle | |
October 1957 | Domino Kid | |
October 1957 | The Tijuana Story | |
November 6, 1957 | The Story of Esther Costello | |
November 10, 1957 | Decision at Sundown | |
December 16, 1957 | The Admirable Crichton | Distribution only; produced by Modern Screenplay Productions |
December 18, 1957 | The Bridge on the River Kwai | Co-production with Horizon Pictures Winner of the Academy Award for Best Picture Winner of the Golden Globe Award for Best Motion Picture – Drama |
December 18, 1957 | The River Girl | |
December 1957 | The Hard Man | |
December 1957 | The Long Haul | |
January 1958 | The World Was His Jury | |
January 1958 | Return to Warbow | |
February 19, 1958 | Cowboy | |
February 1958 | Going Steady | |
March 3, 1958 | The True Story of Lynn Stuart | |
March 1958 | Bitter Victory | |
April 1958 | High Flight | |
April 1958 | Bonjour Tristesse | |
June 1, 1958 | The Revenge of Frankenstein | |
June 11, 1958 | The Camp on Blood Island | |
June 11, 1958 | The Lineup | |
June 24, 1958 | The Goddess | |
June 25, 1958 | This Angry Age | |
June 25, 1958 | Screaming Mimi | |
June 1958 | The Case Against Brooklyn | |
June 1958 | Let's Rock | |
July 1, 1958 | The Key | |
July 8, 1958 | She Played with Fire | |
July 1958 | Night of the Demon | |
July 1958 | Crash Landing | |
July 1958 | Gunman's Walk | |
July 1958 | Life Begins at 17 | |
August 1, 1958 | Buchanan Rides Alone | |
August 26, 1958 | Me and the Colonel | Nominee of the Golden Globe Award for Best Motion Picture – Musical or Comedy |
August 1958 | Tank Force | |
September 1, 1958 | Apache Territory | |
September 17, 1958 | The Snorkel | |
September 1958 | Ghost of the China Sea | |
September 1958 | The Whole Truth | |
October 24, 1958 | The Last Hurrah | |
October 1958 | Kill Her Gently | |
November 2, 1958 | Tarawa Beachhead | |
December 23, 1958 | The 7th Voyage of Sinbad | |
December 25, 1958 | Bell, Book and Candle | Nominee of the Golden Globe Award for Best Motion Picture – Comedy |
December 1958 | The Man Inside | |
December 1958 | Senior Prom | |
December 1958 | Murder by Contract | |
January 30, 1959 | The Last Blitzkrieg | Co-production with Clover Productions |
January 1959 | Good Day for a Hanging | Co-production with Morningside Productions |
February 10, 1959 | Forbidden Island | |
February 15, 1959 | Ride Lonesome | Co-production with Ranown Pictures |
February 1959 | City of Fear | |
Gideon of Scotland Yard | ||
March 2, 1959 | The Two-Headed Spy | Co-production with Sabre Film Production |
March 25, 1959 | Verboten! | Distribution only, produced by RKO Radio Pictures, Rank Organisation and Globe Enterprises; last RKO film |
March 1959 | Gunmen from Laredo | |
April 1, 1959 | Juke Box Rhythm | Co-production with Clover Productions |
April 10, 1959 | Gidget | |
April 1959 | The Bandit of Zhobe | Co-production with Warwick Films |
May 1, 1959 | The Young Land | Co-production with C.V. Whitney Pictures |
May 28, 1959 | The H-Man | U.S. distribution only; co-production with Toho |
May 1959 | Face of a Fugitive | Co-production with Morningside Productions |
June 17, 1959 | Middle of the Night | Co-production with Sudan Productions |
June 24, 1959 | Porgy and Bess | Distribution only; produced by Samuel Goldwyn Productions Winner of the Golden Globe Award for Best Motion Picture – Musical or Comedy |
July 1, 1959 | Anatomy of a Murder | Nominee for the Academy Award for Best Picture Nominee of the Golden Globe Award for Best Motion Picture – Drama Co-production with Carlyle Productions |
July 29, 1959 | The Tingler | Co-production with William Castle Productions |
July 1959 | The Legend of Tom Dooley | |
The Woman Eater | U.S. distribution only; co-production with Eros Films and Fortress Film Productions | |
August 1, 1959 | Have Rocket, Will Travel | |
August 5, 1959 | It Happened to Jane | |
Hey Boy! Hey Girl! | ||
August 6, 1959 | The 30 Foot Bride of Candy Rock | Co-production with D.R.B. Production Company |
October 21, 1959 | They Came to Cordura | Co-production with Goetz Pictures and Baroda Productions |
October 22, 1959 | The Last Angry Man | Co-production with Fred Kholmar Productions |
October 26, 1959 | The Mouse That Roared | Co-production with Highroad Productions |
October 1959 | The Crimson Kimono | Co-production with Globe Enterprises |
November 2, 1959 | Edge of Eternity | Co-production with Thunderbird Productions |
November 1959 | Battle of the Coral Sea | Co-production with Morningside Productions |
The Warrior and the Slave Girl | US distribution only; co-production with Filmar, Alexandra Produzioni Cinematografiche and Atenea Films | |
December 1, 1959 | 1001 Arabian Nights | Co-production with UPA; Columbia's first animated film |
December 22, 1959 | Suddenly, Last Summer | Co-production with Horizon Pictures, Academy Pictures Corporation |
December 1959 | The Gene Krupa Story | |
The Flying Fontaines | Co-production with Clover Productions |
1960s
Release date | Title | Notes |
---|---|---|
January 25, 1960 | Swan Lake | Co-production with Tsentralnaya Studiya Dokumentalnikh Filmov |
January 27, 1960 | Our Man in Havana | Nominee of the Golden Globe Award for Best Motion Picture – Musical or Comedy; co-production with Kingsmead Productions |
February 11, 1960 | Once More, with Feeling! | Co-production with Stanley Donen Films |
March 1, 1960 | Comanche Station | Co-production with Ranown Pictures |
March 3, 1960 | Yesterday's Enemy | Co-production with Hammer Films |
April 6, 1960 | Killers of Kilimanjaro | Co-production with Warwick Films |
April 15, 1960 | Who Was That Lady? | Nominee for the Golden Globe Award for Best Motion Picture – Musical or Comedy; co-production with Ansark-Sidney |
April 1960 | Because They're Young | Co-production with Jerry Bresler Production |
May 20, 1960 | Man on a String | |
May 1960 | The Electronic Monster | U.S. distribution only; co-production with Anglo-Amalgamated and Anglo-Guild Productions |
The Stranglers of Bombay | U.S. distributor; produced by Hammer Films and Kenneth Hyman | |
June 7, 1960 | Babette Goes to War | U.S. distribution of French Iéna Productions |
June 29, 1960 | Strangers When We Meet | |
June 1960 | The Mountain Road | Co-production with William Goetz Productions |
12 to the Moon | Co-production with Luna Productions, Inc. | |
July 1, 1960 | Stop, Look and Laugh | Co-production with Harry Romm Productions |
July 8, 1960 | Battle in Outer Space | U.S. distribution only; co-production with Toho |
July 11, 1960 | Murder Reported | Co-production with Fortress Film Productions Ltd. |
August 5, 1960 | 13 Ghosts | Co-production with William Castle Productions |
August 11, 1960 | Song Without End | Winner of the Golden Globe Award for Best Motion Picture – Musical or Comedy; co-production with William Goetz Productions |
August 26, 1960 | All the Young Men | Co-production with Jaguar Production and Ladd Enterprises |
August 1960 | My Dog, Buddy | Co-production with McLendon Radio Pictures |
September 29, 1960 | Surprise Package | Co-production with Stanley Donen Enterprises |
October 5, 1960 | Anna of Brooklyn | U.K. and U.S. distribution only; co-production with Cinédis, Cinematogrifica Latina, France Cinéma Productions, Les Films Marceau and Produzione Circeo |
The Nights of Lucretia Borgia | U.S. distribution only; co-production with Unidis, Fidès and Musa | |
October 19, 1960 | I Aim at the Stars | Co-production with Morningside Productions and Fama-Film |
The Enemy General | U.S. distribution only; co-production with Herald Eiga and Clover Productions | |
November 10, 1960 | Let No Man Write My Epitaph | |
November 13, 1960 | Hell Is a City | |
November 1960 | Jazz Boat | |
December 16, 1960 | The 3 Worlds of Gulliver | |
December 21, 1960 | Pepe | Nominee of the Golden Globe Award for Best Motion Picture – Musical or Comedy |
December 29, 1960 | The Wackiest Ship in the Army | |
January 25, 1961 | Carthage in Flames | |
January 25, 1961 | Sword of Sherwood Forest | US distributor; produced by Hammer Films |
February 6, 1961 | Hand in Hand | |
March 3, 1961 | Cry for Happy | |
March 15, 1961 | The Terror of the Tongs | |
March 22, 1961 | Passport to China | |
April 21, 1961 | Mein Kampf | |
April 28, 1961 | Please Turn Over | |
May 12, 1961 | Mad Dog Coll | |
May 13, 1961 | Underworld U.S.A. | |
May 17, 1961 | As the Sea Rages | |
May 17, 1961 | The Warrior Empress | |
May 29, 1961 | A Raisin in the Sun | |
June 2, 1961 | Gidget Goes Hawaiian | |
June 21, 1961 | The Full Treatment | |
June 22, 1961 | The Guns of Navarone | Nominee for the Academy Award for Best Picture Winner of the Golden Globe Award for Best Motion Picture – Drama |
July 4, 1961 | Most Dangerous Man Alive | Shot in 1958 |
July 26, 1961 | The Queen of the Pirates | |
July 26, 1961 | Two Rode Together | |
July 26, 1961 | Homicidal | |
August 22, 1961 | Taste of Fear | |
October 8, 1961 | Mr. Sardonicus | |
October 18, 1961 | Five Golden Hours | |
October 18, 1961 | The Devil at 4 O'Clock | |
November 1, 1961 | A Weekend with Lulu | |
November 21, 1961 | The Greengage Summer | |
November 1961 | Valley of the Dragons | |
December 20, 1961 | Everything's Ducky | |
December 20, 1961 | Mysterious Island | |
December 30, 1961 | Twist Around the Clock | |
February 2, 1962 | Sail a Crooked Ship | |
February 15, 1962 | The Three Stooges Meet Hercules | |
February 21, 1962 | Walk on the Wild Side | |
March 14, 1962 | The Hellions | |
April 13, 1962 | Safe at Home! | |
April 13, 1962 | Experiment in Terror | |
April 13, 1962 | Don't Knock the Twist | |
April 19, 1962 | Five Finger Exercise | |
May 10, 1962 | Mothra | U.S. distribution only; produced in Japan by Toho |
May 16, 1962 | Cash on Demand | U.S. distribution only; co-production with British Lion Films, Hammer Films and Woodpecker Films |
June 6, 1962 | 13 West Street | Co-production with Ladd Enterprises |
Advise & Consent | Distribution only; produced by Alpha-Alpina S.A. | |
June 1962 | The Wild Westerners | Co-production with Four Leaf Productions |
July 4, 1962 | The Three Stooges in Orbit | Co-production with Normandy Productions |
July 26, 1962 | The Notorious Landlady | |
August 6, 1962 | The Best of Enemies | Nominee of the Golden Globe Award for Best Motion Picture – Musical or Comedy; co-production with Dino de Laurentiis Cinematografica |
August 8, 1962 | The Underwater City | |
The Interns | Co-production with Robert Cohn Productions | |
August 1962 | The Pirates of Blood River | Co-production with Hammer Films and British Lion Films |
September 19, 1962 | Damn the Defiant! | Co-production with G.W. Films Limited |
September 1962 | It's Trad, Dad! | |
October 3, 1962 | Zotz! | |
October 10, 1962 | Barabbas | |
October 16, 1962 | Requiem for a Heavyweight | |
October 24, 1962 | We'll Bury You | Documentary |
October 25, 1962 | The War Lover | |
October 31, 1962 | The Trunk | |
November 23, 1962 | Sundays and Cybele | |
November 28, 1962 | Two Tickets to Paris | |
December 16, 1962 | Lawrence of Arabia | Co-production with Horizon Pictures Winner of the Academy Award for Best Picture Winner of the Golden Globe Award for Best Motion Picture – Drama |
February 13, 1963 | Diamond Head | Co-production with Jerry Bresler Productions |
April 4, 1963 | Bye Bye Birdie | Nominee of the Golden Globe Award for Best Motion Picture – Musical or Comedy; co-production with Kohlmar-Sidney Productions |
April 17, 1963 | The Man from the Diner's Club | Co-production with Dena Productions and Ampersand |
April 1963 | Drylanders | Co-production with the National Film Board of Canada |
May 27, 1963 | The L-Shaped Room | U.S. distribution only; co-production with British Lion Films and Romulus Films |
May 1963 | Fury of the Pagans | U.S. distribution only; co-production with Filmar and Arion |
June 19, 1963 | Jason and the Argonauts | Co-production with The Great Company and Morningside Productions |
June 1963 | Just for Fun | Co-production with Amicus Productions |
August 7, 1963 | Gidget Goes to Rome | Co-production with Jerry Bresler Productions |
August 21, 1963 | The Three Stooges Go Around the World in a Daze | Co-production with Normandy Productions |
August 1963 | Siege of the Saxons | Co-production with Ameran Films |
September 11, 1963 | 13 Frightened Girls | |
September 18, 1963 | In the French Style | |
October 2, 1963 | The Running Man | |
October 23, 1963 | Under the Yum Yum Tree | Nominee of the Golden Globe Award for Best Motion Picture – Musical or Comedy; co-production with Sonnis |
October 30, 1963 | Maniac | Co-production with Hammer Films |
October 31, 1963 | The Old Dark House | Co-production with William Castle Productions and Hammer Films |
December 12, 1963 | The Cardinal | Winner of the Golden Globe Award for Best Motion Picture – Drama |
December 19, 1963 | The Victors | Co-production with Highroad Productions and Open Road Films |
December 31, 1963 | The Swinging Maiden | Co-production with Anglo-Amalgamated and Peter Rogers Productions |
January 1, 1964 | The Little Prince and the Eight-Headed Dragon | U.S. distribution only; produced by Toei Doga |
January 19, 1964 | Strait-Jacket | Co-production with William Castle Productions |
January 29, 1964 | Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | Nominee for the Academy Award for Best Picture; co-production with Hawk Films U.K. |
March 1964 | The Crimson Blade | U.S. distribution only; co-production with Warner-Pathé Distributors, Hammer Films and Associated British Picture Corporation |
April 1964 | The Quick Gun | Co-production with Admiral Pictures and Robert E. Kent Productions |
May 1964 | The Devil-Ship Pirates | U.S. distribution only; co-production with Warner-Pathé Distributors and Hammer Films |
June 1964 | Do You Know This Voice? | Co-production with Parroch-McCallum-Lippert |
June 1, 1964 | The New Interns | Co-production with Robert Cohn Productions |
June 3, 1964 | Hey There, It's Yogi Bear! | Distribution only, produced by Hanna-Barbera Productions |
June 24, 1964 | The Long Ships | Co-production with Warwick Films and Avala Film |
July 22, 1964 | Good Neighbor Sam | Co-production with David Swift Productions |
August 5, 1964 | Ride the Wild Surf | Co-production with Jana Productions |
August 14, 1964 | Behold a Pale Horse | |
October 1, 1964 | Lilith | |
October 7, 1964 | Fail-Safe | |
November 9, 1964 | The Pumpkin Eater | U.S. distribution only; co-production with Royal Films International |
November 10, 1964 | The Finest Hours | |
November 20, 1964 | First Men in the Moon | |
December 22, 1964 | World Without Sun | |
December 31, 1964 | The Curse of the Mummy's Tomb | |
January 1, 1965 | The Outlaws Is Coming | |
January 15, 1965 | Baby the Rain Must Fall | |
February 17, 1965 | The Gorgon | |
February 24, 1965 | Love Has Many Faces | |
February 25, 1965 | Lord Jim | |
March 1965 | Be My Guest | |
April 7, 1965 | Major Dundee | |
May 1, 1965 | Apache Gold | |
May 5, 1965 | Synanon | |
May 19, 1965 | Victim Five | |
May 19, 1965 | Fanatic | |
June 17, 1965 | The Collector | Nominee of the Golden Globe Award for Best Motion Picture – Drama |
June 23, 1965 | Genghis Khan | |
June 24, 1965 | Cat Ballou | Nominee of the Golden Globe Award for Best Motion Picture – Musical or Comedy |
July 7, 1965 | The Damned | |
July 12, 1965 | Harvey Middleman, Fireman | |
July 29, 1965 | Ship of Fools | Nominee for the Academy Award for Best Picture Nominee of the Golden Globe Award for Best Motion Picture – Drama |
July 1965 | East of Sudan | |
August 1, 1965 | Arizona Raiders | |
September 1, 1965 | The Great Sioux Massacre | |
September 15, 1965 | The Little Ones | |
September 16, 1965 | That Man in Istanbul | |
September 27, 1965 | Mickey One | |
October 3, 1965 | Bunny Lake Is Missing | |
October 11, 1965 | The Bedford Incident | |
October 27, 1965 | King Rat | |
October 28, 1965 | Winter A-Go-Go | |
October 1965 | You Must Be Joking! | |
October 1965 | Hard Time for Princes | |
November 1, 1965 | Treasure of Silver Lake | |
November 26, 1965 | The Magic World of Topo Gigio | U.S. distribution only; produced by Cinecidi, Jolly Film and Sullivan Enterprises |
November 1965 | The Brigand of Kandahar | U.S. distribution only; co-production with Hammer Films |
January 1966 | Rampage at Apache Wells | U.S. distribution only; co-production with Rialto Film and Jadran Film |
Ride Beyond Vengeance | Co-production with Mark Goodson-Bill Todman Productions, Sentinel Productions, Fenady Associates and The Tiger Company | |
February 17, 1966 | The Chase | Co-production with Horizon Pictures |
February 18, 1966 | The Silencers | Co-production with Meadway-Claude Productions |
March 9, 1966 | The Heroes of Telemark | U.S. distribution only; co-production with Rank Organisation and Benton Film Productions |
March 30, 1966 | The Trouble with Angels | Co-production with William Frye Productions |
March 1966 | Three on a Couch | Co-production with Jerry Lewis Productions |
May 1966 | Kidnapped to Mystery Island | Co-production with Eichberg-Film and Liber Film |
June 22, 1966 | Born Free | Nominee of the Golden Globe Award for Best Motion Picture – Drama; co-production with Open Road Films, Atlas and Highroad Productions |
June 29, 1966 | Walk, Don't Run | Co-production with Sol C. Siegel Productions |
July 19, 1966 | The Wrong Box | |
July 1966 | Every Day Is a Holiday | |
August 3, 1966 | The Man Called Flintstone | Distribution only, produced by Hanna-Barbera Productions |
August 10, 1966 | A Study in Terror | U.S. distribution only; co-production with Compton Films and Sir Nigel Films |
August 1966 | Birds Do It | Co-production with Ivan Tors Films |
September 14, 1966 | Lost Command | Co-production with Red Lion |
The Eavesdropper | U.S. distribution only; co-production with Royal Films International and Producciones Leopoldo Torre Nilsson | |
September 27, 1966 | Rings Around the World | |
September 1966 | Last of the Renegades | U.S. distribution only; co-production with Constantin Film, Atlantis Film and Jadran Film |
October 12, 1966 | Dead Heat on a Merry-Go-Round | |
October 17, 1966 | Georgy Girl | Co-production with Everglades Productions |
October 1966 | Alvarez Kelly | Co-production with Sol C. Siegel Productions |
November 2, 1966 | The Professionals | Nominee of the Golden Globe Award for Best Motion Picture – Drama; co-production with Pax Enterprises |
November 1966 | The Texican | Co-production with M.C.R. Productions Inc. |
Frontier Hellcat | U.S. distribution only; co-production with Constanstin Film, Jadran Film and Atlantis Films | |
Traitor's Gate | U.S. distribution only; co-production with Constanstin Film, Rialto Film and Summit | |
December 12, 1966 | A Man for All Seasons | Winner of the Academy Award for Best Picture Winner of the Golden Globe Award for Best Motion Picture – Drama |
December 20, 1966 | Murderers' Row | |
December 1966 | Rage | |
January 18, 1967 | Goal! The World Cup | |
January 25, 1967 | Kiss the Girls and Make Them Die | |
January 26, 1967 | The Deadly Affair | |
February 24, 1967 | The Night of the Generals | |
February 25, 1967 | Enter Laughing | |
March 8, 1967 | The Taming of the Shrew | Nominee of the Golden Globe Award for Best Motion Picture – Musical or Comedy |
April 28, 1967 | Casino Royale | |
May 1, 1967 | 40 Guns to Apache Pass | |
May 17, 1967 | The Happening | |
June 14, 1967 | To Sir, with Love | |
June 21, 1967 | Divorce American Style | |
July 12, 1967 | The Big Mouth | |
July 26, 1967 | The Love-Ins | |
July 26, 1967 | Luv | |
August 2, 1967 | Good Times | |
August 18, 1967 | The Tiger Makes Out | |
September 26, 1967 | Who's Minding the Mint? | |
October 1967 | Young Americans | |
November 1, 1967 | A Time for Killing | |
November 1967 | Winnetou: Thunder at the Border | |
December 12, 1967 | Guess Who's Coming to Dinner | Nominee of the Academy Award for Best Picture |
December 14, 1967 | In Cold Blood | Nominee of the Golden Globe Award for Best Motion Picture – Drama |
December 22, 1967 | The Ambushers | |
1968 | The Desperado Trail | |
1968 | Superargo Versus Diabolicus | |
January 11, 1968 | Berserk! | |
January 17, 1968 | How to Save a Marriage and Ruin Your Life | |
February 6, 1968 | Doctor Faustus | |
March 4, 1968 | 30 Is a Dangerous Age, Cynthia | |
April 2, 1968 | A Dandy in Aspic | |
April 10, 1968 | Where Angels Go, Trouble Follows | |
April 1968 | Up the MacGregors! | U.S. distribution of Italian film |
May 15, 1968 | The Swimmer | |
June 5, 1968 | For Singles Only | |
June 1968 | Assignment K | U.S. distribution of English film |
July 2, 1968 | Interlude | |
July 12, 1968 | Don't Raise the Bridge, Lower the River | |
July 19, 1968 | Torture Garden | |
July 24, 1968 | Anzio | |
August 21, 1968 | The Big Gundown | |
September 11, 1968 | Hammerhead | |
September 16, 1968 | Duffy | |
September 19, 1968 | Funny Girl | Nominee for the Academy Award for Best Picture Nominee of the Golden Globe Award for Best Motion Picture – Musical or Comedy Co-production with Rastar |
November 20, 1968 | Head | |
November 1968 | Seven Guns for the MacGregors | |
December 4, 1968 | Renegade Riders | |
December 4, 1968 | Corruption | |
December 10, 1968 | Oliver! | Winner of the Academy Award for Best Picture Winner of the Golden Globe Award for Best Motion Picture – Musical or Comedy |
December 1968 | With My Guns | U.S. distribution of Mexican film Por mis pistolas |
February 5, 1969 | The Wrecking Crew | |
March 11, 1969 | Otley | Co-production with Bruce Cohn Curtis Films Ltd. and Open Road Films |
March 21, 1969 | Pendulum | |
March 24, 1969 | Before Winter Comes | |
April 1, 1969 | Model Shop | |
May 1, 1969 | The Mad Room | |
May 10, 1969 | Mackenna's Gold | |
May 14, 1969 | Age of Consent | |
May 28, 1969 | The Southern Star | |
May 1969 | Man on Horseback | |
June 6, 1969 | Hook, Line & Sinker | |
July 14, 1969 | Easy Rider | |
July 23, 1969 | Run Wild, Run Free | |
July 23, 1969 | Castle Keep | |
August 18, 1969 | A Touch of Love | |
September 17, 1969 | Bob & Carol & Ted & Alice | |
October 15, 1969 | Lock Up Your Daughters | |
November 19, 1969 | The Comic | |
November 19, 1969 | The Desperados | |
December 11, 1969 | Marooned | |
December 16, 1969 | Cactus Flower | Nominee of the Golden Globe Award for Best Motion Picture – Musical or Comedy |
December 21, 1969 | Hamlet | |
December 1969 | A Quixote Without La Mancha | U.S. distribution of a Mexican film |
1970s
Release date | Title | Notes |
---|---|---|
January 1970 | Land Raiders | |
February 4, 1970 | The Looking Glass War | |
February 5, 1970 | The Virgin Soldiers | |
March 4, 1970 | Loving | |
March 18, 1970 | The Liberation of L.B. Jones | |
April 27, 1970 | Riverrun | |
May 13, 1970 | Getting Straight | |
May 27, 1970 | Watermelon Man | |
June 17, 1970 | A Walk in the Spring Rain | |
July 24, 1970 | You Can't Win 'Em All | |
August 31, 1970 | The Things of Life | |
August 1970 | The Olympics in Mexico | |
September 11, 1970 | Sartana Kills Them All | |
September 12, 1970 | Five Easy Pieces | Nominee for the Academy Award for Best Picture Nominee of the Golden Globe Award for Best Motion Picture – Drama |
September 16, 1970 | R.P.M. | |
September 16, 1970 | The Executioner | |
October 12, 1970 | The Mind of Mr. Soames | |
October 18, 1970 | I Never Sang for My Father | Nominee of the Golden Globe Award for Best Motion Picture – Drama |
October 26, 1970 | Cromwell | |
October 29, 1970 | Machine Gun McCain | |
November 3, 1970 | The Owl and the Pussycat | Co-production with Rastar |
November 18, 1970 | I Walk the Line | |
December 8, 1970 | Husbands | |
December 15, 1970 | There's a Girl in My Soup | |
December 16, 1970 | Take a Girl Like You | |
December 20, 1970 | Investigation of a Citizen Above Suspicion | |
December 21, 1970 | The Man with Connections | |
December 25, 1970 | The Lady in the Car with Glasses and a Gun | |
1971 | House of Evil | Co-production with Azteca Films and Filmica Vergara S.A. |
January 19, 1971 | The Reckoning | |
January 21, 1971 | Bed and Board | |
February 3, 1971 | Doctors' Wives | |
February 21, 1971 | Claire's Knee | |
February 23, 1971 | The Pursuit of Happiness | |
March 12, 1971 | The Buttercup Chain | |
March 24, 1971 | Brother John | |
March 28, 1971 | A Severed Head | |
March 1971 | Isle of the Snake People | |
April 2, 1971 | Flight of the Doves | |
April 26, 1971 | Super Colt 38 | |
April 1971 | The Incredible Invasion | |
May 12, 1971 | 10 Rillington Place | Co-production with Filmways |
June 6, 1971 | Summertree | |
June 9, 1971 | A Man Called Sledge | |
June 13, 1971 | Drive, He Said | |
June 17, 1971 | The Anderson Tapes | |
June 23, 1971 | Man and Boy | |
July 24, 1971 | The Horsemen | |
July 29, 1971 | The Go-Between | Co-produced with EMI Films |
August 6, 1971 | The Brotherhood of Satan | |
August 18, 1971 | Fools' Parade | |
August 27, 1971 | The Love Machine | |
September 1, 1971 | Creatures the World Forgot | |
September 2, 1971 | See No Evil | |
September 24, 1971 | The Last Rebel | |
September 1971 | Fragment of Fear | |
September 1971 | Dad's Army | distribution only; co-production with Norcon |
September 1971 | Welcome to the Club | |
October 1, 1971 | A Safe Place | |
October 13, 1971 | Macbeth | |
October 22, 1971 | The Last Picture Show | Nominee for the Academy Award for Best Picture Nominee of the Golden Globe Award for Best Motion Picture – Drama |
October 28, 1971 | Bless the Beasts and Children | |
December 9, 1971 | Happy Birthday, Wanda June | |
December 13, 1971 | Nicholas and Alexandra | Nominee for the Academy Award for Best Picture |
December 17, 1971 | $ | Also known as Dollars |
January 1, 1972 | J.W. Coop | |
January 7, 1972 | Glass Houses | |
January 14, 1972 | Cisco Pike | |
January 20, 1972 | To Find a Man | Co-production with Rastar |
January 21, 1972 | X, Y, and Zee | Original British title: Zee and Co. |
March 21, 1972 | Gumshoe | |
April 28, 1972 | Buck and the Preacher | |
April 29, 1972 | Brian's Song | Television film, given release in theatres |
May 1972 | Stand Up and Be Counted | |
June 4, 1972 | A Day in the Death of Joe Egg | |
June 14, 1972 | The Burglars | |
July 6, 1972 | Butterflies Are Free | Nominee of the Golden Globe Award for Best Motion Picture – Musical or Comedy |
July 12, 1972 | Living Free | |
July 26, 1972 | Fat City | Co-production with Rastar |
August 3, 1972 | The New Centurions | |
August 16, 1972 | Pope Joan | |
August 22, 1972 | And Now for Something Completely Different | Co-production with Playboy Productions |
September 29, 1972 | Love in the Afternoon | |
October 10, 1972 | Young Winston | |
October 12, 1972 | The King of Marvin Gardens | |
November 3, 1972 | The Valachi Papers | |
November 17, 1972 | 1776 | Nominee of the Golden Globe Award for Best Motion Picture – Musical or Comedy |
November 1972 | Dirty Little Billy | |
December 11, 1972 | Trafic | |
December 18, 1972 | Images | |
December 19, 1972 | Goodbye, Stork, Goodbye | |
December 20, 1972 | Black Gunn | |
1973 | Andrei Rublev | International distribution only |
January 31, 1973 | Shamus | |
February 4, 1973 | Wattstax | |
February 12, 1973 | A Reflection of Fear | |
February 12, 1973 | The Creeping Flesh | |
March 11, 1973 | The Sin | |
March 17, 1973 | Lost Horizon | |
March 21, 1973 | Godspell | |
March 25, 1973 | Such a Gorgeous Kid Like Me | |
March 1973 | Fists of Fury | |
April 19, 1973 | Love and Pain and the Whole Damn Thing | |
May 25, 1973 | Let the Good Times Roll | |
June 10, 1973 | The Hireling | |
June 28, 1973 | 40 Carats | |
July 3, 1973 | Oklahoma Crude | |
July 18, 1973 | Siddhartha | U.S. distribution only; co-production with Lotus Films |
August 8, 1973 | The Stone Killer | |
October 19, 1973 | The Way We Were | Co-production with Rastar and Tom Ward Enterprises |
October 21, 1973 | Summer Wishes, Winter Dreams | Co-production with Rastar |
December 12, 1973 | The Last Detail | Co-production with Bright-Persky Associates and Acrobat Productions |
December 16, 1973 | Papillon | International distribution only; co-production with Allied Artists Pictures; Corona-General and Solar Productions |
February 15, 1974 | Crazy Joe | U.S. distribution only; co-production with Warner-Columbia Filmverleih, Dino de Laurentiis Cinematografica, Persky-Bright Productions, Produzione Cinematografiche Inter.Ma.Co and Tom Ward Enterprises |
March 13, 1974 | Lone Wolf and Cub: Baby Cart to Hades | U.S. distribution only; co-production with Toho and Katsu Production Co. Ltd |
April 5, 1974 | The Golden Voyage of Sinbad | Co-production by Morningside Productions and Ameran Films |
April 10, 1974 | Thomasine & Bushrod | |
April 14, 1974 | Lovin' Molly | distribution only; produced by S.J.F. Productions |
May 1, 1974 | The Lords of Flatbush | Co-production with Ebbets Field |
May 22, 1974 | Chosen Survivors | Co-production with Metromedia Producers Corporation, Alpine Productions Inc. and Churubusco Studios |
May 1974 | The Take | Co-production with World Film Services |
June 16, 1974 | The Gravy Train | Co-production with Tomorrow Productions |
June 26, 1974 | For Pete's Sake | Co-production with Rastar and Barclay |
June 1974 | Birds Do It, Bees Do It | Co-production with Romax Productions and Wolper Pictures |
July 24, 1974 | Death Wish | International distribution only; co-production with Paramount Pictures |
August 7, 1974 | California Split | Co-production with Spelling-Goldberg and Won World |
August 21, 1974 | Buster and Billie | |
September 25, 1974 | The Mutations | Co-production with Cyclone and Getty Pictures Corp. |
October 9, 1974 | Law and Disorder | Co-production with Fadsin Cinema Associates, Leroy Street, Memorial Enterprises and Ugo |
October 17, 1974 | Liberation | |
October 18, 1974 | The Odessa File | |
November 1, 1974 | Open Season | |
November 8, 1974 | Confessions of a Window Cleaner | |
November 1974 | The Three Stooges Follies | |
December 3, 1974 | Emmanuelle | |
February 12, 1975 | The Stepford Wives | Theatrical distributor only |
March 13, 1975 | Shampoo | Nominee of the Golden Globe Award for Best Motion Picture – Musical or Comedy |
March 15, 1975 | Funny Lady | Nominee of the Golden Globe Award for Best Motion Picture – Musical or Comedy; co-production with Rastar |
March 19, 1975 | Tommy | Co-production with Robert Stigwood and Hemdale Nominee of the Golden Globe Award for Best Motion Picture – Musical or Comedy |
April 29, 1975 | Aloha Bobby and Rose | |
May 20, 1975 | The Fortune | |
May 22, 1975 | Breakout | |
May 22, 1975 | The Wind and the Lion | International distribution only; co-production with Metro-Goldwyn-Mayer |
June 20, 1975 | Bite the Bullet | |
July 16, 1975 | White Line Fever | |
October 8, 1975 | Hard Times | |
October 12, 1975 | Lies My Father Told Me | |
November 12, 1975 | Stardust | |
November 19, 1975 | Fear Over the City | |
December 17, 1975 | The Man Who Would Be King | International distribution only; co-production with Allied Artists and Devon/Persky-Bright |
December 25, 1975 | Aaron Loves Angela | |
The Black Bird | Co-production with Rastar | |
February 8, 1976 | Taxi Driver | Nominee for the Academy Award for Best Picture; co-production with Bill/Philips and Italo/Judeo Productions |
February 13, 1976 | Jack and the Beanstalk | U.S. distribution only; produced by Group TAC, Nippon Herald Films and Film-Rite Inc. |
March 11, 1976 | Robin and Marian | Co-production with Rastar |
April 16, 1976 | Countdown at Kusini | Co-production with DST Telecommunications, Nigeria Glipp Productions and Tam International Limited |
April 1976 | The Stranger and the Gunfighter | U.S. distribution only; co-production with Champion Films, Compagnia Cinematografica Champion, Harbor Productions, Midega Film and The Shaw Brothers |
May 5, 1976 | Baby Blue Marine | Co-production with Spelling-Goldberg Productions |
May 26, 1976 | Drive-In | Co-production with George Litto Productions |
May 1976 | Watch Out, We're Mad | U.S. distribution only; co-production with Filmayer, Capital Films and Rizzoli Film |
June 6, 1976 | The Last Woman | U.S. distribution only; co-production with Les Productions Jaques Roitfield |
June 17, 1976 | Harry and Walter Go to New York | Co-production with Devlin-Gittes/Tony Bill |
June 23, 1976 | Murder by Death | Co-production with Rastar |
July 14, 1976 | Shadow of the Hawk | Co-production with International Cinemedia Center, Rising Road, The Canadian Film Development Corporation and The Odeon Theatres |
August 1, 1976 | Obsession | Co-production with Yellowbird Productions |
September 17, 1976 | The Front | Co-production with Devon/Persky-Bright, Persky-Bright Productions and Rollins-Joffe Productions |
December 21, 1976 | Nickelodeon | Co-production with British Lion Films and EMI Films |
February 9, 1977 | Fun with Dick and Jane | |
March 9, 1977 | The Farmer | Co-production with Milway Productions |
April 2, 1977 | The Eagle Has Landed | USA distribution only; produced by ITC Entertainment and Associated General Films |
May 19, 1977 | The Greatest | Co-production with EMI Films and John Marshall Production |
June 17, 1977 | The Deep | Co-production with Cascablanca Filmworks and EMI Films |
August 5, 1977 | March or Die | U.S. distribution only, produced by ITC Entertainment, Sir Lew Grade and Associated General Films |
August 12, 1977 | Sinbad and the Eye of the Tiger | Co-production with Andor Films |
August 31, 1977 | You Light Up My Life | Co-production with Mondial International Corporation |
September 29, 1977 | Bobby Deerfield | U.S. distribution only; co-production with Warner Bros. and First Artists |
November 16, 1977 | Close Encounters of the Third Kind | Nominee for the Golden Globe Award for Best Motion Picture – Drama; co-production with EMI Films |
February 2, 1978 | The Boys in Company C | |
February 1978 | Remember My Name | Co-production with Lion's Gate Films |
March 3, 1978 | The Amsterdam Kill | |
March 17, 1978 | Casey's Shadow | Co-production with Rastar |
April 21, 1978 | Silver Bears | |
May 18, 1978 | The Buddy Holly Story | |
May 19, 1978 | Thank God It's Friday | Co-production with Cascablanca Filmworks and Motown Productions |
May 1978 | Warlords of Atlantis | USA distribution only; co-production with EMI Films |
May 24, 1978 | If Ever I See You Again | |
June 23, 1978 | The Cheap Detective | Co-production with Rastar |
August 2, 1978 | Eyes of Laura Mars | |
September 29, 1978 | Somebody Killed Her Husband | Co-production with Melvin Simon Productions and Fawcett-Major Productions |
October 6, 1978 | Midnight Express | Nominee for the Academy Award for Best Picture Winner of the Golden Globe Award for Best Motion Picture – Drama Co-production with Cascablanca Filmworks |
December 8, 1978 | Force 10 from Navarone | International distribution only; co-production with American International Pictures |
December 15, 1978 | California Suite | Nominee of the Golden Globe Award for Best Motion Picture – Musical or Comedy; co-production with Rastar |
December 31, 1978 | Ice Castles | |
February 9, 1979 | Hardcore | |
February 9, 1979 | When You Comin' Back, Red Ryder? | |
March 2, 1979 | Fast Break | |
March 16, 1979 | The China Syndrome | |
April 1979 | Ashanti | International distribution only; co-production with Warner Bros. |
April 6, 1979 | The Fifth Musketeer | |
May 18, 1979 | Hanover Street | |
May 1979 | Ravagers | |
June 8, 1979 | Game of Death | USA distribution only, 20th Century Fox had international distribution |
June 22, 1979 | Nightwing | |
June 28, 1979 | ..And Justice for All | |
July 13, 1979 | Just You and Me, Kid | |
July 13, 1979 | Lost and Found | |
July 27, 1979 | The Villain | Co-production with Rastar |
August 10, 1979 | No Sex Please, We're British | |
August 10, 1979 | The National Health | |
August 10, 1979 | Hot Stuff | Co-production with Rastar |
October 26, 1979 | When a Stranger Calls | U.S. distribution only |
October 1979 | Skatetown, U.S.A. | Co-production with Rastar |
November 1, 1979 | Bear Island | Co-production with United Artists |
December 14, 1979 | 1941 | International distribution only; co-production with Universal Studios |
December 14, 1979 | Chapter Two | Co-production with Rastar |
December 17, 1979 | Kramer vs. Kramer | Winner of the Academy Award for Best Picture Nominee for the Golden Globe Award for Best Motion Picture – Drama |
December 20, 1979 | All That Jazz | Nominee of the Academy Award for Best Picture International distribution only; co-production with 20th Century Fox |
December 21, 1979 | The Electric Horseman | U.S.A. distribution only; co-production with Universal Studios |
1980s
Release date | Title | Notes |
---|---|---|
March 1, 1980 | The American Success Company | |
May 16, 1980 | The Hollywood Knights | Co-production with Cascablanca Filmworks and Polygram Pictures |
June 1, 1980 | The Mountain Men | Co-production with Polyc International BV |
June 6, 1980 | Night of the Juggler | Co-production with GCC Productions |
June 13, 1980 | Wholly Moses! | |
June 20, 1980 | The Blue Lagoon | |
July 11, 1980 | Used Cars | Co-production with A-Team |
October 1, 1980 | Gloria | |
October 17, 1980 | Foolin' Around | Co-production with 20th Century Fox, Film Packages and GCC Productions |
October 24, 1980 | It's My Turn | Co-production with Rastar |
October 31, 1980 | Touched by Love | Co-production with Rastar and Dove |
December 3, 1980 | The Competition | Co-production with Rastar |
December 12, 1980 | Stir Crazy | |
Tess | Nominee for the Academy Award for Best Picture; U.S. distribution only; co-production with Neue Constantin Film, Renn Productions and Timothy Burrill Productions | |
December 19, 1980 | Seems Like Old Times | Co-production with Rastar |
February 13, 1981 | American Pop | Co-production with Bakshi Productions, Aspen Productions and Polyc International BV |
March 13, 1981 | Modern Romance | |
May 1, 1981 | Graduation Day | Co-production with IFI/Scope III and Troma Entertainment |
May 15, 1981 | Happy Birthday to Me | co-production with The Canadian Film Development Corporation and Famous Players |
June 5, 1981 | Nice Dreams | Co-production with C&C Brown Production |
June 26, 1981 | Stripes | |
August 7, 1981 | Heavy Metal | Distribution only; produced by The Guardian Trust Company, The Canadian Film Development Corporation and Famous Players |
August 14, 1981 | Nobody's Perfekt | Co-production with Rastar |
August 17, 1981 | One from the Heart | Co-production with Zoetrope Studios |
September 25, 1981 | Only When I Laugh | Co-production with Rastar |
December 18, 1981 | Neighbors | |
Absence of Malice | Co-production with Mirage Productions | |
February 20, 1982 | Death Wish II | Co-production with Filmways Cannon Films, City Films, Golan-Globus Productions and Landers-Roberts Productions; international distributor |
March 12, 1982 | Richard Pryor: Live on the Sunset Strip | Co-production with Rastar |
April 2, 1982 | Silent Rage | Co-production with Topkick Productions |
April 16, 1982 | Wrong Is Right | Co-production with Rastar |
June 4, 1982 | Hanky Panky | |
June 18, 1982 | Annie | Nominee of the Golden Raspberry Award for Worst Picture; co-production with Rastar; last Columbia release before the Coca-Cola buyout was finalized[1] |
June 25, 1982 | Monty Python Live at the Hollywood Bowl | First Columbia release after the Coca-Cola buyout was finalized; co-production with HandMade Films |
August 4, 1982 | Things Are Tough All Over | Co-production with C&C Brown Production |
August 13, 1982 | Tempest | |
November 2, 1982 | The Missionary | Co-production with HandMade Films |
November 5, 1982 | Piranha II: The Spawning | |
December 8, 1982 | Gandhi | Winner of the Academy Award for Best Picture |
December 10, 1982 | The Toy | Co-production with Rastar |
December 17, 1982 | Tootsie | Nominee for the Academy Award for Best Picture; co-production with Mirage Enterprises, Punch Productions and Delphi Films |
March 25, 1983 | Spring Break | |
May 13, 1983 | Blue Thunder | Co-production with Rastar |
May 20, 1983 | Spacehunter: Adventures in the Forbidden Zone | |
June 22, 1983 | The Survivors | Co-production with Rastar |
July 29, 1983 | Krull | |
August 19, 1983 | Yor, the Hunter from the Future | |
September 21, 1983 | Educating Rita | |
September 28, 1983 | The Big Chill | Nominee for the Academy Award for Best Picture |
October 28, 1983 | Richard Pryor: Here and Now | |
December 6, 1983 | The Dresser | Nominee for the Academy Award for Best Picture |
December 9, 1983 | Christine | |
December 16, 1983 | The Man Who Loved Women | |
January 1, 1984 | Ghost in the Noonday Sun | |
March 2, 1984 | Against All Odds | |
April 6, 1984 | Moscow on the Hudson | |
May 4, 1984 | Hardbodies | |
June 8, 1984 | Ghostbusters | |
June 22, 1984 | The Karate Kid | Co-production with Jerry Weintraub Productions and Delphi Films |
August 17, 1984 | Sheena | Nominee of the Golden Raspberry Award for Worst Picture; co-production with Colgems Productions Ltd. and Delphi II Productions |
September 14, 1984 | A Soldier's Story | Nominee for the Academy Award for Best Picture; Nominee of the Golden Globe Award for Best Motion Picture – Drama; co-production with Caldix |
October 19, 1984 | The Razor's Edge | Co-production with Colgems Productions Ltd. and Marcucci-Cohen-Benn Production |
October 26, 1984 | Body Double | Co-production with Delphi II Productions |
November 9, 1984 | No Small Affair | |
December 14, 1984 | Starman | |
A Passage to India | Nominee for the Academy Award for Best Picture; co-production with Thorn EMI and HBO, MGM had actually rights | |
December 21, 1984 | Micki + Maude | Co-production with BBE, Blake Edwards and Delphi II Productions |
January 18, 1985 | The New Kids | Co-production with Fogbound Productions |
February 15, 1985 | Fast Forward | Co-production with Delphi III Productions and Verdon-Cedric Productions |
March 15, 1985 | Sylvester | Co-production with Rastar |
March 29, 1985 | The Slugger's Wife | Co-production with Rastar and Delphi III Productions |
April 26, 1985 | Just One of the Guys | Co-production with Summa Entertainment Group and Triton |
June 7, 1985 | Perfect | Co-production with Delphi III Productions and Pluperfect |
June 14, 1985 | D.A.R.Y.L. | International distribution only; co-production with Paramount Pictures and World Film Services |
June 28, 1985 | St. Elmo's Fire | Co-production with Delphi III Productions |
July 10, 1985 | Silverado | |
August 2, 1985 | Fright Night | Co-production with Vistar Films and Delphi III Productions |
August 16, 1985 | The Bride | Co-production with Delphi III Productions and Lee International Studios |
September 13, 1985 | Agnes of God | Co-production with Delphi III Productions |
October 4, 1985 | Jagged Edge | |
November 22, 1985 | White Nights | Co-production with Delphi III Productions and New Visions Pictures |
December 13, 1985 | A Chorus Line | Distribution only; produced by Embassy Pictures, PolyGram Pictures and Feur and Martin Productions |
December 25, 1985 | Murphy's Romance | Co-production with Delphi IV Productions and Fogwood Pictures |
January 22, 1986 | Desert Bloom | Co-production with Carson Productions, Delphi IV Productions and The Sundance Institute |
February 14, 1986 | Quicksilver | Co-production with Delphi IV Productions and IndieProd Company Productions |
March 14, 1986 | Crossroads | |
March 21, 1986 | Care Bears Movie II: A New Generation | Distribution only; produced by Nelvana and LBS Communications |
April 11, 1986 | Violets Are Blue | Co-production with Rastar and Delphi IV Productions |
April 25, 1986 | Crimewave | Distribution only; produced by Embassy Pictures and Renaissance Pictures |
May 2, 1986 | Saving Grace | Co-production with Embassy Pictures |
Jo Jo Dancer, Your Life Is Calling | Co-production with Delphi V Productions | |
May 30, 1986 | Big Trouble | Co-production with Delphi IV Productions |
June 20, 1986 | The Karate Kid Part II | Co-production with Delphi IV Productions |
June 27, 1986 | American Anthem | Theatrical distribution only; produced by Lorimar Productions |
July 25, 1986 | Out of Bounds | Co-production with Delphi IV Productions, Fogbound Productions and Fries Entertainment |
August 8, 1986 | Stand by Me | Nominee of the Golden Globe Award for Best Motion Picture – Drama; co-production with Act V Communications |
A Fine Mess | Distribution only; co-production with Blake Edwards and Delphi IV Productions | |
August 15, 1986 | Armed and Dangerous | |
August 22, 1986 | One More Saturday Night | Co-production with AAR Films, Delphi IV Productions and Rastar |
August 1986 | Stewardess School | |
October 10, 1986 | That's Life! | Distribution only |
December 12, 1986 | Where Are The Children? | Co-production with Braun Entertainment Group, Delphi V Productions and Rastar |
February 13, 1987 | 84 Charing Cross Road | |
May 15, 1987 | Ishtar | Nominee of the Golden Raspberry Award for Worst Picture |
June 19, 1987 | Roxanne | |
July 10, 1987 | White Water Summer | |
July 24, 1987 | La Bamba | |
August 7, 1987 | Happy New Year | |
August 21, 1987 | The Big Easy | Distribution only; produced by Kings Road Entertainment |
September 25, 1987 | The Big Town | |
October 9, 1987 | Hope and Glory | Distribution only; produced by Nelson Entertainment and Goldcrest Films Nominee for the Academy Award for Best Picture |
October 9, 1987 | Someone to Watch Over Me | |
November 25, 1987 | Housekeeping | |
December 4, 1987 | The Stranger | |
December 18, 1987 | Leonard Part 6 | Winner of the Golden Raspberry Award for Worst Picture |
December 18, 1987 | The Last Emperor | U.S. distribution with Hemdale Film Corporation Produced by Recorded Picture Company Winner of the Academy Award for Best Picture Winner of the Golden Globe Award for Best Motion Picture – Drama |
December 19, 1987 | Me and My Sister | First Italian film released as Columbia Pictures Italia |
February 12, 1988 | School Daze | |
March 4, 1988 | Pulse | |
March 11, 1988 | Vice Versa | |
March 18, 1988 | Little Nikita | |
March 18, 1988 | Stars and Bars | |
April 15, 1988 | Zelly and Me | |
April 22, 1988 | A Time of Destiny | |
April 22, 1988 | White Mischief | |
July 29, 1988 | The New Adventures of Pippi Longstocking | |
August 5, 1988 | Vibes | |
August 22, 1988 | The Big Blue | Le Grand Bleu in France |
September 2, 1988 | Rocket Gibraltar | |
September 16, 1988 | The Beast | |
October 7, 1988 | Punchline | |
October 14, 1988 | The Little Devil | Second Italian film |
October 21, 1988 | Things Change | |
November 18, 1988 | Fresh Horses | Distribution only, produced by Weintraub Entertainment Group |
December 9, 1988 | My Stepmother is an Alien | Distribution only; produced by Weintraub Entertainment Group |
January 27, 1989 | Physical Evidence | |
February 17, 1989 | True Believer | |
March 10, 1989 | The Adventures of Baron Munchausen | |
March 10, 1989 | Hanussen | |
March 22, 1989 | Troop Beverly Hills | Distribution only, produced by Weintraub Entertainment Group |
April 14, 1989 | She's Out of Control | Distribution only, produced by Weintraub Entertainment Group |
April 14, 1989 | Winter People | Distribution only, produced by Castle Rock Entertainment and Nelson Entertainment |
May 5, 1989 | Listen to Me | Distribution only, produced by Weintraub Entertainment Group |
May 19, 1989 | Miracle Mile | Distribution only; produced by Hemdale Film Corporation |
June 16, 1989 | Ghostbusters II | |
June 30, 1989 | The Karate Kid Part III | Nominee of the Golden Raspberry Award for Worst Picture |
July 21, 1989 | Eat a Bowl of Tea | Co-production with American Playhouse |
When Harry Met Sally.. | Distribution only, produced by Castle Rock Entertainment and Nelson Entertainment | |
August 4, 1989 | Me and Him | U.S. distribution only; co-production with Neue Constanstin Film |
August 18, 1989 | Casualties of War | |
August 25, 1989 | The Adventures of Milo and Otis | U.S. distribution only, produced by Toho and Fuji Television Network |
September 15, 1989 | The Big Picture | Co-production with Aspen Film Society |
September 29, 1989 | Welcome Home | Co-production with The Rank Organisation |
October 6, 1989 | Old Gringo | Co-production with Fonda Films |
October 13, 1989 | To Kill a Priest | Released on September 7, 1988 in France; co-production with France 3 Cinéma, J.P. Productions and Sofica Valor |
October 27, 1989 | Immediate Family | Co-production with Sanford/Pillsbury Productions |
November 3, 1989 | Bloodhounds of Broadway | Co-production with American Playhouse |
November 4, 1989 | The Phantom of the Opera | Co-production with 21st Century Film Corporation, Breton Film Productions and Dee Gee Entertainment; last Columbia release before the studio was acquired by Sony |
1990s
Release date | Title | Notes |
---|---|---|
February 9, 1990 | Time of the Gypsies | U.S. distribution only; co-production with AAA Classic, TriStar Pictures, Lowndes Productions Limited, P.L.B. Film and Smart Egg Pictures; first Columbia release after the studio was acquired by Sony |
February 16, 1990 | Revenge | U.S. distributor; co-production with Rastar and New World Pictures |
March 16, 1990 | The Forbidden Dance | Distribution only; produced by 21st Century Film Corporation and Sawmill Entertainment Corporation |
March 16, 1990 | Lord of the Flies | Distribution only; produced by Nelson Entertainment, Castle Rock Entertainment, Jack's Camp and Signal Hill Entertainment |
April 13, 1990 | The Gods Must Be Crazy II | U.S. distributor; co-production with 20th Century Fox and Weintraub Entertainment Group |
August 10, 1990 | Flatliners | Distributor only; co-production with Stonebridge Entertainment |
September 12, 1990 | Postcards from the Edge | |
September 28, 1990 | Texasville | Distribution only; produced by Nelson Entertainment and Cine-Source |
October 5, 1990 | The 5th Monkey | Co-production with 21st Century Film Corporation |
October 12, 1990 | The Spirit of '76 | Distribution only; produced by Castle Rock Entertainment, Black Diamond Productions and Commercial Pictures |
October 19, 1990 | Night of the Living Dead | Distribution only; produced by 21st Century Film Corporation |
October 26, 1990 | Sibling Rivalry | Distribution only, produced by Castle Rock Entertainment and Nelson Entertainment |
November 30, 1990 | Misery | Distribution only; produced by Castle Rock Entertainment and Nelson Entertainment |
December 20, 1990 | Awakenings | Nominee for the Academy Award for Best Picture |
January 18, 1991 | Men of Respect | |
April 19, 1991 | Mortal Thoughts | |
May 17, 1991 | Stone Cold | Distribution only; produced by Stone Group Pictures |
June 7, 1991 | City Slickers | Distribution only; produced by Castle Rock Entertainment and Nelson Entertainment |
July 12, 1991 | Boyz n the Hood | |
August 2, 1991 | Return to the Blue Lagoon | Nominee of the Golden Raspberry Award for Worst Picture |
August 9, 1991 | Double Impact | USA and UK distribution only; produced by Stone Group Pictures |
September 6, 1991 | Children of the Night | |
September 20, 1991 | Late for Dinner | Distribution only; produced by Castle Rock Entertainment and New Line Cinema |
October 11, 1991 | The Taking of Beverly Hills | Distribution only; produced by Nelson Entertainment |
November 21, 1991 | The Prince of Tides | Nominee for the Academy Award for Best Picture |
November 27, 1991 | My Girl | |
December 25, 1991 | The Inner Circle | |
January 31, 1992 | Hard Promises | Distribution only; produced by Stone Group Pictures |
February 21, 1992 | Radio Flyer | |
February 21, 1992 | Falling from Grace | |
February 28, 1992 | Under Suspicion | USA distribution only |
March 6, 1992 | Gladiator | |
April 10, 1992 | Sleepwalkers | |
April 24, 1992 | Year of the Comet | Distribution only; produced by Castle Rock Entertainment and New Line Cinema |
July 1, 1992 | A League of Their Own | |
July 24, 1992 | Mo' Money | |
August 14, 1992 | Single White Female | |
August 28, 1992 | Honeymoon in Vegas | Distribution only; produced by Castle Rock Entertainment and New Line Cinema |
September 23, 1992 | Mr. Saturday Night | Distribution only; produced by Castle Rock Entertainment and New Line Cinema |
October 2, 1992 | Hero | |
October 9, 1992 | A River Runs Through It | |
November 13, 1992 | Bram Stoker's Dracula | Co-production with American Zoetrope |
December 11, 1992 | A Few Good Men | Nominee for the Academy Award for Best Picture; co-production with Castle Rock Entertainment |
January 15, 1993 | Nowhere to Run | |
January 22, 1993 | Hexed | |
February 12, 1993 | Groundhog Day | |
February 26, 1993 | El Mariachi | Distribution only, produced by Los Hooligans Productions |
March 5, 1993 | Amos & Andrew | Distribution only; produced by Castle Rock Entertainment and New Line Cinema |
April 30, 1993 | The Pickle | |
May 14, 1993 | Lost in Yonkers | Co-production with Rastar |
June 18, 1993 | Last Action Hero | Co-production with Oak Productions |
July 9, 1993 | In the Line of Fire | Co-production with Castle Rock Entertainment |
July 23, 1993 | Poetic Justice | Co-production with New Deal Productions |
July 28, 1993 | Robin Hood: Men in Tights | International distributor; co-production with 20th Century Fox, Gaumont British and Brooksfilms |
August 27, 1993 | Needful Things | Distribution only; produced by Castle Rock Entertainment and New Line Cinema |
September 3, 1993 | Calendar Girl | Co-production with Parkway Productions |
September 17, 1993 | Striking Distance | |
October 1, 1993 | The Age of Innocence | Nominee of the Golden Globe Award for Best Motion Picture – Drama; co-production with Cappa Production |
Malice | Distribution only; produced by Castle Rock Entertainment and New Line Cinema | |
November 12, 1993 | My Life | Co-production with Capella Films and Zucker Brothers Productions |
November 19, 1993 | The Remains of the Day | Nominee for the Academy Award for Best Picture; nominee of the Golden Globe Award for Best Motion Picture – Drama |
November 24, 1993 | Josh and S.A.M. | Distribution only; produced by Castle Rock Entertainment and New Line Cinema |
December 10, 1993 | Geronimo: An American Legend | |
February 4, 1994 | I'll Do Anything | Co-production with Gracie Films |
February 11, 1994 | My Girl 2 | |
April 29, 1994 | No Escape | International Distributor only; co-production with Allied Filmmakers and Pacific Western; Savoy Pictures held in the U.S. & U.K. |
May 13, 1994 | The Next Karate Kid | |
June 10, 1994 | City Slickers II: The Legend of Curly's Gold | Distribution only; produced by Castle Rock Entertainment |
June 17, 1994 | Wolf | Co-production with Douglas Wick |
June 29, 1994 | Little Big League | Distribution only; produced by Castle Rock Entertainment |
July 22, 1994 | North | Co-production with Castle Rock Entertainment and New Line Cinema Nominee of the Golden Raspberry Award for Worst Picture |
August 19, 1994 | Blankman | Co-production with Greentrees Films and Wife 'n' Kids |
September 23, 1994 | The Shawshank Redemption | USA and Japan distribution only; produced by Castle Rock Entertainment Nominee for the Academy Award for Best Picture |
October 14, 1994 | I Like It Like That | |
October 28, 1994 | The Road to Wellville | Co-production with Beacon Pictures |
November 18, 1994 | Léon: The Professional | Co-production with Gaumont Film Company |
December 21, 1994 | Little Women | |
December 23, 1994 | Street Fighter | International distributor; co-production with Capcom; Universal Pictures handled US distribution |
January 6, 1995 | Immortal Beloved | Co-production with Icon Productions |
January 11, 1995 | Higher Learning | |
January 27, 1995 | Before Sunrise | Distribution only; produced by Castle Rock Entertainment |
March 19, 1995 | For Better or Worse | Distribution only; produced by Castle Rock Entertainment |
March 24, 1995 | Dolores Claiborne | Distribution only; produced by Castle Rock Entertainment |
April 7, 1995 | Bad Boys | Co-production with Don Simpson/Jerry Bruckheimer Films |
May 19, 1995 | Forget Paris | Distribution only; produced by Castle Rock Entertainment |
July 7, 1995 | First Knight | |
July 14, 1995 | The Indian in the Cupboard | International distributor; co-production with Paramount Pictures, The Kennedy/Marshall Company, Scholastic Entertainment and Reliable Pictures Corporation |
July 28, 1995 | The Net | Co-production with Winlker Films |
August 18, 1995 | The Baby-Sitters Club | Co-production with Beacon Pictures and Scholastic Entertainment |
August 25, 1995 | Beyond Rangoon | Distribution only; produced by Castle Rock Entertainment |
Desperado | Co-production with Los Hooligans Productions | |
September 22, 1995 | The Run of the Country | Distribution only; produced by Castle Rock Entertainment and 129 Productions |
October 6, 1995 | To Die For | USA distribution only, co-production with The Rank Organisation |
November 17, 1995 | The American President | U.S. distribution only; produced by Castle Rock Entertainment, Wildwood Enterprises, Digital Image Associates and Universal Pictures |
November 22, 1995 | Money Train | Co-production with Peters Entertainment |
December 15, 1995 | Othello | Distribution only; produced by Castle Rock Entertainment, Dakota Films and Imminent Film Productions |
December 22, 1995 | Dracula: Dead and Loving It | Distribution only; produced by Castle Rock Entertainment and Brooksfilms |
January 26, 1996 | Sense and Sensibility | Nominee for the Academy Award for Best Picture; co-production with Mirage Enterprises |
February 2, 1996 | The Juror | |
February 16, 1996 | City Hall | Distribution only; produced by Castle Rock Entertainment |
February 21, 1996 | Bottle Rocket | |
April 5, 1996 | The Last Supper | |
May 3, 1996 | The Craft | Co-production with Douglas Wick |
June 14, 1996 | The Cable Guy | Co-production with Licht Mueller Film Corp |
June 28, 1996 | Striptease | Distribution only; produced by Castle Rock Entertainment Winner of the Golden Raspberry Award for Worst Picture |
July 17, 1996 | Multiplicity | |
August 14, 1996 | Alaska | Distribution only; produced by Castle Rock Entertainment |
August 23, 1996 | The Spitfire Grill | Distribution only; produced by Castle Rock Entertainment |
September 13, 1996 | Fly Away Home | |
September 13, 1996 | Maximum Risk | |
September 27, 1996 | Extreme Measures | Distribution only; produced by Castle Rock Entertainment |
October 16, 1996 | Get on the Bus | |
December 20, 1996 | Ghosts of Mississippi | Distribution only; produced by Castle Rock Entertainment |
December 25, 1996 | Some Mother's Son | Distribution only; produced by Castle Rock Entertainment |
December 25, 1996 | The People vs. Larry Flynt | Co-production with Phoenix Pictures; nominee of the Golden Globe Award for Best Motion Picture – Drama |
December 25, 1996 | Hamlet | Distribution only; produced by Castle Rock Entertainment |
February 14, 1997 | Fools Rush In | |
February 14, 1997 | Absolute Power | Distribution only; produced by Castle Rock Entertainment and Malpaso Productions |
February 26, 1997 | Booty Call | |
March 26, 1997 | The Devil's Own | Co-production with Laurence Gordon Productions |
April 4, 1997 | Double Team | Distribution only; produced by Mandalay Entertainment |
April 11, 1997 | Anaconda | Plus Screen Gems sequel in 2004 Nominee of the Golden Raspberry Award for Worst Picture |
May 9, 1997 | The Fifth Element | Co-production with Gaumont Film Company |
June 6, 1997 | Buddy | Distributor only; produced by Jim Henson Pictures and American Zoetrope |
July 2, 1997 | Men in Black | Co-production with Amblin Entertainment and MacDonald/Parkes Productions |
July 25, 1997 | Air Force One | U.S. distributor; co-production with Beacon Pictures and Touchstone Pictures |
August 22, 1997 | Masterminds | |
August 29, 1997 | Excess Baggage | |
October 17, 1997 | I Know What You Did Last Summer | Distribution only; produced by Mandalay Entertainment |
October 24, 1997 | Gattaca | Co-production with Jersey Films |
October 31, 1997 | The Wind in the Willows | International distributor; co-production with Walt Disney Pictures and Allied Filmmakers |
January 23, 1998 | Spice World | Co-production with PolyGram Filmed Entertainment; nominee of the Golden Raspberry Award for Worst Picture |
January 30, 1998 | Zero Effect | Distribution only; produced by Castle Rock Entertainment |
February 6, 1998 | The Replacement Killers | |
February 20, 1998 | Palmetto | Distribution only; produced by Castle Rock Entertainment |
March 20, 1998 | Wild Things | Distribution only; produced by Mandalay Entertainment |
April 10, 1998 | My Giant | Distribution only; produced by Castle Rock Entertainment |
April 17, 1998 | Sour Grapes | Distribution only, produced by Castle Rock Entertainment |
May 1, 1998 | Les Misérables | Distribution only; produced by Mandalay Entertainment |
June 12, 1998 | Can't Hardly Wait | |
August 21, 1998 | Dance with Me | Distribution only; produced by Mandalay Entertainment |
August 28, 1998 | Lock, Stock and Two Smoking Barrels | International Distributor only; Co-production with HandMade Films, Summit Entertainment and The Steve Tisch Company; PolyGram Filmed Entertainment distributed in UK and Gramercy Pictures distributed in US |
September 23, 1998 | Shadrach | |
October 30, 1998 | Vampires | Co-production with Largo Entertainment |
November 13, 1998 | I Still Know What You Did Last Summer | Co-production with Mandalay Entertainment |
December 25, 1998 | Stepmom | Co-production with 1492 Pictures |
January 22, 1999 | Still Crazy | |
January 22, 1999 | Gloria | Distribution only; produced by Mandalay Entertainment |
February 26, 1999 | 8mm | |
March 5, 1999 | Cruel Intentions | Co-production with Summit Entertainment, Newmarket Films and Original Film |
March 12, 1999 | The Deep End of the Ocean | Distribution only; produced by Mandalay Entertainment |
April 9, 1999 | Go | Distribution |
April 30, 1999 | Idle Hands | Co-production with Licht Mueller Film Corp and Team Todd Films |
May 28, 1999 | The Thirteenth Floor | Co-production with Centropolis Entertainment |
June 25, 1999 | Big Daddy | Nominee of the Golden Raspberry Award for Worst Picture |
July 14, 1999 | Muppets from Space | Distributor only; produced by Jim Henson Pictures |
August 4, 1999 | Dick | Distribution only, produced by Phoenix Pictures |
September 17, 1999 | Blue Streak | Co-production with Runtledat Entertainment |
September 24, 1999 | Jakob the Liar | Co-production with Blue Wolf Productions |
October 1, 1999 | The Adventures of Elmo in Grouchland | Distributor only; produced by Jim Henson Pictures and Sesame Workshop |
October 8, 1999 | Random Hearts | Co-production with Lakeshore Entertainment, Rastar and Mirage Enterprises |
October 22, 1999 | Crazy in Alabama | |
Bats | International Distributor; Co-production with Destination Films | |
November 5, 1999 | The Bone Collector | International distributor; co-production with Universal Pictures and Bregman Productions |
November 12, 1999 | The Messenger: The Story of Joan of Arc | Co-production with Gaumont Film Company |
December 3, 1999 | The End of the Affair | Nominee of the Golden Globe Award for Best Motion Picture – Drama |
December 3, 1999 | Virtual Sexuality | |
December 17, 1999 | Bicentennial Man | International distributor; co-production with Touchstone Pictures, 1492 Pictures and Radiant Productions |
December 17, 1999 | Stuart Little | |
December 21, 1999 | Girl, Interrupted | Co-production with Douglas Wick |
2000s
Sombrero Net Bill Full Crackles
Release date | Title | Notes |
---|---|---|
February 18, 2000 | Hanging Up | |
March 3, 2000 | What Planet Are You From? | |
March 17, 2000 | Erin Brockovich | Nominee for the Academy Award for Best Picture; nominee of the Golden Globe Award for Best Motion Picture – Drama; co-production with Universal Pictures, Jersey Films and Double Features Films, international distributor |
March 31, 2000 | Whatever It Takes | Distribution only, produced by Phoenix Pictures |
April 14, 2000 | 28 Days | |
Amercian Psycho | International Distributor; Co-production with Edward R. Pressman Productions and Muse Productions; Lions Gate Films handled in the U.S. | |
May 5, 2000 | I Dreamed of Africa | |
May 12, 2000 | Center Stage | |
May 12, 2000 | The Patriot | Co-production with The Mutual Film Company and Centropolis Entertainment |
May 18, 2000 | Crouching Tiger, Hidden Dragon | International Distributor only; Sony Pictures Classics held in United States |
June 2, 2000 | Running Free | Co-production with Moonlighting Films and Reperage |
July 21, 2000 | Loser | |
August 4, 2000 | Hollow Man | Co-production with Red Wagon Productions |
August 23, 2000 | Snatch | US-distribution with Screen Gems |
September 8, 2000 | Anatomy | English-dubbed version |
September 13, 2000 | Almost Famous | Co-production with DreamWorks Pictures and Vinyl Films, international distributor |
September 15, 2000 | Circus | |
September 22, 2000 | Urban Legends: Final Cut | Distribution only, produced by Phoenix Pictures and Original Film; sequel to Urban Legend with TriStar Pictures in 1998 |
November 3, 2000 | Charlie's Angels | Based on the 1976-1981 television series |
November 17, 2000 | The 6th Day | Distribution only, produced by Phoenix Pictures |
December 8, 2000 | Vertical Limit | |
December 19, 2000 | Finding Forrester | |
December 25, 2000 | All the Pretty Horses | Co-production with Miramax Films, U.S. distributor |
December 25, 2000 | An Everlasting Piece | Co-production with DreamWorks Pictures, Bayahibe Films and Baltimore Spring/Creek Pictures, international distributor |
January 19, 2001 | The Wedding Planner | Co-production with Intermedia Films |
February 9, 2001 | Saving Silverman | Co-production with Village Roadshow Pictures and Original Film |
March 30, 2001 | The Tailor of Panama | |
March 30, 2001 | Tomcats | Distribution, produced by Revolution Studios; first Revolution Studios film |
April 11, 2001 | Joe Dirt | Co-production with Happy Madison Productions |
May 11, 2001 | A Knight's Tale | |
June 1, 2001 | The Animal | Co-production with Revolution Studios and Happy Madison Productions |
June 8, 2001 | Evolution | Co-production with DreamWorks Pictures and The Montecito Picture Company, international distributor |
June 29, 2001 | Baby Boy | |
July 11, 2001 | Final Fantasy: The Spirits Within | Distribution only, co-production with Square Pictures and Chris Lee Productions |
July 20, 2001 | America's Sweethearts | Distribution, produced by Revolution Studios |
September 14, 2001 | The Glass House | Co-production with Original Film |
September 14, 2001 | Black Hawk Down | Distribution, produced by Revolution Studios, Jerry Bruckheimer Films and Scott Free Productions |
September 28, 2001 | Glitter | Nominee of the Golden Raspberry Award for Worst Picture; International and U.S. home video distributor, co-production with 20th Century Fox |
October 19, 2001 | Riding in Cars with Boys | Co-production with Gracie Films |
October 26, 2001 | Thirteen Ghosts | Co-production with Warner Bros. and Dark Castle Entertainment, international distributor |
November 2, 2001 | The One | Distribution, produced by Revolution Studios |
December 14, 2001 | Not Another Teen Movie | Co-production with Original Film |
December 25, 2001 | Ali | USA distribuition, Co-production with Overbrook Entertainment and Peters Entertainment |
February 8, 2002 | Panic Room | |
April 12, 2002 | The Sweetest Thing | |
May 3, 2002 | Spider-Man | Co-production with Marvel Enterprises and Laura Ziskin Productions |
May 10, 2002 | The New Guy | Distribution, produced by Revolution Studios |
May 24, 2002 | Enough | Co-production with Original Film |
June 28, 2002 | Mr. Deeds | Remake of the 1936 film Mr. Deeds Goes to Town; co-production with New Line Cinema, Happy Madison Productions and Out of the Blue Entertainment |
July 3, 2002 | Men in Black II | Co-production with Amblin Entertainment and MacDonald/Parkes Productions |
July 19, 2002 | Stuart Little 2 | Co-production with Red Wagon Productions |
July 19, 2002 | What to Do in Case of Fire? | U.S. distribution; German film |
August 2, 2002 | The Master of Disguise | Distribution, produced by Revolution Studios and Happy Madison Productions |
August 9, 2002 | XXX | Distribution, produced by Revolution Studios and Original Film |
September 13, 2002 | Stealing Harvard | Distribution, produced by Revolution Studios and Imagine Entertainment |
September 20, 2002 | Trapped | Co-production with Senator Entertainment |
November 1, 2002 | Punch-Drunk Love | U.S. distribution only, produced by Revolution Studios and New Line Cinema |
November 1, 2002 | I Spy | |
November 27, 2002 | Eight Crazy Nights | Co-production with Happy Madison Productions and Meatball Animation |
December 13, 2002 | Maid in Manhattan | Distribution, produced by Revolution Studios and Red OM Films |
January 10, 2003 | Adaptation | Co-production with Intermedia Films |
January 17, 2003 | National Security | Co-production with Intermedia Films and Outlaw Productions |
January 24, 2003 | Darkness Falls | Distribution, produced by Revolution Studios |
March 7, 2003 | Tears of the Sun | Distribution, produced by Revolution Studios and Cheyenne Enterprises |
March 14, 2003 | Anger Management | Co-production with Happy Madison Productions and Revolution Studios |
March 28, 2003 | Basic | U.S. distributor, co-production with Intermedia Films and Phoenix Pictures |
April 25, 2003 | Identity | |
May 9, 2003 | Daddy Day Care | Distribution, produced by Revolution Studios and Davis Entertainment; plus TriStar Picturessequel in 2007 |
June 13, 2003 | Hollywood Homicide | Distribution, produced by Revolution Studios |
June 27, 2003 | Charlie's Angels: Full Throttle | Nominee of the Golden Raspberry Award for Worst Picture; co-production with Flower Films |
July 2, 2003 | Terminator 3: Rise of the Machines | International distributor ; co-production with Warner Bros., Intermedia Films, Wonderland Sound and Vision, C2 Pictures and The Halcyon Company |
July 18, 2003 | Bad Boys II | Co-production with Jerry Bruckheimer Films |
August 1, 2003 | Gigli | Winner of the Golden Raspberry Award for Worst Picture; distribution, produced by Revolution Studios, City Light Films and Casey Silver Productions |
August 8, 2003 | S.W.A.T. | Co-production with Original Film |
August 22, 2003 | Mona Lisa Smile | Distribution, produced by Revolution Studios and Red OM Films |
September 12, 2003 | Once Upon a Time in Mexico | Co-production with Troublemaker Studios and Dimension Films, U.S. distributor |
September 26, 2003 | The Rundown | Co-production with Universal Pictures, WWE Films, Misher Films, IM3 Entertainment and Strike Entertainment; international distributor |
October 24, 2003 | Radio | Distribution, produced by Revolution Studios |
November 5, 2003 | The Matrix Revolutions | Co-production with Village Roadshow Pictures, NPV Entertainment and Silver Pictures |
November 21, 2003 | Gothika | Co-production with Warner Bros. and Dark Castle Entertainment, international distributor |
November 26, 2003 | The Missing | Distribution, produced by Revolution Studios and Imagine Entertainment |
November 26, 2003 | Bad Santa | International distribution only, co-production with Dimension Films |
December 10, 2003 | Big Fish | Co-production with The Zanuck Company |
December 12, 2003 | Something's Gotta Give | Co-production with Warner Bros. and Waverly Films, U.S. distributor |
December 25, 2003 | Peter Pan | Co-production with Universal Pictures, Revolution Studios, Red Wagon Entertainment and Allied Stars Productions, international distributor |
February 13, 2004 | 50 First Dates | Co-production with Happy Madison Productions and Flower Films |
March 12, 2004 | Secret Window | |
April 2, 2004 | Hellboy | Distribution, produced by Revolution Studios, Lawrence Gordon Productions and Dark Horse Entertainment |
April 16, 2004 | The Punisher | International distributor, U.S. distribution and production by Lionsgate in co-production with Marvel Enterprises, Valhalla Motion Pictures and Artisan Entertainment |
April 23, 2004 | 13 Going on 30 | Distribution, produced by Revolution Studios |
April 30, 2004 | Envy | International distribution only, co-production with DreamWorks Pictures, Castle Rock Entertainment and Baltimore/Spring Creek Pictures |
June 23, 2004 | White Chicks | Nominee of the Golden Raspberry Award for Worst Picture; distribution, produced by Revolution Studios and Wayans Bros. |
June 30, 2004 | Spider-Man 2 | Co-production with Marvel Enterprises and Laura Ziskin Productions |
August 6, 2004 | Little Black Book | Distribution, produced by Revolution Studios |
August 27, 2004 | Anacondas: The Hunt for the Blood Orchid | also with Screen Gems and Middle Fork Productions |
Suspect Zero | International Distribution; Co-production with Intermedia, Lakeshore Entertainment and Cruise/Wagner Productions; Paramount Pictures distributed in US | |
September 24, 2004 | The Forgotten | Distribution, produced by Revolution Studios |
October 22, 2004 | The Grudge | U.S. distributor, produced by Ghost House Pictures |
November 24, 2004 | Christmas with the Kranks | Distribution, produced by Revolution Studios, 1492 Pictures, and Boxing Cat Films |
December 3, 2004 | Closer | |
December 17, 2004 | Spanglish | Co-production with Gracie Films |
January 21, 2005 | Are We There Yet? | Distribution only, produced by Revolution Studios and Cube Vision |
February 11, 2005 | Hitch | Co-production with Overbrook Entertainment |
February 25, 2005 | Man of the House | Distribution, production by Revolution Studios |
March 25, 2005 | Guess Who | Remake of the 1967 film Guess Who's Coming to Dinner; U.S. distributor, co-production with Regency Enterprises; 20th Century Fox handled international rights |
April 22, 2005 | Kung Fu Hustle | International distribution only, USA distribution handled by Sony Pictures Classics |
April 29, 2005 | XXX: State of the Union | Distribution, produced by Revolution Studios and Original Film |
May 27, 2005 | The Longest Yard | Co-production with Paramount Pictures, Happy Madison Productions, MTV Films and Callahan FilmWorks; international distributor |
June 3, 2005 | Lords of Dogtown | Co-production with TriStar Pictures |
June 10, 2005 | The Adventures of Sharkboy and Lavagirl | International distribution only, co-production with Dimension Films and Troublemaker Studios |
June 24, 2005 | Bewitched | Based on the 1964-1972 television series; co-production with Douglas Wick/Lucy Fisher |
July 29, 2005 | Stealth | Co-production with Original Film and Phoenix Pictures |
August 12, 2005 | Deuce Bigalow: European Gigolo | Nominee for the Golden Raspberry Award for Worst Picture; co-production with Happy Madison Productions and Out of the Blue Entertainment |
September 30, 2005 | Into the Blue | U.S. distribution only; co-production with Metro-Goldwyn-Mayer and Mandalay Pictures |
October 14, 2005 | The Fog | Distribution, produced by Revolution Studios |
October 28, 2005 | The Legend of Zorro | Co-production with Spyglass Entertainment and Amblin Entertainment |
November 11, 2005 | Zathura: A Space Adventure | Co-production with Radar Pictures |
November 23, 2005 | Rent | Co-production with 1492 Pictures and Revolution Studios |
November 23, 2005 | Yours, Mine & Ours | International distribution only; co-production with Paramount Pictures, Metro-Goldwyn-Mayer, Nickelodeon Movies and Robert Simonds; remake of 1968 United Artists film |
December 21, 2005 | Fun with Dick and Jane | Remake of the 1977 film; co-production with Imagine Entertainment and JC 23 Entertainment |
December 23, 2005 | Memoirs of a Geisha | USA distribution only, co-production with DreamWorks Pictures, Spyglass Entertainment, Amblin Entertainment and Red Wagon Entertainment |
December 25, 2005 | The Producers | International distribution only; co-production with Universal Pictures and Brooksfilms |
February 10, 2006 | The Pink Panther | Co-production with Metro-Goldwyn-Mayer and Robert Simonds Productions |
February 17, 2006 | Freedomland | Distribution, produced by Revolution Studios and co-production with Scott Rudin Productions |
April 7, 2006 | The Benchwarmers | Distribution, produced by Revolution Studios and Happy Madison Productions |
April 28, 2006 | RV | Co-production with Intermedia Films, Relativity Media, Red Wagon Productions and IMF Productions |
May 19, 2006 | The Da Vinci Code | Co-production with Imagine Entertainment and Skylark Productions |
June 23, 2006 | Click | Co-production with Revolution Studios and Happy Madison Productions |
July 14, 2006 | Little Man | Nominee for the Golden Raspberry Award for Worst Picture; distribution only, produced by Revolution Studios and Wayans Bros. |
July 21, 2006 | Monster House | Co-production with ImageMovers, Relativity Media and Amblin Entertainment |
August 4, 2006 | Talladega Nights: The Ballad of Ricky Bobby | Co-production with Apatow Company, Mosaic Media Group and Relativity Media |
August 11, 2006 | Zoom | Distribution only, produced by Revolution Studios, Team Todd and Boxing Cat Films |
September 15, 2006 | Gridiron Gang | Co-production with Relativity Media and Original Film |
September 22, 2006 | All the King's Men | Remake of the 1949 film; co-production with Phoenix Pictures and Relativity Media |
September 29, 2006 | Open Season | Co-production with Sony Pictures Animation |
October 13, 2006 | The Grudge 2 | Co-production with Ghost House Pictures |
October 20, 2006 | Marie Antoinette | Co-production with American Zoetrope |
November 10, 2006 | Stranger than Fiction | Co-production with Mandate Pictures |
November 17, 2006 | Casino Royale | Co-production with Eon Productions, Metro-Goldwyn-Mayer, Stillking Films, Studio Babelsberg, Danjaq and United Artists with the support of the Government of the Commonwealth of the Bahamas |
December 8, 2006 | The Holiday | Co-production with Universal Pictures, Relativity Media and Waverly Films; U.S. distributor |
December 15, 2006 | The Pursuit of Happyness | Co-production with Relativity Media, Escape Artists and Overbrook Entertainment |
December 20, 2006 | Rocky Balboa | Co-production with Metro-Goldwyn-Mayer, Revolution Studios and Chartoff/Winkler Productions |
January 26, 2007 | Catch and Release | Co-production with Relativity Media |
February 2, 2007 | The Messengers | Co-production with Screen Gems and Ghost House Pictures[2] |
February 16, 2007 | Ghost Rider | Co-production with Relativity Media, Crystal Sky Pictures and Marvel Studios |
March 23, 2007 | Reign Over Me | Co-production with Relativity Media, Madison 23, and Sunlight Productions |
April 4, 2007 | Are We Done Yet? | Distribution only, produced by Revolution Studios, RKO Pictures and Cube Vision |
April 13, 2007 | Perfect Stranger | Distribution only, produced by Revolution Studios |
May 4, 2007 | Spider-Man 3 | Co-production with Marvel Entertainment and Laura Ziskin Productions |
June 8, 2007 | Surf's Up | Co-production with Sony Pictures Animation |
August 17, 2007 | Superbad | Co-production with Apatow Productions |
October 12, 2007 | Across the Universe | Distribution only, produced by Revolution Studios |
October 12, 2007 | We Own the Night | Co-production with 2929 Productions |
October 19, 2007 | 30 Days of Night | Co-production with Dark Horse Entertainment and Ghost House Pictures |
November 9, 2007 | Saawariya | Co-production with SLB Films |
December 21, 2007 | Walk Hard: The Dewey Cox Story | Co-production with Relativity Media and Apatow Productions |
December 25, 2007 | The Water Horse: Legend of the Deep | Distribution only, produced by Walden Media, Revolution Studios and Beacon Pictures; final Revolution Studios film |
January 30, 2008 | CJ7 | International distribution only, USA distribution by Sony Pictures Classics |
February 22, 2008 | Vantage Point | Co-production with DiBonaventura Pictures, Relativity Media and Original Film |
February 29, 2008 | The Other Boleyn Girl | Co-production with Focus Features, Relativity Media, Scott Rudin Productions and BBC Films; U.S. distributor |
March 28, 2008 | 21 | Co-production with Relativity Media |
May 2, 2008 | Made of Honor | Co-production with Relativity Media and Original Film |
June 6, 2008 | You Don't Mess with the Zohan | Co-production with Happy Madison Productions and Relativity Media |
July 2, 2008 | Hancock | Co-production with Overbrook Entertainment and Relativity Media |
July 25, 2008 | Step Brothers | Co-production with Apatow Productions, Relativity Media, Mosaic Media Group, and Gary Sanchez Productions |
August 6, 2008 | Pineapple Express | Co-production with Relativity Media and Apatow Productions |
August 22, 2008 | The House Bunny | Co-production with Happy Madison Productions and Relativity Media |
October 3, 2008 | Nick and Norah's Infinite Playlist | Co-production with Mandate Pictures |
November 14, 2008 | Quantum of Solace | Theatrical Distribution only, co-production with Metro-Goldwyn-Mayer and Eon Productions |
December 5, 2008 | Punisher: War Zone | International distributor, U.S. distribution and production by Lionsgate in co-production with Marvel Studios and Valhalla Motion Pictures |
December 19, 2008 | Seven Pounds | Co-production with Overbrook Entertainment, Relativity Media and Escape Artists |
January 16, 2009 | Paul Blart: Mall Cop | Co-production with Happy Madison Productions and Relativity Media |
February 6, 2009 | The Pink Panther 2 | Theatrical Distribution only, co-production with Metro-Goldwyn-Mayer and Robert Simonds |
February 13, 2009 | The International | Co-production with Atlas Entertainment and Relativity Media |
May 15, 2009 | Angels & Demons | Co-production with Imagine Entertainment and Skylark Productions |
May 21, 2009 | Terminator Salvation | International distributor, co-production with The Halcyon Company and Wonderland Sound and Vision, released in the United States by Warner Bros Pictures |
June 12, 2009 | The Taking of Pelham 1 2 3 | Co-production with Metro-Goldwyn-Mayer, Relativity Media, Escape Artists and Scott Free |
June 19, 2009 | Year One | Co-production with Apatow Productions |
July 24, 2009 | The Ugly Truth | Co-production with Lakeshore Entertainment and Relativity Media |
July 31, 2009 | Funny People | studio credit only; co-production with Universal Pictures, Relativity Media, Madison 23 and Apatow Productions |
August 7, 2009 | Julie & Julia | Co-production with Tiger Aspect Pictures |
September 18, 2009 | Cloudy with a Chance of Meatballs | Co-production with Sony Pictures Animation |
October 2, 2009 | Zombieland | Co-production with Relativity Media and Pariah |
October 9, 2009 | The Damned United | UK film; co-production with BBC Films, Left Bank Pictures and Screen Yorkshire |
October 28, 2009 | Michael Jackson's This Is It | Co-production with The Michael Jackson Company, LLC and AEG Live |
November 13, 2009 | 2012 | Co-production with Centropolis Entertainment |
December 3, 2009 | Jump | Hong Kong Film; co-production with Columbia Pictures Film Production Asia Limited, The Star Oversea Ltd. and China Film Group Corporation |
December 18, 2009 | Did You Hear About the Morgans? | Co-production with Relativity Media, Castle Rock Entertainment and Banter Films |
2010s
Release date | Title | Notes |
---|---|---|
March 19, 2010 | The Bounty Hunter | Nominee of the Golden Raspberry Award for Worst Picture; co-production with Original Film and Relativity Media |
June 11, 2010 | The Karate Kid | Co-production with Overbrook Entertainment and JW Productions |
June 25, 2010 | Grown Ups | Co-production with Happy Madison Productions |
July 23, 2010 | Salt | Co-production with Relativity Media |
August 6, 2010 | The Other Guys | Co-production with Gary Sanchez Productions and Mosaic Media Group |
August 13, 2010 | Eat Pray Love | Co-production with Plan B Entertainment |
September 24, 2010 | The Virginity Hit | Co-production with Gary Sanchez Productions |
October 1, 2010 | The Social Network | Nominee for the Academy Award for Best Picture; winner of the Golden Globe Award for Best Motion Picture – Drama; co-production with Relativity Media and Scott Rudin Productions |
December 10, 2010 | The Tourist | distribution out of the UK, France and Germany, co-production with StudioCanal, GK Films and Spyglass Entertainment |
December 17, 2010 | How Do You Know | Co-production with Gracie Films |
January 14, 2011 | The Green Hornet | Co-production with Original Film |
February 11, 2011 | Just Go with It | Co-production with Happy Madison Productions |
March 11, 2011 | Battle: Los Angeles | Co-production with Original Film and Relativity Media |
June 24, 2011 | Bad Teacher | Co-production with Mosaic Media Group and Radar Pictures |
July 8, 2011 | Zookeeper | Co-production with Metro-Goldwyn-Mayer, Happy Madison Productions and Broken Road Productions |
July 29, 2011 | The Smurfs | Co-production with Sony Pictures Animation and The Kerner Entertainment Company |
August 12, 2011 | 30 Minutes or Less | Co-production with Media Rights Capital and Red Hour Productions |
September 9, 2011 | Bucky Larson: Born to Be a Star | Nominee of the Golden Raspberry Award for Worst Picture; co-production with Happy Madison Productions |
September 16, 2011 | Restless | International distribution; Co-production with Imagine Entertainment and Sony Pictures Classics |
September 23, 2011 | Moneyball | Nominee for the Academy Award for Best Picture; nominee of the Golden Globe Award for Best Motion Picture – Drama; co-production with Scott Rudin Productions and Michael de Luca Productions |
October 7, 2011 | The Ides of March | US distribution only, co-production with Cross Creek Pictures, Smoke House Pictures, Exclusive Media and Appian Way Productions. |
October 28, 2011 | Anonymous | Co-production with Relativity Media and Centropolis Entertainment |
November 11, 2011 | Jack and Jill | Winner of 10 Golden Raspberry Awards, including Worst Picture. Co-production with Happy Madison Productions and Broken Road Productions |
November 23, 2011 | Arthur Christmas | Co-production with Sony Pictures Animation and Aardman Animations |
December 20, 2011 | The Girl with the Dragon Tattoo | Co-production with Metro-Goldwyn-Mayer, Scott Rudin Productions and Yellow Bird |
December 21, 2011 | The Adventures of Tintin | International distribution only; co-production with Paramount Pictures, Nickelodeon Movies, Amblin Entertainment, WingNut Films, the Kennedy/Marshall Company and Hemisphere Media Capital |
February 17, 2012 | Ghost Rider: Spirit of Vengeance | US distribution only; co-production with Hyde Park Entertainment, Imagenation Abu Dhabi, Crystal Sky Pictures and Marvel Entertainment |
March 16, 2012 | 21 Jump Street | Co-production with Metro-Goldwyn-Mayer, Relativity Media, Original Film and Cannell Studios |
April 27, 2012 | The Pirates! Band of Misfits | A.K.A. The Pirates! In an Adventure with Scientists; co-production with Sony Pictures Animation and Aardman Animations |
May 25, 2012 | Men in Black 3 | Co-production with Amblin Entertainment, Hemisphere Media Capital, P+M Imagenation and Wardour Street Pictures |
June 15, 2012 | That's My Boy | Nominee of the Golden Raspberry Award for Worst Picture; co-production with Happy Madison Productions and Relativity Media |
July 3, 2012 | The Amazing Spider-Man | Co-production with Marvel Entertainment and Laura Ziskin |
August 3, 2012 | Total Recall | Co-production with Relativity Media, Original Film and Prime Focus |
August 8, 2012 | Hope Springs | co-production with Metro-Goldwyn-Mayer, Escape Artists, Mandate Pictures and Alliance Films |
August 24, 2012 | Premium Rush | Co-production with Pariah |
September 28, 2012 | Hotel Transylvania | Co-production with Sony Pictures Animation |
October 12, 2012 | Here Comes the Boom | Co-production with Happy Madison Productions, Broken Road Productions and Hey Eddie |
November 9, 2012 | Skyfall | Theatrical distribution only, co-production with Metro-Goldwyn-Mayer, United Artists, Pinewood Studios and Eon Productions |
December 19, 2012 | Zero Dark Thirty | Nominee for the Academy Award for Best Picture; nominee of the Golden Globe Award for Best Motion Picture – Drama; US distribution only; co-production with Annapurna Pictures and First Light Productions |
December 25, 2012 | Django Unchained | Nominee for the Academy Award for Best Picture; nominee of the Golden Globe Award for Best Motion Picture – Drama; international distribution only; co-production with the Weinstein Company and A Band Apart |
May 31, 2013 | After Earth | Nominee of the Golden Raspberry Award for Worst Picture; co-production with Overbrook Entertainment and Blinding Edge Pictures |
June 12, 2013 | This Is the End | Co-production with Mandate Pictures and Point Grey Pictures |
June 28, 2013 | White House Down | Co-production with Centropolis Entertainment, Mythology Entertainment and Iron Horse Entertainment |
July 12, 2013 | Grown Ups 2 | Nominee of the Golden Raspberry Award for Worst Picture; co-production with Happy Madison Productions[3] |
July 31, 2013 | The Smurfs 2 | Distribution only; produced by Sony Pictures Animation, The Kerner Entertainment Company and Hemisphere Media Capital[4] |
September 27, 2013 | Cloudy with a Chance of Meatballs 2 | Co-production with Sony Pictures Animation[5] |
October 11, 2013 | Captain Phillips | Nominee for the Academy Award for Best Picture; nominee of the Golden Globe Award for Best Motion Picture – Drama; distribution only; produced by Scott Rudin Productions, Michael de Luca Productions and Trigger Street Productions[6] |
December 20, 2013 | American Hustle | Nominee for the Academy Award for Best Picture; distribution only; produced by Annapurna Pictures and Atlas Entertainment[7] |
February 7, 2014 | The Monuments Men[8] | USA distribution only; co-production with Fox 2000 Pictures, Studio Babelsberg, Smokehouse Pictures and Obelisk Productions |
February 12, 2014 | RoboCop | Theatrical distribution only; co-production with Metro-Goldwyn-Mayer and Strike Entertainment |
May 2, 2014 | The Amazing Spider-Man 2 | Co-production with Marvel Entertainment, K/O Paper Products, Ingenious Media and Arad Productions |
June 13, 2014 | 22 Jump Street | Co-production with Metro-Goldwyn-Mayer, Original Film, Ingenious Film Partners, Cannell Studios and LStar Capital |
July 18, 2014 | Sex Tape | Co-production with Escape Artists, LStar Capital and Media Rights Capital |
September 26, 2014 | The Equalizer | Co-production with Escape Artists, Village Roadshow Pictures, Mace Neufeld Productions, LStar Capital and ZHIV Productions |
October 17, 2014 | Fury | Co-production with QED International, LStar Capital, Le Grisbi Productions and Crave Films |
December 19, 2014 | Annie | Co-production with Overbrook Entertainment, LStar Capital and Village Roadshow Pictures |
December 25, 2014 | The Interview | Co-production with Point Grey Pictures and LStar Capital |
March 6, 2015 | Chappie[9] | Co-production with Media Rights Capital and LStar Capital[10] |
April 17, 2015 | Paul Blart: Mall Cop 2 | Nominee of the Golden Raspberry Award for Worst Picture; distribution only;[11] produced by Happy Madison Productions, Hey Eddie and Broken Road[12] |
May 29, 2015 | Aloha | USA/Canada distribution only; co-production with 20th Century Fox, Regency Enterprises, LStar Capital, Vinyl Films, RatPac Entertainment and Scott Rudin Productions[13] |
July 24, 2015 | Pixels[14] | Nominee of the Golden Raspberry Award for Worst Picture; co-production with LStar Capital, Happy Madison Productions, 1492 Pictures and China Film Group |
September 25, 2015 | Hotel Transylvania 2 | Co-production with Sony Pictures Animation and LStar Capital[15] |
October 16, 2015 | Goosebumps | Distribution only;[16] Produced by LStar Capital, Village Roadshow Pictures, Sony Pictures Animation, Original Film, Walden Media, and Scholastic Entertainment[17] |
October 30, 2015 | Freaks of Nature | |
November 6, 2015 | Spectre | Theatrical distribution only, co-production with Eon Productions, B24, Danjaq, and Metro-Goldwyn-Mayer[18] |
November 20, 2015 | The Night Before | Co-production with Point Grey Pictures, Good Universe and LStar Capital[19] |
December 25, 2015 | Concussion | Co-production with Village Roadshow Pictures, The Shuman Company, The Cantillon Company, and Scott Free Productions[20] |
January 22, 2016 | The 5th Wave | Co-production with GK Films, Material Pictures, and Weimaraner Republic Pictures[20] |
February 19, 2016 | Risen | Co-production with Affirm Films, LD Entertainment and Patrick Aiello Productions |
March 11, 2016 | The Brothers Grimsby | Co-production with Village Roadshow Pictures, Working Title Films, Big Talk Productions and Four By Two Films[21] |
March 16, 2016 | Miracles from Heaven | Co-production with Affirm Films and Roth Films |
May 20, 2016 | The Angry Birds Movie | Co-production with Rovio Animation[22] |
June 24, 2016 | The Shallows | Co-production with Weimaraner Republic Pictures[21] |
July 15, 2016 | Ghostbusters | Co-production with The Montecito Picture Company[21] |
August 12, 2016 | Sausage Party | Co-production with Point Grey Pictures and Annapurna Pictures[21] |
September 23, 2016 | The Magnificent Seven | Co-production with Metro-Goldwyn-Mayer, Village Roadshow Pictures, LStar Capital, Escape Artists and Fuqua Films[21] |
October 28, 2016 | Inferno | Co-production with Imagine Entertainment[21] |
December 21, 2016 | Passengers | Co-production with Village Roadshow Pictures, Original Film, Start Motion Pictures, and LStar Capital[21] |
March 24, 2017 | Life | co-production with Skydance Media and Mockingbird Pictures |
April 7, 2017 | Smurfs: The Lost Village | Co-production with Sony Pictures Animation and The Kerner Entertainment Company[21] |
June 16, 2017 | Rough Night | Co-production with Paulilu Productions, Matt Tolmach Productions, and 3 Arts Entertainment[23] |
July 7, 2017 | Spider-Man: Homecoming | Co-production with Marvel Studios, Pascal Pictures, Wanda Media Group, and LStar Capital[24] |
July 28, 2017 | The Emoji Movie[25] | Winner of the Golden Raspberry Award for Worst Picture;[26] Co-production with Sony Pictures Animation |
August 4, 2017 | The Dark Tower | Co-production with Weed Road Pictures, Media Rights Capital and Imagine Entertainment[24] |
September 29, 2017 | Flatliners | Co-production with Cross Creek Pictures, Further Films, and Laurence Mark Productions[24] |
October 6, 2017 | Blade Runner 2049 | International distribution only;[27] co-production with Alcon Entertainment, Thunderbird Entertainment, and Scott Free Productions[24] |
October 20, 2017 | Only the Brave | Co-production with Black Label Media, Di Bonaventura Pictures, and Conde Nast Entertainment[24]; Summit Entertainment Distributed and Held International rights. |
November 17, 2017 | Roman J. Israel, Esq. | Co-production with Cross Creek Pictures and Macro[28] |
November 17, 2017 | The Star[29] | Distribution only; produced by Sony Pictures Animation, Walden Media, Affirm Films, The Jim Henson Company, and Franklin Entertainment[24] |
December 20, 2017 | Jumanji: Welcome to the Jungle | Co-production with Radar Pictures, Matt Tomalch Productions and Seven Bucks Productions[24] |
February 9, 2018 | Peter Rabbit | Co-production with Sony Pictures Animation, Olive Bridge Entertainment, Animal Logic, 2.0 Entertainment, Screen Australia, and Screen NSW[24][30] |
June 15, 2018 | Superfly | Co-production with Silver Pictures[24] |
June 29, 2018 | Sicario: Day of the Soldado | USA/Canada distribution only; co-production with Black Label Media[31] |
July 13, 2018 | Hotel Transylvania 3: Summer Vacation | Distribution only; produced by Sony Pictures Animation and Media Rights Capital[32][33][24] |
July 20, 2018 | The Equalizer 2 | Co-production with Escape Artists, Zhiv Productions, Mace Neufeld Productions, and Picture Farm[24] |
August 17, 2018 | Alpha | Co-production with Studio 8 and The Picture Company[24] |
September 14, 2018 | White Boy Rick | Co-production with Studio 8, Protozoa Pictures, LBI Entertainment and Le Grisbi Productions[24] |
October 5, 2018 | Venom | Co-production with Tencent Pictures, Marvel Entertainment, Arad Productions, Matt Tolmach Productions, and Pascal Pictures[34][24] |
October 12, 2018 | Goosebumps 2: Haunted Halloween | Co-production with Sony Pictures Animation, Original Film, Scholastic Productions, and Silvertongue Films[24] |
November 6, 2018 | The Front Runner | Co-production with Stage 6 Films, Bron Studios, Right of Way Films and Creative Wealth Media |
November 9, 2018 | The Girl in the Spider's Web | Co-production with Metro-Goldwyn-Mayer, Regency Enterprises, Studio Babelsberg, Scott Rudin Productions, Yellow Bird Entertainment, Pascal Pictures, and The Cantillon Company[24] |
December 14, 2018 | Spider-Man: Into the Spider-Verse | Winner of the Academy Award for Best Animated Feature; co-production with Sony Pictures Animation, Marvel Entertainment, Arad Productions, Lord Miller Productions, and Pascal Pictures[24] |
December 25, 2018 | Holmes & Watson | Winner of the Golden Raspberry Award for Worst Picture; co-production with Gary Sanchez Productions and Mosaic Media Group[35] |
January 4, 2019 | Escape Room | Co-production with Original Film[24] |
January 11, 2019 | A Dog's Way Home | Co-production with Pariah[24] |
February 1, 2019 | Miss Bala | Co-production with Misher Films and Canana Films[24] |
June 14, 2019 | Men in Black: International[36] | Co-production with Amblin Entertainment, Parkes+MacDonald Productions, Image Nation Abu Dhabi, and Tencent Pictures[24][37] |
July 2, 2019 | Spider-Man: Far From Home | Co-production with Marvel Studios, Pascal Pictures, Wanda Media Group, and LStar Capital [24] |
July 26, 2019 | Once Upon a Time in Hollywood | Co-production with Heyday Films[38] |
August 14, 2019 | The Angry Birds Movie 2 | Distribution only; produced by Sony Pictures Animation and Rovio Animation[24] |
Upcoming films
Release date | Title | Notes |
---|---|---|
October 18, 2019 | Zombieland: Double Tap | Co-production with Pariah[39] |
November 15, 2019 | Charlie's Angels | Co-production with Brownstone Productions and 2.0 Entertainment[24] |
December 13, 2019 | Jumanji: The Next Level | Co-production with Radar Pictures, Matt Tomalch Productions and Seven Bucks Productions[40][41] |
December 25, 2019 | Little Women | Co-production with Regency Enterprises and Pascal Pictures[42][43] |
January 3, 2020 | Grudge | Co-production with Ghost House Pictures and Good Universe[44] |
January 17, 2020 | Bad Boys for Life | Co-production with Jerry Bruckheimer Films, Overbrook Entertainment, and 2.0 Entertainment[24][45] |
February 7, 2020 | Peter Rabbit 2 | Co-production with Sony Pictures Animation, Olive Bridge Entertainment, Animal Logic, 2.0 Entertainment, Screen Australia, and Screen NSW[46] |
February 21, 2020 | Bloodshot | Co-production with Original Film, Cross Creek Pictures, and Valiant Entertainment[47] |
February 28, 2020 | Fantasy Island | Co-production with Blumhouse Productions[48] |
April 3, 2020 | Fatherhood | [49] |
April 10, 2020 | Rise | Co-production with Affirm Films[50] |
May 8, 2020 | Greyhound | Co-production with Playtone, Bron Studios, FilmNation Entertainment, and Sycamore Pictures[44] |
July 10, 2020 | Ghostbusters 2020 | Co-production with The Montecito Picture Company[51] |
July 31, 2020 | Morbius | Co-production with Marvel Entertainment, Pascal Pictures[52][53] |
August 14, 2020 | Escape Room 2 | Co-production with Original Film[54] |
September 18, 2020 | The Mitchells vs. The Machines | Co-production with Sony Pictures Animation and Lord Miller Productions[55][56][57] |
October 2, 2020 | Venom 2 | Co-production with Marvel Entertainment[58] |
November 6, 2020 | Vivo | Co-production with Sony Pictures Animation[59] |
December 18, 2020 | Uncharted | Co-production with PlayStation Productions[60] |
February 5, 2021 | Cinderella | [61] |
March 5, 2021 | Masters of the Universe | Co-production with Mattel Films and Escape Artists[62] |
December 22, 2021 | Hotel Transylvania 4 | Co-production with Sony Pictures Animation[63] |
See also
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- ^'Michael Rianda'. tumblr.com. Retrieved 15 April 2017.
- ^Polito, Thomas (26 November 2018). 'Sony Sets Two Marvel Movies For 2020'. Geeks Worldwide. Retrieved 26 November 2018.
- ^Fleming Jr., Mike (December 14, 2016). 'Sony Animation Sets Lin-Manuel Miranda's 'Vivo' For 2020 Bow'. Deadline Hollywood. Retrieved February 11, 2017.
- ^Thomas Polito (June 6, 2019). ''Uncharted' Live-Action Video Game Adaptation Sets December 18th, 2020 Release Date'. The GWW.
- ^'Tom Holland's Uncharted Movie Sets December 2020 Release Date'. The Hollywood Reporter. Retrieved 6 June 2019.
- ^Pedersen, Erik; Pedersen, Erik (May 16, 2019). ''Masters Of The Universe' Attacking In 2021 Via Sony'. Deadline Hollywood. Retrieved May 16, 2019.
- ^D'Alessandro, Anthony; D'Alessandro, Anthony (February 26, 2019). ''Hotel Transylvania 4' To Open Doors Christmas Season 2021'. Deadline Hollywood. Retrieved February 26, 2019.
External links
- Columbia Pictures on IMDb
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